21st Century and Contemporary Interior Prints

Edition Details: Year: 2014 Class: Art Print Status: Official Released: 10/16/14 Run: 376/400 Technique: Letterpress Paper: 100% Cotton Lettre Fine Art Paper Size: 10 X 13 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey. Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater...

"As I develop the work for my 30th anniversary, I'm revisiting some classic images from throughout my career and exploring alternate compositions. I felt that this reconfiguration of...

Rebecca Skinner’s “Disarray” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 12 x 18 inch black and white phot...

Close Finish is an original linocut print on paper by John Scott Martin. Having cut a series of lino blocks, I prepare collage backgrounds. I handprint onto the collages, which are m...

(There’s A Place) Pensao Amor, Lisbon [2021] limited edition Digital on 315gsm etching paper Edition of 200 Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look I think the name suggests that this cosy little bar served a slightly more risqué purpose once upon a time. Johnny Bull...

John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Opaque), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50: Han...

Champagne City, Aqua Blue Thames Clare Halifax Signed by the artist Limited edition of 10 Image size: H:48 cm x W:48 cm Paper size: H:56 cm x W:56 cm x D:0.1 cm Please note that insitus are purely an indication of how a piece may look. Champagne City, Aqua Blue Thames is a limited edition cityscape print by Clare Halifax. Champagne City, Aqua Blue Thames features hand gilded champagne gold leaf 22.5ct with aqua blue thames. This 2 colour screen print with hand finished gilding is printed by the artist and shows the view of the thames from sky garden, edition of 10, printed onto somerset satin 300gms with deckle edge. Clare Halifax, artist, joins Wychwood Art selling art online and in their art gallery in Deddington. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...

Rebecca Skinner’s “Silk Mill” was photographed at an abandoned mill and is part of a series documenting the loss of industry in America. The 20 x 30 inch acid-free, archival, color p...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Mark Drew, Wu-Tang Again (Wu-Tang Clan), 2017 Screenprint in colours on dimpled cream paper 29.8 x 41.9 cm (11 7/10 x 16 1/2 in) AP, apart from the edition of 100 Signed to lo...

Year: 2015 Class: Art Print Status: Official Run: 3/200 Technique: Letterpress Size: 10 X 13

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Dave Buonaguidi Party Like It's 1999, 2021 Medium: Screenprint on paper Dimensions: 42 x 29.7 cm Edition of 60: Hand-signed and numbered in pencil Condition: Excellent (sold unframed)

Original Illustration based on photograph by Karen Bystedt. Signed by Shepard Fairey and Karen Bystedt. Comes with C.O.A. from New Union Gallery. "I’ve been a fan of Andy Warhol’s ...

Made in London by Mychael Barratt [2022] Signed by the artist Silkscreen on 410 gsm paper Edition number of 100 Image size: H:66 cm x W:100 cm Complete...

Shepard Fairey limited edition silkscreen box set created in collaboration with Amplifier! This set includes ten 12"x12" signed and numbered screen prints featuring the Revolutionary Love series made from many of Shepard’s most famous symbols, in a foil embossed box and a certificate of authentication. Numbered 84/250 on the outside of the box. Each of the ten prints are also all matching numbered 84/250. Signed and Numbered by the artist in pencil, Shepard Fairey. Medium: Print Condition: Prints are in great condition and have been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist, Shepard Fairey in pencil. Dated 2021 Certificate of authenticity: Included (issued by authorized authenticating body) Frame: Not included Series: Revolution Publisher: Obey Giant Studio's Los Angeles California. Each print is individually signed and numbered by the Artist, Shepard Fairey in pencil. Each print also features the same number 84 as it's a complete set. Please and thank...

Clare Grossman Overture 1 Limited edition of 70 solar plate etchings hand printed by the artist on 300gsm Somerset paper. Actual image/plate size 13x10cm. One example from a portfoli...

Vinyl Collection, vintage interior photograph from Richard Heeps series, Forward to the Past. Richard was commissioned by Preston Hall Museum in Stockton-on-Tees to document the Muse...

New York has one of the best skylines in the world - wherever you look there is an iconic landmark or view. The Big Apple is the perfect muse for my art. This is such a classic Manha...

This art print by Laurent Durieux is a rare find for any Halloween enthusiast. Signed by the artist and numbered out of 500, this print is an original piece produced using screen pr...

Stamped on the Verso of the print and in Mint Condition. From the David Kordansky Gallery show in 2017. Very rare poster that has been stored flat since purchase. One of his most ...

Limited edition print of the original ‘Dollies’ Dolly Mixture image by Simon Dry. The first print onto Fabriano paper is over painted in white by Simon and then over printed again to create a uniquely textured hand finished surface. Each print becomes a richly coloured and individual piece of art in a limited edition of 50, signed and numbered by the artist. Simon Dry original art and prints available online and in the gallery. Simon Dry trained as a graphic designer, graduating with a BA (Hons) from Ravensbourne College of Art & Design. He has run Drydesign in London, Dublin and Suffolk, using skills learned in this time to create SweetArt along with his wife, Vic. Artist Simon Dry has created highly original art of much loved sweets, made solely from discarded Quality Street wrappers. These iconic artworks feature Dolly Mixture, Fab ice lolly...

