Digital More Prints

Digital print on canvas. Edition 1 of 5.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

F. Crespo author of a world-famous giant sculpture Pope Francis Heart. Makes a first edition of his private and utopian projects. Fernando Crespo is a r...

Future Ruin, Digital Print, 2022 Additional information: Medium: Digital print Dimensions: 8 x 16 in Heidi Schwegler explores a wide range of materials in the service of her subjec...

Digital print on cotton paper

F. Crespo author of a world-famous giant sculpture Pope Francis Heart. Makes a first edition of his private and utopian projects. Fernando Crespo is a recognized artist in Portugal. ...

F. Crespo author of a world-famous giant sculpture Pope Francis Heart. Makes a first edition of his private and utopian projects. Fernando Crespo is a recognized artist in Portugal. ...

Digital print on cotton paper

Damien Hirst, an iconic figure in contemporary art, is celebrated for his bold and provocative exploration of life, death, and the human condition. Renowned for his use of formaldehy...

Damien Hirst, an iconic figure in contemporary art, is celebrated for his bold and provocative exploration of life, death, and the human condition. Renowned for his use of formaldehy...

Damien Hirst, an iconic figure in contemporary art, is celebrated for his bold and provocative exploration of life, death, and the human condition. Renowned for his use of formaldehy...

Stephen Magsig's prints are all sold UNFRAMED. Small image size generally 13x11" paper size 18x15" Larger image size generally 24x20" paper size 29x24" Represented by George Billis Gallery, NYC & LA -- Working with images he personally photographs, Magsig looks for crucial details...

'Superman' by DJ Leon, 2020. 40 x 27 in. A dye-sublimation print on aluminum that is saturated in colors of reds and blues. The print incorporates, appropriates, and combines found i...

Stephen Magsig's prints are all sold UNFRAMED. Small image size generally 13x11" paper size 18x15" Larger image size generally 24x20" paper size 29x24" Represented by George Billis Gallery, NYC & LA -- Working with images he personally photographs, Magsig looks for crucial details...

Stephen Magsig's prints are all sold UNFRAMED. Small image size generally 13x11" paper size 18x15" Larger image size generally 24x20" paper size 29x24" Represented by George Billis Gallery, NYC & LA -- Working with images he personally photographs, Magsig looks for crucial details in both the highlights and the shadows, in the brightness and obscurity of each scene. The artist says, "I get caught up in the mix of organic and non-organic human signs: the color of loaves of bread in an Italian bakery window, the reflections of facades in the car’s windshield, the abstracted angles of cornices and architectural detail." Stephen Magsig, Spring Street...

Barbara Rosenthal’s Conceptual Photography is a concrete manifestation of complex inner stresses from external realities of all kinds: physical, familial, political, religious, time,...

30" x 30" Unframed Limited Edition Giclee on Canvas of 50 Hand Signed by Jim Keifer

30" x 30" Unframed Giclee Print of 195 Hand Signed by Jim and Kathleen Keifer

30" x 30" Limited Edition Giclee Hand Signed by Jim Keifer

18" x 30" Limited Edition Giclee of 200 Hand Signed by Jim Keifer

24" x 24" Limited Edition Giclee of 75 Hand Signed by Jim Keifer

30" x 30" Limited Edition Giclee of 30 Hand Signed by Jim Keifer

F. Crespo author of a world-famous giant sculpture Pope Francis Heart. Makes a first edition of his private and utopian projects. Fernando Crespo is a r...

F. Crespo author of a world-famous giant sculpture Pope Francis Heart. Makes a first edition of his private and utopian projects. Fernando Crespo is a recognized artist in Portugal. ...

F. Crespo author of a world-famous giant sculpture Pope Francis Heart. Makes a first edition of his private and utopian projects. Fernando Crespo is a recognized artist in Portugal. ...

Digital print on cotton paper

Digital print on cotton paper

'Protest' by DJ Leon. The lenticular print measures 47 x 33 inches and contains images that shift depending on the viewer's perspective. Visuals of 1970s protests appear alongside sy...

'Batman and Friends' by DJ Leon, 2020. The print measures 25 x 32 inches and is also available in a 30 x 23 3D backlit print. This dye-sublimation print on aluminum combines and appr...

