Framed Prints and Multiples

As always, Caviar20 is thrilled to present the esteemed work of Louise Nevelson - one of the most revered and unique artists of the 20th century. (Also, an artist who continues to b...

Artist: Henry Moore, British (1898 - 1986) Title: Two Fat Lambs (Cramer 395) Year: 1974 Medium: Lithograph on laid paper, signed and numbered in pencil Edition: 30, X Image Size: 7 ...

JAMES ROSENQUIST (B. 1933) Sunglass Lens-Landing Net-Triangle Original etching, 1974 Catalog #80 Sheet size: 19 1/2” x 35 1/4” Edition number 11 of 80 Signed, numbered, and date...

Photolith on arches paper from the series Time. Hand signed and numbered by the artist. From the EA edition of 30. There is also a main edition of 300. Sheet size 29.5 x 21 inche...

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

Joan Miró “Barcelona Series” 1972 Etching, aquatint and carborundum engraving. Copy “Bona tiré”. Signed and justified in pencil Work reflected in Miró engraver vol.II, pag.228/nº59...

The work is a Lithograph, not numbered, but signed and dated by the artist, Piero Dorazio. The print has an intense color field with a strong linear element being composed of quadril...

Artist: Tom Wesselmann (1931 - 2004) Title: Olympische Spiele Muenchen (Foot) Year: 1972 Medium: Screenprint Poster mounted on linen Edition: 3000 Size: 40 in. x 25 in. (101.6 cm x 6...

Alexander Calder's "Pinwheels and Pyramids," a lithograph from 1970, is a striking example of his signature style that blends abstraction with a sense of playfulness. Known for his i...

Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...

Artist: Alexander Calder Title: Plate 4 Portfolio: Derriere le Miroir #212 Medium: Lithograph Date: 1975 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

Artist: Dali, Salvador Title: The Golden Fleece Series: Aranella Date: 1974 Medium: drypoint printed in color Signature: Pencil signed Edition: 127 / 300 Literature: Albert F...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Artist: Joan ...

Norman Ives (American,1923-1978), "Y-I3", Serigraph on Paper, 1970, titled, dated, and numbered edition "46/70" lower left, signed in pencil lower right, silver-tone frame. Image: 20...

Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...

"Carte de Voeux #731" is an original lithograph greeting card by Marc Chagall. It is in the Chagall Catalogue Raisonne and is from a rare edition of only 200. It depicts a face and a bird in Chagall's signature whimsical modernist style. 5 1/2" x 4 1/4" art 21" x 18 1/4" frame Marc Chagall was born in Liozno, near Vitebsk, now in Belarus, the eldest of nine children in a close-knit Jewish family led by his father Khatskl (Zakhar) Shagal, a herring merchant, and his mother, Feige-Ite. This period of his life, described as happy though impoverished, appears in references throughout Chagall's work. The family home on Pokrovskaya Street is now the Marc Chagall Museum...

ROY LICHTENSTEIN (1923-1997) Lithograph and line-cut in colors with embossing, 1970, signed in pencil, dated and numbered 30/100 (total edition includes seven artist's proofs). This...

Etching, drypoint and aquatint in 28 colours, edited in 1977. Limited edition of 75 copies, numbered as 70/75 in lower left corner. Hand signed by artist in pencil in the lower right...

Joan Miró “Album 21” 1978 Colored lithograph on Archés paper Signed and hand numbered 41/75 Presents certificate from National Art Brokers Inc Work refl...

James Rosenquist Untitled, 1975 is an enthralling work created by the artist as a study for a lithograph of the same title. Rosenquist, alongside artists like Andy Warhol and Roy Lic...

Four prints by Mel Ramos. “Tomato Catsup, A.C. Annie, Lola Cola,” and “Tobacco Red” are pop art, offset lithographs in a palette of yellows, orange, and pink by the playful Mel Ramos. The artwork is signed in pencil in the lower right of each print, “Mel Ramos 72.” Framed dimensions are 37 x 31 5/8 x 1 7/8 inches each. Mel Ramos is a California based Pop artist best known for his paintings of superheroes and female nudes, including Marilyn Monroe and Scarlet Johansson, with pop culture imagery. Many of his subjects emerge from Chiquita bananas...

