Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Alson Skinner Clark
Women Outside Breton Hotel - Chromolithograph on Paper

1918

$2,000
$2,50020% Off
£1,496.97
£1,871.2120% Off
€1,729.77
€2,162.2120% Off
CA$2,773.33
CA$3,466.6720% Off
A$3,106.49
A$3,883.1120% Off
CHF 1,615.03
CHF 2,018.7920% Off
MX$38,358.90
MX$47,948.6220% Off
NOK 20,574.20
NOK 25,717.7520% Off
SEK 19,449.71
SEK 24,312.1320% Off
DKK 12,908.47
DKK 16,135.5820% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Women Outside Breton Hotel - Chromolithograph on Paper In a pastel palette, Alson Skinner Clark (American, 1876-1949) captures the rustic beauty of a side street in a Breton village as two women converse outside of a hotel on a blue sky day. Signed “Alson Clark - To my friend Commander Child,” (US Naval Officer Warren Gerald Child) and dated “25/8/18,” in the lower left-hand corner with artist's chop ASC in orange ink. Displayed in a soft blue mat. Frame size: 20”H x 24”W. Image size: 11.5”H x 15.5”W. Shortly after, at age forty one, Alson Clark enlisted in the Navy and, with language ability, was sent to France as a military photographer. Doing aerial photography, he dangled from airplanes, an experience that caused him deafness in one ear. "Commander Child": Warren Gerald Child from February to August, 1918 he was assigned to duty with the U.S. Naval Aviation Forces, Paris, France, operating throughout the war area of France. He received a Letter of Commendation from the Navy Department, stating “As the officer in charge of the Technical Division of the Aviation Section of the Force Commander’s Staff. A landscape painter strongly influenced by the French Impressionists, Alson Skinner Clark spent much of his career traveling and living in foreign countries and then settled in Southern California where he became a plein-aire painter, art educator and muralist. From there, he also traveled extensively in Mexico and the Southwest. Alson Clark was born in Chicago to a prosperous family comfortably supported by the father's commodities business. He showed early art talent, which his family encouraged by enrolling him in evening classes at the Art Institute. They also took him on a two-year trip around the world where he gained much exposure to European art. Graduating from high school, he again enrolled at the Art Institute but unhappy with his teacher, he left after six months, and in 1896, went to New York to study with William Merritt Chase at the Art Students League. He also followed Chase to his own school, which opened shortly after, and enrolled in the Chase summer school of plein-aire painting at Shinnecock. In 1898, Alson Clark went to Paris where he was a student for several months at the Academie Carmen, whose director was James McNeill Whistler. Although Whistler was a difficult, demanding personality, Clark respected his teaching, stayed at the school until it closed, and ever acknowledged Whistler's influence on his Impressionist style. In 1901, Clark returned to America and married Atta Medora McMullin, whom he met when she modeled for him at Comfort Island, near Watertown, New York, his family's vacation spot. From 1902 to 1914, they lived in Paris until the war broke out, and during that time, he took up plein-air painting. The couple also spent time at Giverny in 1910, and Clark painted with his friends Lawton Parker, Guy Rose, and Frederick Frieseke. Traveling extensively throughout Europe, the Clarks were supported by successful sales from galleries representing his work in New York and Chicago. Exhibition venues included the National Academy of Design, Pennsylvania Academy, Paris Salon and Art Institute of Chicago. His work included many landscapes, cityscapes, interiors, and figure studies especially of his wife, who continued to serve as his model. Although his work ever showed the influence of Whistler, on a summer trip to France in 1907 and