Late 18th Century Landscape Prints
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Period: Late 18th Century
Falda Giovanni Battista and De Rossi Giovanni Giacomo Plan of Villa Farnesina
Located in Roma, IT
A very interesting and important Engraving, framed between two glasses and two colors natural and gilded wood frame of the Plan of the palace of Caprarola that inspired the American ...
Category
Late 18th Century Landscape Prints
Materials
Paper
A Night Dance by Women in Tonga: Original 18th C. Engraving, Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Night Dance by Women in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third voyag...
Category
Late 18th Century Landscape Prints
Materials
Engraving
The Fleet of Tahiti displayed for Captain Cook: An Original 18th C. Engraving
Located in Alamo, CA
"The Fleet of Otaheite, Assembled at Oparee" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on hi...
Category
Late 18th Century Landscape Prints
Materials
Engraving
Letter V - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter V is an Etching realized by Luigi Vanvitelli in 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (ori...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
North Side of the Great Court, Sommerset Palace
Located in Middletown, NY
Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing.
From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...
Category
English School Late 18th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Aquatint
Family in Dusky Bay, New Zealand: Original 18th C. Engraving from Captain Cook
Located in Alamo, CA
"A Family in Dusk Bay, New Zealand" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second ...
Category
Late 18th Century Landscape Prints
Materials
Engraving
Letter of the Alphabet S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...
Located in Middletown, NY
By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Watercolor, Laid Paper, Engraving, Etching
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School Late 18th Century Landscape Prints
Materials
Engraving, Mezzotint, Etching
Letter of the Alphabet T - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet T, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good cond...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Palazzo Barberini - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Palazzo Barberini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and titled o...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Victorian Late 18th Century Landscape Prints
Materials
Engraving
French pipe organ design, late 18th century engraving
Located in Melbourne, Victoria
'Elevation Geometralle d'Un Buffet D'Orgue d'Une Nouvelle Decoration'
Copper-line engraving. C1770.
380mm by 420mm (platemark) 460mm by 560mm (sheet)
From Roubo's 'L'Art du Menui...
Category
Rococo Late 18th Century Landscape Prints
Materials
Engraving
Queen's College, Cambridge, engraving by Richard Bankes Harraden
Located in London, GB
Richard Bankes Harraden
Queen's College, Cambridge
Engraving
40 x 54 cm
Inscribed to the bottom: 'Published June 16th 1798 by R. Harraden.'
A late eighteenth-century view of Queens'...
Category
Late 18th Century Landscape Prints
Materials
Engraving
'Vue des Montagnes du Val-Travers, Neuchatel, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel'
French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794).
From 'Th...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing.
This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
The print is in excellent condition.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
Vue d'une partie du Lac de Geneve, Switzerland, engraving, circa 1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Lake of Geneva, Switzerland.
From 'The Scenery and Science of Switzerland illustrated', by Antoine Baron de Zurlauben (1720-1795) & Jean B...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
Chiesa di S.Paolo alle tre Fontane - Etching by G. Vasi - 18th century
Located in Roma, IT
Chiesa di S.Paolo alle tre Fontane is an etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed m...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School Late 18th Century Landscape Prints
Materials
Engraving, Mezzotint, Etching
Veduta della Magnifica Sostruzione Fabricata - Etching by G. B. Piranesi -1760s
Located in Roma, IT
View of the magnificent substructure is an original etching realized by the italian artist Giovanni Battista Piranesi.
Very precoius and rare specimen. Roman edition.
Complete tit...
Category
Late 18th Century Landscape Prints
Materials
Etching
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
1.ere Vue d'un passage du Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'1.ere Vue d'un passage du Mont St Gothard'
French copper-line engraving by Nee after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illustrated', ...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Victorian Late 18th Century Landscape Prints
Materials
Engraving
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after ...
Category
Italian School Late 18th Century Landscape Prints
Materials
Engraving, Mezzotint, Etching
Came, the Seat of the Hon. Lionel Damer /// Dorsetshire John Hutchins English
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773)
Title: "Came, the Seat of the Hon. Lionel Damer" (Plate 48)
Portfolio: The History and Antiquities of the County of Dorset
Year: 1796-1815 ...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Engraving
Vue de la Ville et du Lac de Geneve, Switzerland, copper-line engraving, c1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Town and Lake of Geneva, Switzerland.
