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Period: Late 18th Century
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387
Located in Columbia, MO
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Etching
Rubio Canyon Falls, Mt. Lowe, Cal. Kurtz and Allison Chromolithograph 1893
Located in Paonia, CO
Rubio Canyon Falls, Mt. Lowe, Cal. shows a waterfall cascading thru a canyon of boulders and trees paralleling a wooden stairway and bridge. This historic image was published by Loui...
Category
Late 18th Century Landscape Prints
Materials
Lithograph
$950 Sale Price
36% Off
Monastero e Chiesa di S. Apollonia-Etching by Giuseppe Vasi-Late 18th Century
Located in Roma, IT
Monastero e Chiesa di S. Apollonia is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Si...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Amida, a Deity of Japan – English School, 18th century
Located in Middletown, NY
Amida, a Deity of Japan; One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earliest period to the present time Vol...
Category
English School Late 18th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Falda Giovanni Battista and De Rossi Giovanni Giacomo Plan of Villa Farnesina
Located in Roma, IT
A very interesting and important Engraving, framed between two glasses and two colors natural and gilded wood frame of the Plan of the palace of Caprarola that inspired the American ...
Category
Late 18th Century Landscape Prints
Materials
Paper
Campi Phlegraei - View of a section of a part of the cone of Astruni, Italy
Located in Melbourne, Victoria
Campi Phlegraei - View of a section of a part of the cone of Astruni taken at the entrance of this volcano
Copper-line engraving with gouache. 1776.
...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
French pipe organ design, late 18th century engraving
Located in Melbourne, Victoria
'Elevation Geometralle d'Un Buffet D'Orgue d'Une Nouvelle Decoration'
Copper-line engraving. C1770.
380mm by 420mm (platemark) 460mm by 560mm (sheet)
From Roubo's 'L'Art du Menui...
Category
Rococo Late 18th Century Landscape Prints
Materials
Engraving
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after ...
Category
Italian School Late 18th Century Landscape Prints
Materials
Engraving, Mezzotint, Etching
Four Koa Wood Framed 18th C. Engravings from Captain Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
A grouping of four framed engravings of Hawaii, Tahiti, Tonga and Vancouver Island from the atlas of the official British Admiralty sanctioned journal of Captain Cook's 3rd Voyage entitled "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", published upon completion of the voyage in London in 1784 by Strahan & Cadell. These engravings were made from drawings by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. The set of engravings includes: "A Canoe of the Sandwich Islands, the Rowers Masked", Plate 65 in the atlas; "A Dance in Otaheite" (Tahiti), Plate 28; "King of the Friendly Islands" (Tonga), plate 20; "Inside of a House in Nootka Sound" (Canada), plate 42.
These engravings are professionally framed in Koa wood, the same wood as was used to make the canoes of the ancient Hawaiians. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
These four engravings would make a wonderful grouping for a display of 2, 3 or 4 prints. They may be purchased separately or in groups on 1stDibs. Their listing Reference #'s are: LU117324682432, LU117324682022, LU117324684052 and LU117324684062. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
Other Art Style Late 18th Century Landscape Prints
Materials
Engraving
North Side of the Great Court, Sommerset Palace
Located in Middletown, NY
Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing.
From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...
Category
English School Late 18th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Aquatint
A Dance in Otaheite (Tahiti) 1784 James Cook Final Voyage by John Webber
By John Webber
Located in Paonia, CO
A Dance in Otaheite ( Tahiti ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) who...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Winslow Homer Framed Original 19th Century Wood Engraving "On the Beach"
Located in Alamo, CA
This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was published in Harper's Weekly in the August 15, 1874 ed...
Category
American Impressionist Late 18th Century Landscape Prints
Materials
Engraving
Veduta della Magnifica Sostruzione Fabricata - Etching by G. B. Piranesi -1760s
Located in Roma, IT
View of the magnificent substructure is an original etching realized by the italian artist Giovanni Battista Piranesi.
Very precoius and rare specimen. Roman edition.
Complete tit...
Category
Late 18th Century Landscape Prints
Materials
Etching
Vaso Anzio di Marmo press S.E. il Sig. Schowvaloff-Etching by G.B. Piranesi-1778
Located in Roma, IT
Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Kamtschatka, Russia: Engraving by J. Webber from Capt. Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
"A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on...
Category
Late 18th Century Landscape Prints
Materials
Engraving
Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
The Holy Sepulchre at Heckington in Lincoln (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
The Holy Sepulchre at Heckington in Lincoln
Engraving
45 x 30 cm
This engraving was originally published by the Society of Antiquaries ...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School Late 18th Century Landscape Prints
Materials
Engraving, Mezzotint, Etching
'Vue des Montagnes du Val-Travers, Neuchatel, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel'
French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794).
From 'Th...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
India Balthazar Solvyns European Buildings Calcutta 18th Century, rare 1st proof
Located in Norfolk, GB
Balthazar Solvyns European Buildings in Calcutta 13.25” x 19” c1796
This is an extremely rare 1st Proof etching from Solvyns first publication, A Collection of Two Hundred and F...
Category
Other Art Style Late 18th Century Landscape Prints
Materials
Paper, Etching
Letter of the Alphabet Q - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Vue d'une partie du Lac de Geneve, Switzerland, engraving, circa 1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Lake of Geneva, Switzerland.
From 'The Scenery and Science of Switzerland illustrated', by Antoine Baron de Zurlauben (1720-1795) & Jean B...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Victorian Late 18th Century Landscape Prints
Materials
Engraving
Landscape with Bridge - Etching by J. C. Richard de Saint-Non - 18th Century
Located in Roma, IT
Landscape with Bridge is a beautiful black and white etching realized by Jean-Claude Richard de Saint-Non at the end of 18th Century.
