Late 18th Century Landscape Prints
to
4
250
39
10
2
Overall Width
to
Overall Height
to
183
11
1
89
16
15
7
7
976
2,041
10,129
4,069
114
118
685
514
681
1,289
1,601
1,678
1,173
570
633
204
61
36
172
114
89
48
42
33
31
30
29
26
23
21
18
17
15
14
11
11
8
8
227
79
24
11
9
15
134
121
75
Period: Late 18th Century
Letter of the Alphabet Q - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century....
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Collegio Clementino - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Collegio Clementino is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and titled...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet V - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet V, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century.
Good conditions.
The etching belong...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Chiesa dei SS. Celso e Giuliano - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Chiesa dei SS. Celso e Giuliano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Monastero e Chiesa dei SS. Domenico - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Monastero e Chiesa dei SS. Domenico is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Monastero e Chiesa dell'Immacolata- Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Monastero e Chiesa dell'Immacolata is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Si...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Seascapes With Monuments and Figures - Etching by Luigi Aloja - 18th Century
Located in Roma, IT
Seascapes With Monuments and Figures is an Etching realized by Luigi Aloja (1783-1837).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title:...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Villa Madama Fuori Porta Angelica - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Villa Madama Fuori Porta Angelica is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditio...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Seminario di S. Pietro in Vaticano - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Seminario di S. Pietro in Vaticano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditi...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Late 18th Century Landscape Prints
Materials
Engraving
Basilica e Monasterio di S.Paolo Fuori le Mura by G. Vasi - Late 18th century
Located in Roma, IT
Basilica e Monasterio di S.Paolo Fuori le Mura is an etching on paper of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions ...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Palazzo S.Marco della Sereniss. Rep. di Venezia - Etching by Giuseppe Vasi
Located in Roma, IT
Palazzo S.Marco della Sereniss. Rep. di Venezia is an etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except f...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374
Located in Columbia, MO
Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Etching
Toad-flax Clammy, Antirrhinum viscosum Plate 368
Located in Columbia, MO
Toad-flax Clammy, Antirrhinum viscosum Plate 368
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Etching
Monastero dei Canonici Lateranensi - Chiesa di S.Maria della Pace - 18th century
Located in Roma, IT
Monastero dei Canonici Lateranensi - Chiesa di S.Maria della Pace is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin....
Category
Modern Late 18th Century Landscape Prints
Materials
Etching
Marvel of Peru Common, Mirabilis jalapa Plate 371
Located in Columbia, MO
Marvel of Peru Common, Mirabilis jalapa Plate 371
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Etching
Chiesa dell'Archiconfraternita - Etching by G. Vasi - 18th century
Located in Roma, IT
Chiesa dell'Archiconfraternita delle Stimate di S.Francesco is an etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins.
Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Chiesa di S. Grisogono - Etching by Giuseppe Vasi - 18th Century
Located in Roma, IT
Chiesa di S. Grisogono is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed marg...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
La celebre impresa di Ercole negl'Esperidi - Etching by Giuseppe Vasi - 1774
Located in Roma, IT
English Title: "The Famous Ercole’s undertaking in “Esperidi”
Beautiful Artist's Proof, representing the first complex apparatus for firework built in occasion of the Feast of S. Pe...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Fontana dell'Acqua Felice - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Fontana dell'Acqua Felice is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Casa Professa e Chiesa del Gesù - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Casa Professa e Chiesa del Gesù dei PP. Gesuiti is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Chiesa ed Ospizio di S. Gallo - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Chiesa ed Ospizio di S. Gallo is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions a...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Porta Angelica - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Porta Angelica is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged margins...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Convento dei Padri Eremiti di S. Agostino - Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Convento dei Padri Eremiti di S. Agostino is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of R...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Fianco della Strada Giulia - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Fianco della Strada Giulia della Parte del Tevere is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimp...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Archiginnasio della Sapienza - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Archiginnasio della Sapienza is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed ...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
View of the New Trinity House on Tower Hill
Located in Middletown, NY
London: Laurie & Whittle, 1799
Engraving on buff wove paper, 10 3/4 x 15 3/4 inches (271 x 338 mm), uneven narrow to wide margins. Soft vertical fold at the center sheet (as issued)...