Claude-Louis Chatelet was a distinguished French painter, draftsman an...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
London Bridge, C18th English aquatint
Located in Melbourne, Victoria
'London Bridge'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an eng...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
Letter of the Alphabet A - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet A, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Giardino e Casino Pontificio - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Giardino e Casino Pontificio is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed ...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Anticaglie Preso Il Ponte Palatino - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Anticaglie Preso Il Ponte Palatino is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lowe...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Campi Phlegraei - View of a section of a part of the cone of Astruni, Italy
Located in Melbourne, Victoria
Campi Phlegraei - View of a section of a part of the cone of Astruni taken at the entrance of this volcano
Copper-line engraving with gouache. 1776.
...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
Chiesa di Paolo Primo Eremita - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa di Paolo Primo Eremita is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower mar...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Palazzo Pio - Etching by Giuseppe Vasi - 18th Century
Located in Roma, IT
Palazzo Pio is an etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins with some foxing...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Seminario Romano - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Seminario Romano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged margi...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
La Veduta interna dell’Atrio del Portico d’Ottavia - Etching After G.B. Piranesi
By Johann-Christian-Jacob Friedrich
Located in Roma, IT
La Veduta interna dell’Atrio del Portico d’Ottavia is a splendid engraving made by the German artist Johann-Christian-Jacob Friedrich (Friedricchstadt, Dresda, 1746 – 1813) after Giovan Battista Piranesi...
Category
Late 18th Century Landscape Prints
Materials
Etching
Monument of King Edward IV, Windsor (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
Monument of King Edward IV in St George's Chapel at Windsor
Engraving
50 x 32 cm
This engraving was originally published by the Societ...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Letter of the Alphabet S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Salle Des Festins De Versailles - Original Etching Late 18° Century
Located in Roma, IT
Chateau De Choisy View is an original print realized by Anonymous artist at the end of XVIII century (about 1760).
Titled below "Vue du Chateau de Choisy le Roy du côté du jardin"....
Category
Modern Late 18th Century Landscape Prints
Materials
Etching
Letter A - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter A is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Chiesa e Spedale di S.Giovanni di Dio - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Chiesa e Spedale di S.Giovanni di Dio is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except fo...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
The Chancel of Chatham Church, Kent (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
The Chancel of Chatham Church, Kent
Engraving
48 x 33 cm
This engraving was originally published by the Society of Antiquaries of Londo...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Monastero e Chiesa di S.Susanna delle Monache Cisterciensi - Late 18th century
Located in Roma, IT
Monastero e Chiesa di S.Susanna delle Monache Cisterciensi is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good...
Category
Modern Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet S - Original Etching - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century.
Good conditions.
The etching belong...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Veduta delle Antiche Sostruzioni, Vintage Cityscape Etching by Giovanni Piranesi
Located in Long Island City, NY
Artist: Giovanni Battista Piranesi, Italian (1720 - 1788)
Title: Veduta delle Antiche Sostruzioni
Portfolio: Vedute di Roma
Year: 1776
Medium: Etching
...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter U - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter A is an etching realized by Luigi Vanvitelli artist of 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
View of Blackfriars Bridge from Somerset Place, C18th English aquatint
Located in Melbourne, Victoria
View of Blackfriars Bridge from Somerset Place'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
Wainflete School, Lincolnshire (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
Wainflete School, Lincolnshire
Engraving
50 x 32 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Il Ponte Palatino - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Il Ponte Palatino is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good ...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter L is an Etching realized by Luigi Vanvitelli in 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (ori...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Colleggio Ecclesiastico a Ponte Sisto - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Colleggio Ecclesiastico a Ponte Sisto is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except fo...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet V - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet V, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions with some folding.
...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
Kamtschatka, Russia: Engraving by J. Webber from Capt. Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
"A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on...
Category
Late 18th Century Landscape Prints
Materials
Engraving
Vue d'un Village près de la Ville de Berne, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue d'un Village près de la Ville de Berne'
French copper-line engraving by Masquelier after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illust...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
Vue d'un pont sur le Tesin dans le Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue d'un pont sur le Tesin, dans le Mont St Gothard'
French copper-line engraving by Maillet after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland ...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
India Balthazar Solvyns European Buildings Calcutta 18th Century, rare 1st proof
Located in Norfolk, GB
Balthazar Solvyns European Buildings in Calcutta 13.25” x 19” c1796
This is an extremely rare 1st Proof etching from Solvyns first publication, A Collection of Two Hundred and F...
Category
Other Art Style Late 18th Century Landscape Prints
Materials
Paper, Etching
Collegio De Neofiti - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Collegio De Neofiti is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged mar...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