On lower margin under the image the inscriptio...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Monastero e Chiesa di S.Susanna delle Monache Cisterciensi - Late 18th century
Located in Roma, IT
Monastero e Chiesa di S.Susanna delle Monache Cisterciensi is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good...
Category
Modern Late 18th Century Landscape Prints
Materials
Etching
Fontana dell'Acqua Felice - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Fontana dell'Acqua Felice is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
California: 18th Century Hand-colored Map by de Vaugondy
By Didier Robert de Vaugondy
Located in Alamo, CA
This is an 18th century hand-colored map of the western portions of North America entitled "Carte de la Californie et des Pays Nord-Ouest separés de l'Asie par le détroit d'Anian, ex...
Category
Late 18th Century Landscape Prints
Materials
Engraving
Chiesa Di S. Giorgio - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Chiesa Di S. Giorgio is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and title...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
1.ere Vue d'un passage du Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'1.ere Vue d'un passage du Mont St Gothard'
French copper-line engraving by Nee after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illustrated', ...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
Captain Cook's Exploration of Tahiti: 18th C. Hand-colored Map by Bellin
Located in Alamo, CA
This beautiful 18th century hand-colored copper plate engraved map is entitled "Carte de l'Isle de Taiti, par le Lieutenant J. Cook" was created by Jacques Nicolas Bellin and publish...
Category
Late 18th Century Landscape Prints
Materials
Engraving
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Victorian Late 18th Century Landscape Prints
Materials
Engraving
Monastero e Chiesa di S. Egidio - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Monastero e Chiesa di S. Egidio in Trastevere is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Monument of King Edward IV, Windsor (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
Monument of King Edward IV in St George's Chapel at Windsor
Engraving
50 x 32 cm
This engraving was originally published by the Societ...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Vue de la Ville et du Lac de Geneve, Switzerland, copper-line engraving, c1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Town and Lake of Geneva, Switzerland.
Claude-Louis Chatelet was a distinguished French painter, draftsman an...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
The Chancel of Chatham Church, Kent (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
The Chancel of Chatham Church, Kent
Engraving
48 x 33 cm
This engraving was originally published by the Society of Antiquaries of Londo...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Vue d'un pont sur le Tesin dans le Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue d'un pont sur le Tesin, dans le Mont St Gothard'
French copper-line engraving by Maillet after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland ...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
The Holy Sepulchre at Northwold in Norfolk (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmel Schnebbelie
The Holy Sepulchre at Northwold in the county of Norfolk
Engraving
45 x 60 cm
This engraving was originally published by the Society of ...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
View of Greenwich from Deptford Yard, Thames, London, C18th English aquatint
Located in Melbourne, Victoria
'View of Greenwich from Deptford Yard, Thames, London'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine St...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
Wainflete School, Lincolnshire (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
Wainflete School, Lincolnshire
Engraving
50 x 32 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Fonts in Suffolk (1792), engraving by James Basire
Located in London, GB
James Basire, after James Johnson and John Carter
The Chancel of Chatham Church, Kent
Engraving
50 x 32 cm
This engraving was originally published by the Society of Antiquaries of...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Letter of the Alphabet T - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet T, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good cond...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing.
This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
The print is in excellent condition.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369
Located in Columbia, MO
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Etching
A View at Bolcheretzko (Russia) 1784 Captains Cook Final Voyage by John Webber
By John Webber
Located in Paonia, CO
A View at Bolcheretzko (Russia) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook.John Webber (1752-1793) was ...
Category
Realist Late 18th Century Landscape Prints
Materials
Engraving
A Pair of Hand Colored Engravings of an African Lioness and her Cubs and a Rhino
Located in Alamo, CA
A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Sa...
Category
Naturalistic Late 18th Century Landscape Prints
Materials
Engraving
Palazzo Colonna di Sciarra - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Palazzo Colonna di Sciarra is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed ...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Chiesa di S.Carlo ed Ambrogio al Corso - Etching by G. Vasi - 18th century
Located in Roma, IT
Chiesa di S.Carlo ed Ambrogio al Corso is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except f...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Convento dei Padri di S.Bernardo, e Chiesa di S.Pudenziana by G. Vasi
Located in Roma, IT
Monastero e Chiesa di S.Giuseppe is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for con...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Basilica di S.Paolo e Moneste - Vintage Offset by Giuseppe Vasi - 18th century
Located in Roma, IT
Basilica di S.Paolo e Monestero de Monici Casinensi is a vintage offset print realized in the early 20th Century after Giuseppe Vasi.
Good conditions.
Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Offset
Sepolcro della Famiglia Plauzia - Etching by G. Vasi - 18th Century
Located in Roma, IT
Sepolcro della Famiglia Plauzia, Presso il Ponte Lucano is an etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower ma...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet I - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter V - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter V is an etching realized by Luigi Vanvitelli artist of 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Expose...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
$175 Sale Price
25% Off
Porta S. Paolo - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Porta S. Paolo is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged margins...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
La celebre impresa di Ercole negl'Esperidi - Etching by Giuseppe Vasi - 1774
Located in Roma, IT
English Title: "The Famous Ercole’s undertaking in “Esperidi”
Beautiful Artist's Proof, representing the first complex apparatus for firework built in occasion of the Feast of S. Pe...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Chiesa di S. Andrea alla Valle - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Chiesa di S. Andrea alla Valle is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions ...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Chiesa e Monastero di S. Chiara - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero di S. Chiara is a black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged ...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Letter of the Alphabet A - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet A, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
Vestigie dell'Antico Ponte Trionfale - Etching by G. Vasi - 18th Century
Located in Roma, IT
Vestigie dell'antico Ponte Trionfale is an etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins with some foxings.
Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
Category
Old Masters Late 18th Century Landscape Prints
Materials
Etching