two years later to Spain, Clark adopted a much stronger Impressionist style with lighter palette. In the spring of 1913 the building of the Panama Canal inspired the Clarks to go to the Canal Zone, where construction was nearly complete. Clark decided he wanted to be a part of the history-making venture, and made connections so that he had nearly open access to the construction site, labor trains and workers. He painted furiously in horrendous heat to capture on canvas the final construction phase of the Canal and its railroad. By June, he had many works completed and contacted John Trask, Director of the Fine Arts section of the forthcoming Panama-Pacific International Exposition in San Francisco. Trask was impressed enough that he gave Clark a room for solo exhibition of eighteen paintings, which put him in the rank of only a few other American artists afforded such status: Frank Duveneck, James Whistler, William Merritt Chase, Childe Hassam and John Singer Sargent. The display of his Panama Canal paintings earned Alson Clark a Bronze Medal at the Panama-Pacific International Exposition in 1915. Some of the paintings, which were huge, he and his wife had hand-carried out of Europe because of being stranded at the outbreak of World War I. The Clarks lived with friends in New England and visited Charleston, South Carolina in the winter of 1917, just before the declaration of war by America, and, much impressed by the charm, culture and history of that area did atmospheric paintings including Saint Michael's Cathedral. Shortly after, at age forty one, Alson Clark enlisted in the Navy and, with language ability, was sent to France as a military photographer. Doing aerial photography, he dangled from airplanes, an experience that caused him deafness in one ear. Told that condition could be solved by living in a warm climate, he and his wife, in 1919, went to California for the first time. Settling in Pasadena and renewing his friendship with Guy Rose, who had returned there in 1914, Alson Clark regained his hearing and was re-invigorated for painting. Favorite subjects were the Mission San Gabriel and Mission San Juan Capistrano, and he traveled the desert and mountain landscapes in California, the Southwest and Mexico in a rebuilt Dodge truck. In Mexico, he was especially taken with Cuernavaca and Taxco, doing scenes of the big Taxco Cathedral. Clark joined Rose as a teacher at Rose's newly formed Stickney Memorial School of Art, and in 1921, when Rose had a stroke, Clark became Director of the School. That same year, in addition to having a son, Alson Jr., Alson Sr. had his first California solo exhibition, which was hosted by Earl Stendahl, then regarded as the most influential dealer in southern California. In 1925, Alson Clark took up mural painting, which began with a commission from the Pasadena Playhouse to paint the stage curtain, 20 feet by 32 feet. This job was followed by a series of murals on the history of California for the Carthay Circle Theater in Los Angeles, murals at the Pasadena First Trust and Savings Bank and eight mural-size paintings for a men's club in Los Angeles. In addition, he accepted decorative commissions for private homes, designing wall paper and painting screens and wall murals. He also pursued his own painting interests, much of it plein air that combined tight drawing with impressionist strokes. He was untouched by the debate between modernism and impressionism and stayed with his own approach. The Clarks continued with their travels, taking a one-year trip across America in 1933 and a final trip to Europe in 1935. In 1940, the Los Angeles County Museum hosted a self-curated retrospective of his twenty of his paintings. During World War II, he organized craftsmen to produce military instruments. Following the War, his health deteriorated, and in March 1949, he had a paralyzing stroke and died a week later.

