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Unknown"Pan" from Les Maitres de l'Affiche by Joseph Sattler1897
1897
$375
£283.71
€327.45
CA$523.77
A$582.33
CHF 304.82
MX$7,142.12
NOK 3,881.08
SEK 3,664.20
DKK 2,443.53
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About the Item
SATTLER, JOSEPH
(1867 - 1931)
"Pan"
Original lithograph from “Les Maitres de L’Affiche” series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #17, 1897. Plate #67
Unframed Size: 11 3/8 x 15 3/4”
The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month
for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued
as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name
“Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at
the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts.
“The Berlin Secession revue Pan was given a striking visual identity by the cover Sattler designed for it… Art Nouveau’s writhing lines were often used to delineate perverse beauty, and ‘Le Livre de l’Affiche’ (p.102) describes this image as characteristic of Secessionist ‘vitality, spontaneity and a certain taste for provocation” (Rennert, PAI-XX 417)
“This is an example of the Art Nouveau branch known as symbolism. It depicts the Greek figure Pan
looking over the horizon. In the middle-ground are the traditional work tools: rake, shovel and hoe. In the foreground is a papery flower with the word ‘Pan’ and the year ‘1895’ formed by the stamen. The image of Pan’s face is on each petal of the flower. Pan, a mischievous character is juxtaposed with the hard working tool images. The flower shows the birth of science that was occurring at the time. New ideas about
rationality, mathematics and evolution were all evolving at this time. However, the overlooking Pan image symbolizes the problems that may arise out of these new discoveries”
- Creation Year:1897
- Dimensions:Height: 15.75 in (40.01 cm)Width: 11.25 in (28.58 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:Unknown edition sizePrice: $375
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hinsdale, IL
- Reference Number:Seller: 16741stDibs: LU138427287742

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Located in Hinsdale, IL
DUYCK, EDOUARD
(1872 -1897)
CRESPIN, ADOLPH
(1859 –1944)
"Hippodrome des Art"
Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #6, 1894. Plate #28
Unframed Size:11 3/8 x 15 3/4”
The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "...Posters were created by the team of Duyck & Crespin, whose close collaborative efforts garnered them the nickname 'the Siamese twins.' Between their first joint attempt at poster-making in 1885-1886 and Duyck's death in 1897, the duo produced a large corpus of works... as well as set designs and costumes for the theatre " (Brussels p.76) This is a Belgian poster for the Ferme de Frahinfaz, on the Hippodrome des Art road near Spa. "Accommodations for riders and pedestrians. Fork and knife lunches, fresh milk, real "Faro" beer from Brussels and English beers"
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Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, issue # 33, 1898. Plate #131
Unframed Size: 11 3/8 x 15 3/4”The
"Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...
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Unframed Size: 11 3/8 x 15 3/4”
The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...
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Unframed Size: 11 3/8 x 15 3/4
”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...
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