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Lawrence Nelson Wilbur

'Gloucester Harbor 2' — Mid-Century East Coast Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil
Category

1940s American Realist Landscape Prints

Materials

Drypoint

Tranquil Harbor (Gloucester, Massachusetts)
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving
Category

1950s American Modern Landscape Prints

Materials

Woodcut

'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled
Category

1940s American Modern Landscape Prints

Materials

Drypoint

Manhattan Mountains
By Lawrence Wilbur
Located in Storrs, CT
. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson Wilbur was born in Whitman
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Manhattan Mountains
Manhattan Mountains
H 14.75 in W 12.38 in D 0.5 in
The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
studied under N. C. Wyeth and Harvey Dunn. Lawrence Nelson Wilbur traveled to Boston and Los Angeles
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Old Brownstones -- New York
By Lawrence Wilbur
Located in Storrs, CT
pencil. A dramatic view of a Manhattan neighborhood. Painter and printmaker Lawrence Nelson Wilbur
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Under the Bridge
By Lawrence Wilbur
Located in Storrs, CT
choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur was born in Whitman
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Under the Bridge
Under the Bridge
H 9.5 in W 12.13 in D 0.5 in

People Also Browsed

Still Night (Brooklyn brownstones on 7th Avenue off Flatbush Avenue)
By Frederick Mershimer
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
Category

1980s American Modern Landscape Prints

Materials

Mezzotint

Armin Landeck, Window on 14th Street
By Armin Landeck
Located in New York, NY
The reference number on this work is Kraeft 103. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a mo...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Drypoint, Engraving

'Queensborough Bridge', Vienna Academy of Art, Metropolitan Museum, Smithsonian
By Luigi Kasimir
Located in Santa Cruz, CA
Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), annotated lower left, 'Queensborough Bridge' and with title and date, in-plate, lower left, 'New York, ...
Category

1930s Impressionist Landscape Prints

Materials

Paper, Color, Etching

Foggy Night (the way home or a Stephen King setting)
By Carol Wax
Located in New Orleans, LA
This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mez...
Category

2010s American Modern Landscape Prints

Materials

Engraving, Mezzotint

'Laguna Cove' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, bla...
Category

1930s American Modern Landscape Prints

Materials

Woodcut

Fountain of Sea Horses, Rome — Early 20th Century
By Rudolph Ruzicka
Located in Myrtle Beach, SC
Rudolph Ruzicka, 'Fountain of Sea Horses, Rome', wood engraving, c. 1915. Signed, dated, and titled in pencil. Initialed in the block, lower left. A fine, richly-inked impression, on...
Category

1910s American Modern Landscape Prints

Materials

Woodcut

Bibi Valentin
By James Abbott McNeill Whistler
Located in Storrs, CT
Bibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A ri...
Category

19th Century American Modern Portrait Prints

Materials

Etching, Drypoint

19th Century African Zulu War Club "Knobkerrie" Killing Stick
Located in Hamilton, Ontario
19th century Zulu war club known as a Knobkerrie made from the wood of a root ball or wad and carried by Zulu warriors in South Africa. Made from the hard wood of a root ball of a tr...
Category

Antique 19th Century South African Tribal Art

Materials

Wood

Angry Skies (Andante Cantabile) — Central Park, New York City
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...
Category

1930s American Modern Landscape Prints

Materials

Lithograph

Irving Guyer, Christmas Trees on Second Street (NYC)
By Irving Guyer
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled in pencil and has the stamp o...
Category

1930s American Modern Figurative Prints

Materials

Etching, Drypoint

"New Mackrel": An Engraving From the 18th Century Series 'The Cries of London'
By Francis Wheatley
Located in Alamo, CA
This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...
Category

Late 18th Century Naturalistic Figurative Prints

Materials

Engraving

From Knoedler's Window MCMXXXV
By John Taylor Arms
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category

