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Pieter Van Der Aa
View Of Hukoen - Original Hand Watercolored Etching by A. Leide

Early 18th Century

$535.93List Price

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Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768). Original Etching on Laid paper...
Category

1730s Modern Figurative Prints

Materials

Etching

Roman Temples and Ruins - Etching After G. Engelmann- Late 20th Century
By Godefroy Engelmann
Located in Roma, IT
Roman Temples and Ruins is a vintage offset print artwork on paper, realized after G. Engelmann(1788-1839), in the late 20th century. The artwork is signed on the plate. In very goo...
Category

Late 20th Century Modern Landscape Prints

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Etching

Landscape - Original Etching - Late 20th Century
Located in Roma, IT
Landscape is an original etching print realized by an unknown artist and signed "M. Bonechi" in the 20th Century. Hand-signed on the lower right in pencil and numbered on the lower ...
Category

Late 20th Century Modern Figurative Prints

Materials

Etching

Battle Scene - Original Etching by Christian Johann Rugendas- 18th Century
By François Bonvin
Located in Roma, IT
Battle scene is an original print, realized in mid-18th. Century by the German artist Christian Johann Rugendas (1708-1781) . Tching and Aquatint on paper. Passpartout included 35x5...
Category

18th Century Modern Figurative Prints

Materials

Etching

Landscape - Etching after Alfred Sisley - 19th Century
Located in Roma, IT
Landscape is an old master artwork realized in 19th Century after Alfred Sisley. The artwork was realized after an original painting by Alfred Sisley Black and white etching engrav...
Category

19th Century Modern Figurative Prints

Materials

Etching

Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum -by G.B. Brustolon- 1763
By Giovanni Battista Brustolon
Located in Roma, IT
Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration. On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin. Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341. This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete. Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks: Big cartouche with half-moon Big cartouche with letters “FO” and “AS” Bound and ripples on paper. In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation. Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes. Other four views are deeply inspired by Michele...
Category

1760s Old Masters Figurative Prints

Materials

Etching

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