Screen More Prints

TECHNICAL INFORMATION: Kenny Scharf The Three Faces of Jackie 1997 Screenprint 40 x 46 in. Edition of 150 Pencil signed and numbered Condition: This work...

TECHNICAL INFORMATION: Kenny Scharf Sajippe Kraka Joujesh 1998 Screenprint 40 x 46 in. Edition of 150 Pencil signed and numbered Condition: This work is in excellent condition

TECHNICAL INFORMATION: John Baldessari Hero 2017 Screenprint in colors on archival pigment print 30 x 22 in. Edition of 56/65 Pencil signed and numbered Condition: This work is in ...

TECHNICAL INFORMATION: Robert Indiana American Dream #2 1982 Screenprint on 4 separate sheets 26 3/4 x 26 3/4 in. each sheet (77 1//2 x 77 1/2 in. overall) A.P. of 9/15 (Artist's Pr...

Signed, dated, and numbered Screenprints in colours on A.N.W. Crestwood Museum Edition paper 26 x 20 inches Edition 59 of 200

Love (Red, Yellow, Blue), 1996 Signed, dated, and numbered Screenprints in colours on A.N.W. Crestwood Museum Edition paper 26 x 20 inches Edition 59 of 200

HEAL (Red, Green, Blue Variation), 2015 Signed and numbered in pencil Silkscreen print in 3 colors on 2 ply Museum Board 32 x 32 inches Edition 11 of 20

A very good impression of this scarce color screenprint on Arches with strong colors. Signed and numbered 9/75 in pencil. Printed by Ives-Sillman, New Haven, with the blind stamp low...

Screenprint by Max Bill. From the portfolio "Kinderstern". No Title, 1989 76 x 58 cm Copy 61/100 Edition of 100 (approx.)

A study in delicate beauty created as a textured, color screenprint by Donald Sultan in 2021, White Mimosa is hand-signed, titled, dated, and numbered in pencil, the artwork measurin...

Created as a textured color screenprint, Yellow Lanterns is hand-signed, titled, dated and numbered, the artwork measuring 32 x 32 in. (81 x 81 cm.), un...

Created as a textured color screenprint, Red Lanterns is hand-signed, titled, dated and numbered, the artwork measuring 32 x 32 in. (81 x 81 cm.), unframed...

Created as a textured color screenprint by Donald Sultan in 2017, Blue Lanterns is hand-signed, titled, dated and numbered, the artwork measuring 32 x 32 ...

Created as a textured color screenprint by Donald Sultan in 2012, Red Flowers is hand-signed, titled, dated and numbered, the artwork measuring 41 x 77 in. ...

An early and iconic screenprint by the artist created in 1987, Keith Haring’s, Pop Shop I (B) is an original color screenprint measuring 12 x 15 in. (30.5 x...

Created as a matching pair of images by Damien Hirst in 2016, Mickey and Minnie are two very fun and highly collectible screenprints, each measuring 34 ½ x 27 ...

This artwork, titled "Doreen", done in 1983, is an original color serigraph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed and numbered E.P.I. in pencil by the artist ( E.P.I. refers to "Editions Press Impression", one of ten impressions done for the publisher.) With the blind stamp of the artist and the printer, Editions Press, San Francisco. The edition size was 150 plus proofs (a total of 45 proofs). The sheet size is 26.25 x 33.25 inches, framed size is 39.25 x 45.25 inches. Custom framed in a wooden oak frame, it is floating, with a deep red liner and with natural linen matting. The artwork is in excellent condition. The frame is in very good condition, it has minor restorations, practically invisible. Medium: Serigraph on Paper Dimensions: 26 1/4" x 33 1/4" Year Produced: 1983 Edition Size: 150 plus proofs (45 proofs) About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

"Couleur Additive Perseus" has a stunning appearance and an optical effect, which catches the beholder's attention from the very first time. Carlos Cruz-Diez from Venezuela was one o...

Commissioned in 1989 by The Paris Review, Keith Haring created this original hand-signed, dated and numbered screenprint in an edition of 200, measuring 24 x 32 in. (61 x 81.3 cm), u...

Included in America: The Third Century portfolio, Roy Lichtenstein created Bicentennial as an original color lithograph with screenprint in 1975, conceived to celebrate the 200th ann...

Large, bold and stunningly beautiful – Silver Poppies, by Donald Sultan is a stunning screenprint on museum board, the artwork monogrammed, titled, date...

Large, bold and stunningly beautiful – Red Poppies, by Donald Sultan is a stunning screenprint on museum board, the artwork monogrammed, titled, dated and ...

OY Year: 2020 Medium: Color silkscreen and flocking on Rising 2-ply Museum Board Size: 32 x 30 inches (81 x 76 cm) Edition: 40 Deborah Kass employs the visual motifs of post-war pai...

Exhibition poster for "Andy Warhol: Pasadena Art Museum," edition size unknown, unsigned as issued. The name of American artist Andy Warhol is all but sy...

Ink and 24-karat gold leaf on Hahnemühle paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachusetts) and Sammy...

40-color silkscreen on Zerkall Litho paper (Edition of 10) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachu...

Silkscreen on Zerkall Litho paper (Edition of 15 variations) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massac...

Alexander Kosolapov Malevich, 1990 silkscreen on paper 22x30 inches Edition of 100 signed and numbered

ROBERT COTTINGHAM HI FI, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM Drinks, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009...

ROBERT COTTINGHAM Champagne, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2...

ROBERT COTTINGHAM Fox, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM Hi, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' an...

ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...

Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. The artist created PS III -...

This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring 33 x 42 in., unframed.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring 33 x 42 in., unframed.

This screenprint was created by the artist in 1991. Signed in pencil and numbered from the edition of 80 measuring 29 x 34 in. (73.7 x 86.4 cm.). Published by The Metropolitan Museu...