Soft ground etching and aquatint in colors on Inveresk paper. Hand signed lower right by David Hockney. Hand numbered 121/200 lower right. Artwork size: 20.9 x 18 inches. Frame s...

Mick Jagger III - After Andy Warhol. In this print, Warhol incorporated solid abstract shapes to emphasize Jagger's features - here, focusing on the singer’s famous lips, along with...

Alexander Calder (American, 1898-1976) Spider's Nest, 1975 Signed: Calder (Lower, Right) Lithograph in Colors on Wove Paper Sheet Size: 29 1/2" × 43" Numbered: XIX/L in Roman Numeral...

'Stabiles' is a lithograph poster after Alexander Calder and published by Galerie Maeght in 1971. Calder had produced the stones for this lithograph a year earlier in 1970 for a prin...

Etching and aquatint on paper. Hand signed lower right by Antoni Clave. Hand numbered 58/80 lower left corner. Artwork size 22 x 30 inches. Image size 19 x 27 inches. Frame size...

An original print from the Kent Bicentennial poster portfolio published by Lorillard. This side-profile of the president is from the Kent Bicentennial Portfolio. Alex Katz is a leadi...

Roberto Matta, Chilean (1911 - 2002) - Droites Liberees II, Year: 1971, Medium: Etching and Aquatint on Japon, signed and numbered in pencil, Edition: 73/100, Image Size: 8.5 x 6...

Jim Dine was one of the key artists who defined American Pop Art in the 1960s. Like Jasper Johns and Andy Warhol, Dine appropriated quintessential American images and icons. He used ubiquitous and familiar forms, like tools, food, and stylized clothing, as the basis for bold and colorful compositions inspired by Dada assemblage, Abstract Expressionism, and collage techniques. The "Heart" is the most celebrated icon in Dine's oeuvre. He uses its motif to explore pattern, color, and texture across mediums. This classic and iconic example of Jim Dine's hearts from his most sought-after period. Four coral hearts, adorned with flecks of blood orange, hover in the center of the work. The background features tactile grapefruit splotches that dance across the sheet to reveal and accentuate stretches of negative space. The result is a striking illusion of depth that simultaneously camouflages the hearts and accelerates them to the foreground of the work. Questions about this piece? Contact us. or visit our Toronto gallery on Thursdays or by appointment. "Dutch Hearts...

A beautiful signed and numbered limited edition lithograph depicting the portrait of a woman, by German expressionist artist Gernot Kissel. Artist: Gernot Kissel (German, 1939-2008)...

Harold Town is renowned in Canada for his prolific, versatile and dynamic body of work. Town was dubbed as the "Picasso of Canada" for his ever-changing aesthetic and perennial cr...

BASF Luren on aluminum 37 5/8 x 37 5/8 in. Signed lower right The Kantra Series Edition 8 of 8 Publisherd by Editions Pyra AG, Zürich, Switzerland Vasarely Catalogue Raisonné No. 17...

"La Naissance D'Eve" is an original color lithograph from the "Je Reve (I Dream)" portfolio by Andre Masson. The artist signed the piece lower right in pencil and wrote the edition n...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century....

Billy Al Bengston Turkey Dracula, 1973 Color lithograph with hand coloring and watercolor (unique variant) on Lanaquaralle paper with deckled edges Hand signed and numbered A.P. #6, ...

Elephants, 1975 - from Our Unfinished Revolution portfolio Lithograph in colors, on Arches paper, the full sheet Published by Alba Editions, New York, and printed by Mourlot, Paris...

SOL LEWITT (1928 – 2007) "Grids and Color Plate #42" Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 w...

MARC CHAGALL -- The Festival, from L'Odyssée, 1975 Lithograph in colours Unsigned Edition H.C. XVII / XX published by Mourlot, Paris Literature Mourl...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Marc Chagall "La famille du peintre" 1972 Lithograph in colors on Arches paper 21.75 x 16.75 inches (image size) 29 x 19.5 inches (sheet size) ​​​​​​​Edition of 50 + EA Signed in pen...

Jasper Johns b.1930 Souvenir I 1972 lithograph in colors on Angoumois à la Main 38½ h × 29½ w in (98 × 75 cm) Signed, dated and numbered to lower edge ‘42/63 Jasper Johns '72’. This ...

