Items Similar to Schuylkill River
Want more images or videos?
Request additional images or videos from the seller
1 of 2
John SloanSchuylkill River1894
1894
$2,400
£1,792.42
€2,079.84
CA$3,324.02
A$3,726.20
CHF 1,943.13
MX$45,674.07
NOK 24,622.68
SEK 23,409.56
DKK 15,518.30
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
John Sloan etching Schuylkill River, 1894, signed, titled, annotated “100 proofs” [only 25 were printed], also signed by the printer “Peter Platt imp’ in pencil lower left margin. From the edition (of 25) all printed by Peter Platt. Morse 60, only state. Provenance: ex. coll. VO and MP Potamkin Collection; Kraushaar Galleries.
A fine impression, with plate tone. On a tan wove paper with a partial crest and fleur de lys watermark, with margins, in good condition, a tiny nick right edge, slightest browning toward outer margin edges, 8 1/4 x 5 1/4 (the sheet 12 1/2 x 10) inches, archival matting.
A relatively early (and rarely seen) print for Sloan (1871-1954), he was 23 when he made this etching. Here are his later comments on the print: “One of my few plates that looks like an etching from the connoisseur’s point of view. It might be that had I pursued the direction here suggested my etchings might have become quite popular. This plate was made with William Glackens beside me, absorbing his first and only lesson in etching.”
By 1894 Sloan was coming into his own as an illustrator for the Philadelphia Inquirer, and Glackens and Sloan had become devoted students of a local artist just a few years older than Sloan – Robert Henri. At this stage Sloan had become interested in Japanese prints, Fin de Siecle French posters; also, of course, there’s the hint of aWhistlerian aesthetic here.
Peter Platt was one of Sloan’s best and most favored printers. This print demonstrate why: the subtle use of plate tone (ink left on the plate during printing process) gives the impression an atmospheric quality.
- Creator:John Sloan (1832-1932, American)
- Creation Year:1894
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531534683
John Sloan
John Sloancame to New York in 1904 and worked for some time as a freelance illustrator. With Robert Henri, he organized an exhibition of a group of urban realist painters, known as "The Eight" or the "Ashcan School," who challenged traditional notions of art. Having moved to the Village in 1912, Sloan lived with his wife Dolly at 240 West 4th Street and at 88 Washington Place.
About the Seller
4.9
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2000
1stDibs seller since 2016
105 sales on 1stDibs
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLimehouse
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky.
A very fine impression, in black ink on a thin Japan paper.
Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat.
Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames.
It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...
Category
1850s Realist Landscape Prints
Materials
Etching
The Green Hour (or Angna Enters in “The Green Hour”)
By John Sloan
Located in New York, NY
John Sloan (1871-1954), The Green Hour (or Angna Enters in “The Green Hour”), etching, 1930, signed in pencil lower right, inscribed “100 proofs” lower le...
Category
1930s American Realist Portrait Prints
Materials
Etching
Hell Hole
By John Sloan
Located in New York, NY
John Sloan (1871-1951), Hell Hole, 1917, etching and aquatint, signed bottom right, titled bottom center, and inscribed “100 proofs”. Reference: Morse 186, second state (of 2). From ...
Category
1910s American Realist Prints and Multiples
Materials
Etching, Aquatint
L’île Lacroix, à Rouen
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...
Category
1880s Impressionist Landscape Prints
Materials
Drypoint, Etching, Aquatint
Bridge, Amsterdam
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches.
Provenance:
Vivian and Meyer P. Potamkin, Philadelphia;
sale, Sotheby’s, New York, May 11, 1989, lot 302
Samuel Josefowitz, Pully, Switzerland
A very fine, shimmering impression of this great rarity.
This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...
Category
1880s Impressionist Landscape Prints
Materials
Etching
Up the Line, Miss?
By John Sloan
Located in New York, NY
John Sloan (1871-1951), “Up the Line, Miss?”, etching, 1930, signed, titled and inscribed 100 proofs [also signed in the plate]. Reference: Morse 243, fifth state (of 5). In excellen...
Category
1930s American Realist Figurative Prints
Materials
Etching
You May Also Like
Wake on the Ferry.
By John French Sloan
Located in Storrs, CT
Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...
Category
1940s American Modern Figurative Prints
Materials
Etching
$1,750 Sale Price
22% Off
SEEING NEW YORK
By John Sloan
Located in Portland, ME
Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all in pencil. Edition of 100, of which only 85 were printed.
The image is of live ch...
Category
1910s Animal Prints
Materials
Etching
Gloucester Ferry, No. 2
By Stephen Parrish
Located in Middletown, NY
A beautiful and delicate 19th century image of one of New England's most storied ports.
Boston: Estes & Lauriat Editions, 1882
Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...
Category
Early 20th Century American Realist Landscape Prints
Materials
Laid Paper, Etching
River in Normandy - Original etching - Ed. Durand Ruel, 1873
By Alfred Sisley
Located in Paris, IDF
Alfred SISLEY (after)
The Angelus, 1873
Original Etching
Engraved by Flameng under the supervision of SISLEY
Printed signature in the plate
On laid paper...
Category
1870s Impressionist Landscape Prints
Materials
Etching
The Thames, 1894 - Victorian aquatint etching of London by Joseph Pennell
By Joseph Pennell
Located in London, GB
JOSEPH PENNELL
(1857-1926)
The Thames, 1894
Signed
Aquatint
Plate size 20.5 by 26.5 cm., 8 by 10 ½ in.
(frame size 42 by 46 cm., 16 ½ by 18 in.)
Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...
Category
1890s Realist Landscape Prints
Materials
Aquatint
Twenty-Fifth Anniversary; Invitation to a party .....
By John Sloan
Located in Middletown, NY
Invitation to a party on the occasion of John and Dolly Sloan's twenty-fifth wedding anniversary.
Sante Fe: Printed by Peter J. Platt, 1926. 100. Etching on cr...
Category
1920s American Modern Portrait Prints
Materials
Etching
