Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Pedro Lemos
"The Greater University" - 1921 UC Berkeley Yearbook Color Lithograph

1921

On Hold
$380
$47520% Off
On Hold
£286.62
£358.2820% Off
On Hold
€330.59
€413.2420% Off
On Hold
CA$536.38
CA$670.4820% Off
On Hold
A$596.95
A$746.1820% Off
On Hold
CHF 310.79
CHF 388.4820% Off
On Hold
MX$7,208.78
MX$9,010.9720% Off
On Hold
NOK 3,897.53
NOK 4,871.9120% Off
On Hold
SEK 3,681.46
SEK 4,601.8320% Off
On Hold
DKK 2,468.62
DKK 3,085.7820% Off

About the Item

"The Greater University" - 1921 UC Berkeley Yearbook Color Lithograph "The Greater University" 1921 University of California Berkeley Color Lithograph by Pedro Lemos (American, 1882-1952). UC Berkeley peeks through shadowed trees of purple, with the clock tower (better known as the Campanile), standing tall in the center. The front lawn is vibrant green, and sky deep blue as nighttime nears. Signed "Pedro J Lemos" lower right. "The University" and "The Greater University" is typed on verso. Presented in a white mat. Mat & Image: 14"H x 11"W Image: 8.5"H x 6.5"W Pedro J Lemos was a painter, etcher, illustrator, pastelist and lithographer. Born in Austin, NV on May 25, 1882. Lemos grew up on Myrtle Street in Oakland and was educated in the public schools there. He studied art in San Francisco with Mary P. S. Benton, Harry Stuart Fonda, and at the Mark Hopkins Institute in 1900 under Arthur Mathews. He further studied in NYC at the ASL under George Bridgman, Arthur Dow, and at Columbia University. Following his art training, he established a studio overlooking Lake Merritt in Oakland and soon began teaching at UC. Beginning in 1911 he taught etching and decorative design at the San Francisco Institute of Art and served as director of that school during 1914-17. Lemos then became director of the Museum of Art at Stanford University, a position he held until retirement. He was the author of Applied Art, Artists Scrap Book, Block Printing, and about 50 books on arts and crafts.
  • Creator:
    Pedro Lemos (1882 - 1954, American)
  • Creation Year:
    1921
  • Dimensions:
    Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    In very good condition. New mat.
  • Gallery Location:
    Soquel, CA
  • Reference Number:
    Seller: N84011stDibs: LU54213685382

More From This Seller

View All
Vintage Floral Study Etching Titled "Weeds" by Marina Payot
Located in Soquel, CA
Vintage Floral study etching titled "Weeds" by Marina Payot (American, 20th century), 1983. Titled, signed, and dated lower edge. Artists Proof designation. Unframed. Image: 11.75"H ...
Category

1980s American Impressionist Landscape Prints

Materials

Paper, Printer's Ink

Flower Song Landscape
By Michael Schofield
Located in Soquel, CA
Flower song, a beautiful landscape lithograph in soft tones by Michael Schofield (American, b. 1947). Presented in a wooden frame. Signed "Schofield" lower right and numbered "165/35...
Category

1970s American Impressionist Landscape Prints

Materials

Paper, Ink

Bowling on the Green (from the Bicentennial Pageant of George Washington)
By Childe Hassam
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Category

1930s American Impressionist Figurative Prints

Materials

Ink, Etching, Laid Paper

Early 20th Century Camping in Sierra Mountains Lithograph
Located in Soquel, CA
Wonderful hand-colored lithograph of Sierra Mountain camping scene by Donald Masefield Easton (American, 1896 - 1956), published in 1931. Signed lower right (partially obscured by mat). Presented in rustic wood frame under glass. Image size: 14"H x 18"W. Donald Masefield Easton was a painter, illustrator with his subjects being California landmarks and western scenes. Born is Port Costa...
Category

1930s American Impressionist Landscape Prints

Materials

Paper, Oil Crayon, Ink

"Children's Park" Landscape Etching, Artist's Proof
Located in Soquel, CA
Intricate landscape etching of a park by an unknown artist. Signed illegibly "Partek or Partch". Signed, titled "Children's Park", and numbered (AP) along the lower edge. Presented i...
Category