Richard Smith Bramble, 1970 Lithograph on wove paper Signed, numbered and dated 10/75 in pencil lower left Frame included: held in original vintage period frame Pencil signed, dated ...

Lone Boat At Dusk - Serigraph Print Original serigraph depicting a landscape scene with contrasts of black, blue and green. Hues of blue make up the ...

Reuven Rubin, Israeli (1893 - 1974) - As The Mountains Are Round, Jerusalem 1925, Medium: Offset lithograph, signed in the plate, Size: 12 x 16 in. (30.48 x 40.64 cm), Frame Size...

Artist: Brooks, James Title: Concord Date: 1976 Medium: Silkscreen Unframed Dimensions: 30 x 22 Framed Dimensions: 38" x 30" Signature: Pencil Sig...

Lithograph in colors on Arches paper Published by George J. Goodstadt, Inc., Ridgefield, Connecticut (with their blindstamp) 29.5 x 41.3 inches Signed and numbered in pencil, editio...

Artist: lichtenstein, Roy Title: Mirror #2 Date: 1972 Medium: Linecut and screenprint with embossing on Arjomari paper Unframed Dimensions: 28" x 28" Framed Dimensions: 29.5" x...

Artist: Dali, Salvador Title: Cyclopean Make-Up Series: Imaginations and Objects of the Future Date: 1975 Medium: Lithograph with original drypoint Unframed Dimensions: 30.75" x...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artis...

Romare Bearden Louisiana Serenade (from Jazz Series) - 1979 Print - Lithograph Framed - 33 x 42 inches Edition: Signed in pencil and marked 159/175 Romare Bearden is among the pree...

"Cabeza en Gris" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 30x22 in. The piece is framed beautifully with a white mat with a silver liner and ...

Lithograph on Arches paper with embossing and gold foil by the Spanish surrealist artist Salvador Dali. From the 1977 Twelve Apostles Suite (sometimes referred to as the Knights of the Roundtable Suite). Signed and numbered in pencil. (54/350) This image is sometimes referred to as "Visions of Camelot." Edition Size: 350. Paper Size: 22.5 x 18.8 in. Referenced in; The Official Catalog of the Graphic works of Salvador Dali" by Albert Field as 72-14 C. Published by S. Wajntraub, P. Moore, A. Lancel and J. Carpentier, Paris. Framed Provenance: Martin Lawrence Gallery...

The work of controversial post-Abstract Expressionist artist Larry Rivers is in the collection most Major Museums. In 2021 a work of his sold at Sotheby's for over 2 Million Dollars. "Big B Signs Up...

Georges Braque, French (1882 - 1963) - San Lazarro et Ses Amis, Year: 1975, Medium: Lithograph, Edition: 575, Size: 14 in. x 10 in. (35.56 cm x 25.4 cm), Frame Size: 20 x 17 inc...

Joan Miro Lithographie Originale IV (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1977 Size: 12.5 × 9.6 inches Framed: 18.25 x 15.5 x 1 inches Catalogue Rai...

Offset lithograph on Rives paper. 1,000 signed in felt pen vertically along the right margin by Andy Warhol and numbered in pencil lower center. There is also a small printed signa...

Antoni Clavé Papier froissé, 1975 Lithograph Hand signed lower right Edition 59/170 Frame size: 50.5 x 66 cm One of the most internationally renowned contemporary Catalan artists, w...

Collotype and Screenprint on Ivorex paper, edited in 1979 Limited edition of 90 copies Signed in pencil by artist in lower right corner and numbered: 30/90 paper size: : 50.2 × 66 cm ( 19 3/4 × 26 in ) framed size: 55,5 x 71 cm Publisher: Waddington Graphics good conditions, with deep, bright colors , slight defects A copy of publication and a regular certificate of authenticity is provided I offer professional packaging and tracked and insured shipping with DHL courier This striking composition seamlessly merges two Gerrit Rietveld chairs...

Tony Delap Florian, Child of Air, 1977 Lithograph on Arches cover paper Pencil signed, titled, annotated and dated on the front Provenance: Collection of artist Natasha Nicholson Pub...

First edition serigraph created and designed by Jack Youngerman for Amnesty International in 1977. Signed in pencil by Youngerman. Artists for Amnesty, a series of art posters create...