Lithograph Nude Prints

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Alvin Carl Hollingsworth, American (1928 - 2000) - Nude #3, Medium: Lithograph, signed in the plate lower right, Size: 13.25 x 9.75 in. (33.66 x 24.77 cm), Frame Size: 21 x 17 inc...

Alvin Carl Hollingsworth, American (1928 - 2000) - Apple, Year: circa 1990, Medium: Hand colored Lithograph, signed, titled and numbered in pencil, Edition: AP, Image Size: 10.75...

Alvin Carl Hollingsworth, American (1928 - 2000) - Nude, Medium: Hand colored Lithograph, signed, titled and numbered in pencil, Edition: AP, Image Size: 18 x 9.25 inches, Frame S...

Artist: Reuben Nakian Title: Leda and the Swan - 10 Year: circa 1970 Medium: Lithograph, signed in pencil Edition: BAT Image Size: 22 in. x 30 in. (55.88 cm x 76.2 cm) Frame Size: 32...

Camille HILAIRE Undressing Model, 1973 Original lithograph (Mourlot Workshop) Handsigned in pencil Numbered /120 copies On Arches vellum 76 x 54 cm (c. 29,9 x 21,2 inch) Excellent ...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

Nude is an original lithograph on cardboard, realized by Roger Chapelain-Midy in 1980s. The state of preservation is very good. Hand-signed and dated on the lower right Numbered, ...

Henri Matisse, French (1869 - 1954) - Dessins, Year: 1970, Medium: Lithograph Poster, Size: 25.75 x 18.75 in. (65.41 x 47.63 cm), Frame Size: 26.75 x 19.75 inches, Printer: Mour...

after Henri Matisse - Zulma - Lithograph Artist : Henri MATISSE posthumous edition of 200 after the original paper cut-out signature printed in the plate 80 x 60 cm With stamp of t...

This artwork "Deux Femmes Nues" 1979 is an original color lithograph by noted Belgian artist Guillaume Cornelis Van Beverloo, A.K.A. Corneille, 1922-2...

Ira Moskowitz, Polish/American (1912 - 2001) - Artist and Model, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 33 in. x 24 in. (83.82 cm x...

Antoniucci Volti (1915-1989) Seated Model Original lithograph Handsigned in pencil Numbered / 80 copies On Arches vellum 65 x 50 cm (c. 26 x 20 in) Excellent condition

Nude is an original lithograph realized by Pierre Puvis de Chavannes in the 19th Century. Good Conditions. The artwork is depicted through soft strokes in a well-balanced composition.

An original lithographic poster of a seated nude in the rust color of conte crayon by French artist Andre Derain printed for Galerie Maeght in the atelie...

Study for  Floating Figure is a lithograph realized by Herbert James Draper in the early 20th Century. Stamped and titled on the lower. Good condition with slight foxing.

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Gromaire, 1958. Publ...

Reclining Nude, Left Leg Raised is a beautiful and original lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction of the homonym pencil drawing realized by t...

Figure is an original lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes, short and...

Edouard PIGNON Federico Fellini with a Nude Original lithograph Handsigned Numbered / 100 ex On vellum 70 x 50 cm (c. 28 x 20 inch) Excellent condition

Female nude from the rear with hands on her hip is a lithograph realized after Egon Schiele's drawing of 1917.  Signed and dated in the plate.  ...

Modella nello studio is a beautiful original lithograph on paper, realized by the Italian master Felice Casorati in 1946. Hand-signed in pencil "F. Casorati" on the lower left margi...

Nude woman with tree is an original artwork realized by French artist Jacques Busse (1922-2004) Lithograph print. Hand-signed on the lower right in pe...

The Red Host is a colored lithograph from the portfolio " Erotica" by Egon Schiele. It deals with a reproduction of the homonym artwork realized in watercolor and pencil by the Aust...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

This artwork titled " Balinese Mother and Child" 1970 is an original color lithograph on Japan nacre paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed, inscribed Bon a Tirer and dated 1970 in pencil by the artist. The image size 14 x 9,75 is inches, framed size is 27.35 x 21.75 inches. Published by First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. it is beautifully custom framed in a wooden gold frame, with gold color spacer. It is in excellent condition. About the artist: Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...