Late 20th Century American Impressionist Landscape Prints

Materials

Paper, Ink

"Whisperings at a Cross Point" - Doorway Arch Drypoint Etching
By Susan Varjavand
Located in Soquel, CA
Charming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...
Category

1980s American Impressionist Interior Prints

Materials

Paper, Ink, Drypoint

You May Also Like

D. P. Weier Monoprint Oil Landscape "Birch Forest"
Located in Detroit, MI
SALE ONE WEEK ONLY “Birch Forest” is a monotype oil. The process is the simplest form of printmaking in a way because the artist does not etch or carve into a plate. Instead, a mono...
Category

20th Century American Impressionist Landscape Prints

Materials

Paper, Oil

“Red Square” Serigraph on Paper
By LeRoy Neiman
Located in San Francisco, CA
It almost makes one want to board Aeroflot to see this firsthand…maybe going out of Istanbul? Well no. And yet, there’s a universal energy on full display in this view by a master im...
Category

2010s American Impressionist Landscape Prints

Materials

Paper

"Afternoon Glow" Colorful Serigraph of Lahaina Harbor, Maui
By John Cosby
Located in Laguna Beach, CA
This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240 including Proofs, and this beautiful harbor scene is bathed in glowing light, with rich blues, greens, and grays. As a painter Cosby travels extensively painting what he sees and feels. Bold use of color and an energetic brush stroke combined with the truth of the place is what you will see and feel when viewing a painting by Cosby. Born in Hollywood California in 1955, Cosby was raised in the west. At an early age he began to draw and paint and was lucky enough to have been inspired by a grandmother who was an oil painter. "She would give me the paint, some brushes and a scrap of canvas and set me off to paint. This early experience took the fear out of creating a painting," said Cosby. Cosby started traveling at an early age. At 18 he was chosen as an advance man for the Executive Branch of the US Government, served under two Presidents and traveled the world. He met many interesting people and saw many things but what most interested him were the great works of art he encountered. "They haunted me and helped set the course for my career as a painter". After leaving the White House, Cosby rebuilt an old classic sailing sloop designed by Nathaniel Herrishoff. With a friend (who had dreams of being a writer) set sail up and down the eastern seaboard in the inland waterway for 3 years. Thus he began his art career. "Doing drawings of anything that moved me, things began to sell and my course was set," said Cosby. Upon his return to the California, Cosby began painting the sea and landscape of coastal California. With a strong gallery response, his success as a painter quickly followed. Cosby currently resides and maintains a studio in San Clemente CA. He works on location around the world and is represented by some of the finest galleries. Cosby was a founding board member of the prestigious “Laguna Plein Air Painters Association”, a Signature member of both Pleinair Painters of America and The California Art Club. He has served as an officer of these groups to help further the cause of Art. Cosby was also a founder of the Laguna Beach Plein Air Painting Invitational that was held at the Laguna Art Museum for thirteen years and is now in it's 18th year. With his bold contemporary style Cosby has captured the imagination of some very important collectors. His work can be found in many private, public and corporate collections around the world. Cosby is recognized internationally. List of Awards and Recent Exhibitions 2016 The Irvine Museum Summer Exhibition "A Summer Idyll" 2015 Commissioned by Big Canyon Country Club to paint a major painting 2015 Accepted into The Irvine Museum Permanent Collection 2015 Group Show “The Wild Side” Catalina Island Conservancy show 2014 The Fredrick Weisman Museum "On Location in Malibu" A CAC Show 2014 The Cape Cod Museum of Art "Looking East" a PAPA Show 2014 The Irvine Museum "Sunlight and Shadow/ The Tradition of Pleinair Painting...
Category

2010s American Impressionist Landscape Prints

Materials

Screen

Five Feet Of Backbone, American Impressionist Lithograph by Duane Bryers
By Duane Bryers
Located in Long Island City, NY
Duane Bryers, American (1911 - 2012) - Five Feet Of Backbone, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: Edition of 300, AP, Image Size: 23 x 16 inches, ...
Category

1970s American Impressionist Landscape Prints

Materials

Lithograph

The Little Wheelwright's
By James Abbott McNeill Whistler
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category

Mid-19th Century American Impressionist Figurative Prints

Materials

Etching

Winslow Homer 19th Century Woodcut Engraving "Making Hay"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...
Category

1870s American Impressionist Landscape Prints

Materials

Engraving, Woodcut