Category
English School Late 18th Century Landscape Prints
Materials
Handmade Paper, Engraving
Magdalen College, Oxford Tower and Bridge 18th century engraving by James Basire
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Late 18th Century Landscape Prints
Materials
Engraving
The Tourney - Original Etching Late 18° Century
Located in Roma, IT
The Tourney is an original print realized by Anonymous artist at the end of XVIII century (about 1760).
Titled below "Vue des jeux Tournois dans le Sup be Manege de son ASM le Duc ...
Category
Late 18th Century Landscape Prints
Materials
Etching
Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.25" x 16.63"
Image size (each): approx. 7" x 12"
Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition
Notes:
Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV".
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.88"
Image size (each): approx. 8.13" x 12.63"
Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition
Notes:
Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall".
"PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Laid Paper, Engraving, Intaglio, Etching, Aquatint
Fig-marigold Showy, Mesembryanthem spectabile Plate 396
Located in Columbia, MO
Fig-marigold Showy, Mesembryanthem spectabile Plate 396
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Etching
------- Shining-leaved, Salvia formosa Plate 376
Located in Columbia, MO
—– Shining-leaved, Salvia formosa Plate 376
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Etching
Vesuvs im Winter (Vesuvius in Winter) /// Mount Vesuvius Volcano Campania Italy
Located in Saint Augustine, FL
Artist: (after) Pierre-Jacques Volaire (French, 1729-1799)
Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9)
*Issued unsigned, though signed by Richter in the plate (printed s...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
II. e Vue d'un passage du Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'II.e Vue d'un passage du Mont St Gothard'
French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illustrated'...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
View of Greenwich from Deptford Yard, Thames, London, C18th English aquatint
Located in Melbourne, Victoria
'View of Greenwich from Deptford Yard, Thames, London'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine St...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
18th century landscape etching pastoral house nature scene detailed ink trees
Located in Milwaukee, WI
"English Country Fisherman by the Cottage" is an original etching by John Thomas Smith. The miniature etching features a country cottage with a thatc...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Paper, Ink, Etching
Chimney Piece in the Bishop Palace at Exeter (1797), engraving by James Basire
Located in London, GB
James Basire & William Turner Davey
A chimney piece in the Bishop's Palace at Exeter
Engraving
45 x 60 cm
This engraving was originally published by the Society of Antiquaries of...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Plan of the Rood Loft in St George's Chapel (1790), engraving by James Basire
Located in London, GB
James Basire & Henry Emlyn
Plan and Elevation of the Rood Loft in St George's Chapel at Windsor
Engraving
47 x 55 cm
This engraving was originally published by the Society of Ant...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Tiltey Church, Essex & Rochester Cathedral (1790), engraving by James Basire
Located in London, GB
James Basire & John Carter
Stalls in Tiltey Church Essex & Stalls in the Choir of Rochester Cathedral
Engraving
50 x 32 cm
This engraving was originally published by the Society ...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Palazzo Madama - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Palazzo Madama is an etching of the Late 18th century realized by the Artist Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions.
Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
Category
Modern Late 18th Century Landscape Prints
Materials
Etching
Letter I - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter I is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter V - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter V is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter S is an etching realized by Luigi Vanvitelli artist of 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (orig...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter A- Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter A is an Etching realized by Luigi Vanvitelli in 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (ori...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter U - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter U is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet P - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet P, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions with slight folding...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions with slight folding...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet I - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet L, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th centu...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet Q - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions with some folding.
...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet I - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions with some folding.
...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet A - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet A, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet N - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet N, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions with some folding.
...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet I - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions with some folding.
...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet L, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet Q - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet L, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th centu...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions with slight folding...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