32" x 33" Unframed Limited Edition Hand Embellished Giclee of 290 Hand Signed by Damien Elwes

Banksy, GDP Flower Thrower, 2019 One colour screenprint on 50 gsm paper Unframed: 57.5 x 76.5 cm (22.63 x 30.11 in) Framed: 78.5 x 97.5 cm (30.91 x 38.39 in) Limited Edition (Unkn...

Dylan Lloyd Island Path VIII Original Oil Painting on Canvas Oil Paint on Canvas Framed in a White Box Frame Image size: H 30cm x W 24cm x D 0.5cm Framed S...

Screenprint on gesso board. Hand signed and numbered. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 30. All reasonable offers will be conside...

This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...

Silkscreen Print on Fine Art Cream Speckletone 24 × 18 in 61 × 45.7 cm Edition of 500 Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary / Contemporary Academic Realism "The Earth's eco-system is beautifully complex but fragile. Biodiversity is essential to maintain the delicate balance our world needs to remain healthy. 68% of the Earth's species have disappeared in the last 50 years alone. Many beautiful creatures are gone forever, and each loss erodes the foundation of our eco-system. My poster...

Vicky Oldfield Buzzing Around Limited Edition Collagraph Print Edition of 30 Image Size: H 9.5cm x W 9.5cm Sheet Size: H 23cm x W 23cm x D 0.1cm Sold Unframed Please note that insitu...

Damien Hirst (British, born 1965) Beautiful, Tastefully Sensuous Explosion Painting (H12-2), 2023 Medium: Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görn...

Nelson Mandela, The Ward, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family...

Damien Hirst (British, born 1965) Fruitful, 2020 Medium: Laminated Giclee print on aluminium composite panel Dimensions: 39 x 39 cm Edition of 3308: Printed signature and edition num...

"Fortune Teller" is a Pencil-Signed, Limited Edition Print (329/500). It measures 11.25 x 11.25 inches, unframed. The piece is in Very Good Condition.

Frida and Diego- image bled to plate size ~ 26” x 24” - printed on 100% cotton rag - Architectural elements

MASSIMO LISTRI Trinity College Library, Dublin, Ireland, 2012 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and ...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Jenny Holzer, Truism 'Protect Me From What I Want' Mixed media on wood Unframed 10.2 x 15.2 cm (4 x 6 in) Framed 22 x 27 cm (8.66 x 10.63 in) Jenny Holzer is an American conceptu...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Massimo Listri Torino I (Under Construction), 2005 C print Signed and numbered edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject ma...

James McQueen, Be Careful what you wish for, 2022 Mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper 101.5 × 67.5 cm (40 × 26 3/5 in) Edition of 95 James...

Giacomo da Prato Faraglioni, Capri, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

Damien Hirst, Cherry Blossoms, 2021 Set of 6 exhibition posters from the 'Cerisiers En Fleurs' Paris Cartier foundation exhibition Print in colours on 220 gsm fine art paper 80 x 60...

KAWS, I Like Printing, 2002 Screen-print on paper 44.8 × 64 cm (17 3/5 × 25 1/5 in ) Edition of 60 KAWS is a Brooklyn-based artist whose influential body of work masterfully synt...

Rebecca Skinner’s “Unravel” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 24 x 16 inch color photo with satin...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces with the Reading Room of the Bibliotheque Sainte Genevieve...

Chris Ofili (born 1968 in Manchester) R.I.P. Stephen Lawrence 1974 – 1993, 2013 Medium: Lithograph and photoluminescent silkscreen on paper Print dimensions: 45 x 35.6 cm (17.7 x 14 ...

Notre Dame, Paris, France, 2017 32x40 inches Edition of 9 Archival Pigment Print Framed Also available in: 48x60 inches Edition of 5 Archival Pigment Print Framed

Signed, titled, and numbered by the artist. Extravagant multi-colored blossoms fill the image in this etching by Yuju Hiratsuka. While Hiratsuka's images have some resemblance to tr...

Massimo Listri Libraries Biblioteca St. Emmeram II (Library), Regensburg, Germany, 2016 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5...

Compton Organ - The State, Grays, vintage interior photograph from Richard Heeps' Thurrock series, A Different Light. The series was commissioned to present Thurrock through Richard'...

Artist ROBERT INDIANA Title: Heal Year: 2015 Medium: Silkscreen in 3 colors on 2-ply Museum Board Edition Size: Edition of 20 + 5AP Edition: 12/20 Signed & numbered by the artist...

Artist: Itzchak Tarkay (1935-2012) Title: Sisters Year: Circa 2000 Medium: Silkscreen on wove paper Size: 11.25 x 11.75 inches Edition: 219/750, plus 100 Remarques Condition: Excelle...

Part of Richard Heeps 'Dream in Colour' Series, this cool Palm Springs interiors picture featuring a vintage telephone on a nightstand combines gorgeous colours and dreamy nostalgic ...

MASSIMO LISTRI Massimo Listri - Museo Archeologico Naples, Italy (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and number...

Damien Hirst: Pop Art Is: My Problem Is You Exhibition Poster, 2007 Offset lithograph on paper 27 1/5 x 39 3/8 inches (69 x 100 cm) Original Damien Hirst Exhibition poster from ...