Unknown

"Children's Park" Landscape Etching, Artist's Proof

c. 1980s

"St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...

Wonderful hand-colored lithograph of Sierra Mountain camping scene by Donald Masefield Easton (American, 1896 - 1956), published in 1931. Signed lower right (partially obscured by mat). Presented in rustic wood frame under glass. Image size: 14"H x 18"W. Donald Masefield Easton was a painter, illustrator with his subjects being California landmarks and western scenes. Born is Port Costa...

"Senior Womens Hall In The Moonlight" 1921 UC Berkeley Yearbook Color Lithograph "Senior Womens Hall In The Moonlight" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...

"The Greek Theater After A Rally" - 1921 UC Berkeley Yearbook Color Lithograph "The Greek Theater After A Rally" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...

"Strawberry Creek At The Class Of 1910 Bridge" - 1921 UC Berkeley Lithograph "Strawberry Creek At The Class Of 1910 Bridge" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...

Windmill And Well At Dusk - Original Vintage Lithograph Original vintage black and white lithograph of a windmill and well at dusk by Peter Hurd (American, 1904-1984). The viewer looks out into the New Mexico desert, as a windmill stands in back of a full water tank. The setting dusky sun lights the horizon as the crescent moon comes into view. Simple, beautiful New Mexico desert scene. Signed in print575 "Peter Hurd" lower right. Presented in a silver frame with an inner white mat. Frame: 15.25"H x 19.25"W Mat: 14.5"H x 18.5"W Image: 8.75"H x 10.25"W Peter Hurd (American, 1904-1984) was an American painter whose work is strongly associated with the people and landscapes of San Patricio, New Mexico, where he lived in the 1930s. He is equally acclaimed for his portraits and his western landscapes. Early in his life, Hurd studied in Chadds Ford, Pennsylvania under the noted illustrator N. C. Wyeth, along with two of his grown children. Hurd later married the painter's eldest daughter, Henriette Wyeth, who also is known as an accomplished painter. During World War II, Hurd worked for Life magazine as a war correspondent attached to the US Air Force. He created hundreds of "War Sketches". Hurd came to national attention in the 1930's for both painting and book illustration. Among the books are Last of the Mohicans (1926), Great Stories of the Sea and Ships (1933), and Habit of Empire (1938). Nevertheless, he was most associated with the New Mexico subjects which occupied most of his career. He worked primarily in egg tempera on gesso, a medium he introduced to his younger brother-in-law, Andrew Wyeth. Hurd's realist palette and brush technique of fine, linear marks and hatches beautifully conveyed the scrubby high-desert landscape. He loved to explore the visual effect of constantly changing weather and sunlight on the land. Hurd also was known for his honest yet sympathetic portrayals of local ranch and farm families going about the work and pleasures of their daily lives. Sponsored by New Deal art programs, Heard painted murals for the Big Springs, Texas Post Office in 1938 and the Terminal Annex Building in Dallas in 1940. In that latter year he also completed three fresco murals at the Alamogordo, New Mexico Post Office. From 1942 to 1945 Hurd worked as a war correspondent for Life magazine and then resumed full-time painting. During 1953 and 1954 Peter, Henriette, and two students, Manuel Acosta...

SALE ONE WEEK ONLY “Birch Forest” is a monotype oil. The process is the simplest form of printmaking in a way because the artist does not etch or carve into a plate. Instead, a mono...

Floral design extraordinaire! This is a lithograph of an original watercolor signed by Palo Verdes, California artist Dian Clapp Bartz.

This giclee on canvas called "Near Amalfi" by Howard Behrens is embellished and signed by the artist. It is numbered 11/25. Framing options are available.

"Overlooking Amalfi" is a lithograph on paper signed by the artist Howard Behrens. It is a limited edition and numbered 20/25. There is some evidence of wear, but only on the borde...

This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...

This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...