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George Barbier
George Barbier, Chez la Marchande de Pavots, fashion lithograph, 1920

1920

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Libertinia, from Imaginary Places
By Frank Stella
Located in London, GB
Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were als...
Category

Late 20th Century Abstract Abstract Prints

Materials

Engraving, Etching, Aquatint, Lithograph, Screen

The Waves: Squid
By Frank Stella
Located in London, GB
Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, publi...
Category

1980s Abstract Abstract Prints

Materials

Lithograph, Screen

The Munich 1972 Olympic Posters, a complete collection of 30 works
Located in London, GB
The extremely rare, complete collection of 28 artists original graphics, the first signed edition before the second poster edition of 4000, with varying edition numbers including Artist’s Proofs, from the total edition of 200, each hand signed and numbered or inscribed, 1969 - 1972, printed on varying papers, published by the Organising Committee for the Games of the XXth Olympiad and F. Bruckmann, Germany, with 2 additional screenprints of the Emblem by Victor Vasarely, 1972, signed from the edition of 200, on wove paper, each sheet, various measurements. (30 works) The 1972 Olympic Committee commissioned 28 international artists to each produce an original print for the Munich Games that year. The artists were given unprecedented freedom to explore their personal perspectives of the Olympic spirit using their own unique styles and methods. Departing from the traditional subject matter and style of past Olympic prints, the artists produced works which ranged from abstraction to realism, and from collage to op-art. The Committee specifically commissioned world-renowned artists to produce this series in order to destigmatise the idea that fine art should be reserved for private enjoyment. Instead, these posters demonstrated that art can exist comfortably in the public sphere, serving both as art and advertisement and echoing the founder of the modern Olympics, Pierre de Coubertin...
Category

Late 20th Century Post-War Prints and Multiples

Materials

Lithograph, Screen

Orofena, from Imaginary Places III
By Frank Stella
Located in London, GB
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.) Catalogue Raisonne: Axsom 252 Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...
Category

1990s American Modern Abstract Prints

Materials

Etching, Aquatint, Lithograph, Screen

Aiolio, from Imaginary Places III
By Frank Stella
Located in London, GB
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs)...
Category

1990s American Modern Abstract Prints

Materials

Etching, Aquatint, Lithograph, Screen

Ahab, from The Waves Series
By Frank Stella
Located in London, GB
Screenprint, lithograph and linocut in colours with collage, marbling and hand-colouring, 1989, on T. H. Saunders and Somerset papers, signed and dated ‘88’ in pencil, numbered 'AP I...
Category

1980s Abstract Abstract Prints

Materials

Lithograph, Screen

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