Standing Male Nude is a beautiful and original colored lithograph from the portfolio "Erotica" by Egon Schiele. It deals with a reproduction of the homonym artwork realized in penci...

Nude from Back is a print realized by an Anonymus artist the early-20th century. Lithgraph on paper. Good conditions. Beautiful nude with soft strokes.

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Gina Lombardi Bratter, American - Island Girl, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 30, Size: 34 in. x 25 in. (...

Naturam Omnem is a print realized by French Pajou Augustin (1730-1809) in the late 18th century. Lithograph on paper. Signed on the plate, Ti...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Nude Girl With Raised Arms is a lithograph from the portfolio " Erotica " after Egon Schiele. It is a reproduction of the homonym pencil drawing realized by the Austrian master ...

Nude is an original lithograph realized by an anonymous artist in the Early 20th Century. Hand-signed but illegible. The artwork is depicted through confident strokes in a well-bal...

A very good impression of this color lithograph. Signed and numbered 51/180 in pencil. Printed by Mourlot, Paris. Published by Leon Amiel, New York, and XXe Siècle, Paris. From the s...

Egon SCHIELE (after) Reclining Nude, Left Leg Raised Stone lithograph after a charcoal drawing of 1914 Printed signature in the plate On vellum 50 x 64 cm (c. 19.7 x 25 inches) R...

Edition of 100 prints. Hand signed and numbered. Good conditions, just some minor stains on lower left margin. This artwork is shipped from Italy. Under existing legislation, any a...

Nude woman is an original modern artwork realized in mid-20th century by the artist Guglielmo Coladonato. Lithograph on paper. Signature an hand written dedication on the lower ma...

Crouching Male Nude (Self-Portrait) is a beautiful lithograph from the portfolio " Erotica " by Egon Schiele. It is a reproduction of the homonym black crayon drawing, a self-portrai...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Reclining Couple is a beautiful colored lithograph from the portfolio " Erotica " by Egon Schiele . It deals with a reproduction of the homonym artwork realized in watercolor, gouac...

Commemoration Of Leopardi is a wonderful black and white lithograph onpaper, realized in the late 19 century by the French artist Henri Fantin-Latour (Gre...

Beauty and the Beast Lithograph, 1949 Signed, titled and numbered in pencil (see photos) Edition: 20 (10/20) (see photo) Condition: Excellent cond...

Two Reclining Nude Girls is a beautiful original lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction of the homonym pencil drawing realized by the Austrian...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Nue Assise dans l'Herbe". The original painting was completed in 1961. In the 1970's a...

La Grosse Melie Marie-Laure de Noailles, French (1902–1970) Date: 1952 Lithograph on Arches, signed and dedicated in pencil Edition of Dedicated Proof Image Size: 14 x 11 inches Size...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 46-47, 1952. Published by Aimé Maeght, Éditeur, Paris; ...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Li...

Guy RIBES Nude Under the Moon Original lithograph Handsigned in pencil Not numbered On vellum BFK Rives 76 x 56 cm (c. 29.9 x 22) Excellent condition

Jean PICART LE DOUX The Bather Original lithograph Signed in pencil Numbered /75 On vellum 62.5 x 49 (c. 24 x 19nch) Very good condition

A lithograph reproduction from the Marina Picasso Estate Collection after the Pablo Picasso painting "Ne se tordant les cheveux". The original p...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Fine lithograph on ivory colored China paper. Signature on plate on the lower right margin. Beautiful artwork representing a bucolic scene.Excellent conditions, including cardboard p...

Ladies in the Wind  is a print realized by Eduard Touraire in the early 20th century. Lithograph on paper. Signed on the plate. Good conditions. Beautiful delicate artwork repres...

Actual sheet is 25 X 20 size includes frame. Hand signed and numbered. The Flight exhibition comes from a portfolio of prints organized by Varian Fry in 1964 and completed in 1971. B...

Nude is a lithograph a on paper realized in 1980 by Sergio Barletta. Hand-signed on the lower right in pencil. from the edition of 100 prints. Numbered in pencil on the lower left. I...

Figure is an original lithograph artwork realized by the artist of the 20th Century in 1980. Hand-signed in pencil on the lower right. Numbered, edition 23/99. The state of preser...