Signed and editioned on reverse. This print is a surreal depiction of an aerial view of a planned building development or subdivision. Developed in the imagination of the artist, th...

Bad Display (Drawings/eBay), group of 42, 2016 ; from the series Bad Display (eBay), 2009-ongoing Additional information: Medium: Color laser print on acetate Dimensions: Each 8.5 x...

TECHNICAL INFORMATION: Derrick Adams Side Part - Style Variation 4 2023 Screenprint and archival inkjet 27 x 20 in. Edition of 50 Pencil signed and numbered

Brown Cottonwood, 2005 By Andrew Millner (American, b. 1967) Lightjet Print Mounted on UV Plex Signed Lower Right Unframed: 87" x 44" Framed: 88" x 45" Andrew Millner is a visual artist based in St. Louis, MO. His work investigates the relationship between art and nature, the natural and the made. Millner received a BFA from University of Michigan, in Painting and Sculpture. He has had more than 56 group exhibitions since 1987 and over 15 solo exhibitions at institutions including Miller Yezerski Gallery, Boston, Massachusetts; Ellen Miller Gallery, Boston, Massachusetts; CCA, Santa Fe, New Mexico; Tria Gallery, New York City, New York; Richard Levy Gallery, Albuquerque, New Mexico; David Floria Gallery, Aspen, Colorado; Contemporary Museum St. Louis, St. Louis, Missouri. "I started drawing on the computer in 2005. Previous to that, most of my work had been about finding lines in nature; the contours of leaves, the ripples on rivers, the edges of overlapping hills. Although I was using traditional art materials, I prepared the canvases with slicker and slicker surfaces so that the lines wouldn’t soak into the background but sit on top, preserving the nuances of my hand. I thought of the drawings as photographic, in the diaristic sense of recording moments of time. I enjoyed the easy correspondence of the endless novelty of line in these natural forms and the endless variety of line created by my hand. I couldn’t draw the same leaf twice so my subject and process were well matched. I had the idea to draw every leaf of a tree, but I struggled with the scale and complexity of the subject. How does one bring a tree indoors? How can one see the whole tree and its individual parts simultaneously? I tried traditional strategies and materials but the results were unsatisfactory. I wondered if it would be possible to make the drawing on a computer. Since everything… music, photos, movies & books were being digitized, what about drawing? I wasn’t interested in something computer-generated, but sought to “dumb down” the computer and use it as a repository for simple line drawings. In the program I use, Adobe Illustrator, lines are called “paths”… an apt name since the line exists at no set scale or color. Only later do I assign the attributes of color and thickness. Taking my laptop outdoors, I drew my first tree “en plein air.” Using a digital tablet and pen, I drew simple contours of the leaves and branches. Having these drawings remain in digital form rather than in physical form, opened up interesting possibilities and enabled me to tackle the complexity of a tree in intriguing ways. My lines were free and separate from the background and from each other. I drew the branches individually and then later, I could cobble them together to reconstitute the whole tree. On the screen, I could zoom in and out and draw at different scales simultaneously. I could zoom out to draw a simple contour of the entire trunk and then zoom in to draw the smallest leaf with equal effort. I drew in layers so that as the drawings accumulated I could turn layers “off” so that they wouldn’t obscure subsequent layers. These two novelties, drawing at different scales simultaneously and making parts of the drawing invisible to allow for work on top or behind previous drawings, allowed for the accumulation of hundreds of simple outlines to create a dizzying visual complexity. Subsequent trees I drew from photographs. I would take hundreds of close-ups of a tree from a single point of view and then stitch all of these close ups together on the computer. Sometimes I photographed the same tree in the summer and then in the fall after it lost its leaves. This allowed me to see and draw all of the branches and limbs unadorned and unobscured. I would draw the tree twice, with and without leaves, merging the two drawings into one document. In this way, the drawings comprise and compress great spans of looking over vast time frames and seemingly contradictory close-up and distant points of view. My digital drawings have been outputted in different ways… mostly as photographs printed directly from the digital file or as archival inkjet prints. The results defy easy categorization. Are they drawings, prints, or camera-less photographs...

Agent X Ionnazol mRNA (black) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 38 x 31 inch - 96 x 78 CM Signed COA provided Ref.: 924802...