1920s American Modern Landscape Prints

Materials

Aquatint, Etching

'En Plein Soleil' from the French Set, 'Douze eau-fortes d'apres Nature'
By James Abbott McNeill Whistler
Located in Myrtle Beach, SC
James Abbott McNeill Whistler, 'En Plein Soleil' from the French Set (Douze eau-fortes d'apres Nature), etching, 1858, edition 61, 4th state of 4, Kennedy 15. Signed in the plate, lo...
Category

1850s Impressionist Figurative Prints

Materials

Etching

Reclaimed English Leaded Glass Window Panel
Located in Wormelow, Herefordshire
A decorative reclaimed English stained glass window panel removed from Holy Trinity Church, High Street, Wordsley, Stourbridge (built 1831) and reputed to have been held in storage s...
Category

Antique Early 19th Century English Windows

Materials

Lead

Reclaimed English Leaded Glass Window Panel
Reclaimed English Leaded Glass Window Panel
H 26.78 in W 25.6 in D 0.4 in
Antique English Stained Glass Window Panel
Located in Wormelow, Herefordshire
A decorative antique English stained glass window panel removed from Holy Trinity Church, High Street, Wordsley, Stourbridge (built 1831) and reputed to have been held in storage sin...
Category

Antique Early 19th Century English Windows

Materials

Lead

Antique English Stained Glass Window Panel
Antique English Stained Glass Window Panel
H 27.37 in W 25.4 in D 0.4 in
Tugs on the Hudson
By Charles Frederick William Mielatz
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City rive...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Recent Sales

Art Class, Ogunquit
By Lawrence Wilbur
Located in Boothbay Harbor, ME
awrence Nelson Wilbur was born in December, 1897 in Whitman, MA, a descendant of Myles Standish and
Category

Mid-20th Century American Modern Landscape Paintings

Materials

Canvas, Oil

Gloucester Harbor
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil
Category

1940s American Realist Landscape Prints

Materials

Drypoint

Tranquil Harbor (Gloucester, Massachusetts)
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving
Category

1950s American Modern Landscape Prints

Materials

Woodcut

The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
the Chrysler Building. Painter and printmaker Lawrence Nelson Wilbur was born in Whitman
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
. Painter and printmaker Lawrence Nelson Wilbur was born in Whitman, Massachusetts. He moved to Boston where
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

The Spire -- New York
The Spire -- New York
H 22.63 in W 18.65 in D 0.5 in
The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
. Painter and printmaker Lawrence Nelson Wilbur was born in Whitman, Massachusetts. He moved to Boston where
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

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Lawrence Wilbur for sale on 1stDibs

Painter and printmaker Lawrence Nelson Wilbur was born in Whitman, Massachusetts. He moved to Boston where he began his training as a photoengraver. He moved to Los Angeles in 1921, where he worked in the engraving department of the Los Angeles Times. Relocating to New York in 1925, Wilbur was employed as a finisher by several of New York's finest engraving shops and by several of the leading magazines of the era. Wilbur enrolled at the Grand Central Art School, where he studied under N. C. Wyeth and Harvey Dunn.a number of Lawrence Nelson Wilbur traveled to Boston and Los Angeles before settling in New York. In 1925, he enrolled in the Grand Central Art School where he studied under Harvey Dunn, N.C. Wyeth, and Pruett Carter. As a photo-engraving finisher, he worked for the finest engraving shops in New York, and a number of major magazine publishers headquartered there. The combination of his graphic arts skills and his serious pursuit of training in the fine arts formed the basis for his career as a talented draftsman, printmaker, and painter. His works have been collected by the Metropolitan Museum of Art in New York; the National Gallery of Art and the Library of Congress in Washington, D.C.; the Philadelphia Museum of Art; and many other institutions. Wilbur received numerous awards for his art, including the Audubon Artist's medal of honor for a self-portrait in oil in 1957. He was a member of the Salmagundi Club of New York, the Painters and Sculptors Society of New Jersey, and the Society of America Graphic Artists. He died in New York City.

Finding the Right Prints and Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.