More From This Seller

View All
Old Houses, Milbank Grosvenor Road London 1906
By Joseph Pennell
Located in Soquel, CA
Old Houses, Milbank Grosvenor Road London 1906 This an etching of Grosvenor Road Old Houses, done in 1906 by American printmaker and Whistler biographer Joseph Pennell (American, 18...
Category

Early 1900s American Impressionist Landscape Prints

Materials

Handmade Paper, Etching

"Montagne Sainte-Geneviève, Paris" - Watercolor Drawing of French Street Scene
Located in Soquel, CA
"Montagne Sainte-Geneviève, Paris" - Watercolor Drawing of French Street Scene Vintage sketch of a 1920's Paris street scene by E. (Elizabeth) (Elisa...
Category

1920s Impressionist Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Gouache, Pencil

Beethovens Residence at Mödling Colored Etching by Henry Goering
Located in Soquel, CA
Beethovens Residence at Mödling - Vintage Colored Etching by Henry Goering WWII Hand colored etching of the Christof House (the Yard of Christ) by Henry...
Category

1920s American Impressionist Landscape Prints

Materials

Paper, Ink, Etching

"Funchal, Madeira Franciscans Convent" Antique Drawing on Paper Watkinson
Located in Soquel, CA
"Funchal, Madeira Franciscans Convent" Antique Drawing on Paper Watkinson Delicate and detailed drawing of Funchal, Madeira by Hartford, Connecticut artist Edward Watkins Wells (181...
Category

1830s Romantic Landscape Drawings and Watercolors

Materials

Laid Paper, Pencil

"St. Nicolas du Chardonnet" Etching in Ink on Paper
Located in Soquel, CA
"St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...
Category

1910s American Impressionist Landscape Prints

Materials

Paper, Ink, Drypoint

Sherman Rose House, Monterey California - Signed 1920's Landscape Etching
By Ferdinand Burgdorff
Located in Soquel, CA
Beautiful early 20th Century etching on vellum of the Monterey Bonifacio Adobe known as The Old Sherman Rose House, with climbing roses, by Ferdinand Burgdorff (American, (1881 - 1975), 1923. As in many of the artist's works, this piece conveys a mysterious and dark mood. Artwork has been professionally conserved. Titled, signed and dated lower edge. Archival mat and backing. Image size: 9.75"H x 11.75"W. Born in Cleveland, Ohio, Ferdinand Burgdorff studied at the Cleveland School of Art and in Paris with Rene Menard and Florence Este...
Category

1920s American Realist Landscape Prints

Materials

Paper, Etching

You May Also Like

The Village - Original Etching on Paper by J. Beltrand - Early 20th Century
By Jacques Beltrand
Located in Roma, IT
The Small Village is an original artwork realized by Jacques Beltrand in the first decades of the XX Century. Image dimensions: 17x20.5 cm. Original etching on paper. Hand-signed in pencil by the artist on the lower left corner. Signed on plate on the lower right corner. Numbered in pencil on the lower right corner. First edition of 30 prints...
Category

Early 20th Century Modern Figurative Prints

Materials

Etching

Un marché en Zélande - original lithograph (1897/98)
By Fernand Piet
Located in Paris, IDF
Fernand Piet Un marché en Zéland Original lithograph Plate signed 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12in) INFORMATION : Published by 'Estampe Moderne, Paris...
Category

1890s Art Nouveau Figurative Prints

Materials

Lithograph

"La Maison aux Volets Verts, " Etching with Aquatint by Manuel Robbe, circa 1955
By Manuel Robbe
Located in Long Island City, NY
Artist: Manuel Robbe, French (1872 - 1936) Title: Carrot Harvest Year: circa 1955 Medium: Etching with Aquatint, signed in pencil Image Size: 17.5 x 23 inches Size: 24 x 28.5 inches
Category

1950s Impressionist Landscape Prints

Materials

Etching, Aquatint

French Late 19th Century Watercolour - Ambient Street with Figures
Located in Corsham, GB
French street scene in watercolours. Mounted in a simple gilt-effect frame. Indistinctly initialled. On paper.
Category

Late 19th Century Landscape Drawings and Watercolors

Materials

Watercolor

Thomas William Morley (1859-1925) - Watercolour, Honfleur Street Scene
By Thomas William Morley
Located in Corsham, GB
A fine late 19th-century watercolour with gouache detail by the artist Thomas William Morley (1859-1925). Here he has captured a group of flower sellers in a market square. Executed ...
Category

Late 19th Century Figurative Drawings and Watercolors

Materials

Watercolor

Maison Natale de Colette - Lithograph by Luc-Albert Moreau - Early 20th Century
By Luc-Albert Moreau
Located in Roma, IT
Maison Natale de Colette is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition. Hand-signature on the lower right corner, numbered ...
Category

Early 20th Century Post-Impressionist Figurative Prints

Materials

Lithograph