Late 20th Century Nude Prints

Saint Clair Cemin, Brazilian (1951 - ) - Topless Woman, Year: 1978, Medium: Etching and Aquatint on Arches, signed, numbered and dated in pencil, Edition: 26/40, Image Size: 6 x 4.5...

"Checkered Woman Purple & Yellow" Artist unknown Silkscreen on paper c. 1970s 19"x24" unframed unsigned

This artwork titled "Steam Bath, Aniak" 1995 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 38/950 in pencil by the artist. The image size is 6.75 x 10 inches, sheet size is 10.5 x 14 inches. It is in excellent condition.. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Artist: Leonor Fini Title: Femmes en Costumes Year: c.1970 Medium: Original color engraving Edition: Numbered 124/275 in pencil Paper: Arches paper Image size 14.5 x 11 inches Sheet ...

Jean PICART LE DOUX The Bather Original lithograph Signed in pencil Numbered /75 On vellum 62.5 x 49 (c. 24 x 19nch) Very good condition

Signed, titled and numbered by the artist from an edition of 125. Portrait of a young Rabbit against an abstract background. Trevor Southey was born in Rhodesia, Africa (now Zimba...

Copy III of X. JACEK SOWICKI (born in 1948) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the gra...

Image dimensions: 42.5 x 33 cm. Hand signed. Artist's proof. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created o...

Nude is an original etching artwork, realized by Sergio Barletta, hand-signed on the lower right in pencil. In very good conditions, except for a small piece of missing paper on the...

Jean-Baptiste Valadie Love me Slow, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Excellent condition

Jean-Baptiste Valadie Two nudes in the egg position, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Excellent condition

Femme Nue Recroquevillée is a beautiful color lithograph realized by Bernadette Kelly (1933-) in the 20th century. Dimensions: cm 32 x 24. Very good conditions. This touching artwo...

Hammam is an original contemporary screen print on paper realized by Deanna Frosini. Hand-signed on the lower right and numbered. Good conditions. Sh...

Lithograph after photo Number 1642 publishid by Pome granate PO BOX 980 Corte Madera CA ; On the right 1987 Estate of M.M reprented by the Roger Richman Agency Inc BH CA from the o...

LE VOYAGE de L'OISEAU is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. LE VOYAGE de L'OISEAU depicts a reclining female nude whose yellow ochre body outlined with vibrant green, rests on deep burgundy colored background looking upward as a brightly colored exotic orange bird...

Bernard BUFFET (1928-1999) Women's Games : Ode en son Honneur, 1970 Original lithograph Unsigned On vellum 75 x 55 cm (c. 30 x 22") References : Bernard Buffet - Lithographe / Mou...

Raymond Pettibon illustrated Black Flag flyer New York City 1981: Rare early 1980s Punk flyer illustrated by Pettibon to advertise one of Black Flag’s first ever East Coast shows hel...

Reclined Nude is an original etching and aquatint realized by Leo Guida in 1970s. Good condition for the 8 copies of the artwork. No signature. Leo Guida (1992 - 2017). Sensitive...

Figure is a black and white etching realized by Nazareno Gattamelata in the 1970s. Hand signed by the artist on the lower right margin: Gattamelata . Numbered on the lower left ma...

Escape is a beautiful colored lithograph realized by Stefania Guidi in 1993. Hand-signed in pencil on the lower right margin. Dated on the lower right. Numbered on the lower left. Edition 91/150. Original title: Fuga. This contemporary original print represents a nude woman lying down in a moment of rest. Good conditions. Stefania Guidi (Rome, 1929) belongs to the Marche family of the Marquises Guidi Giovanissima. In 1958, she had her first personal exhibition of sculptures and drawings at the Giosi gallery in Via del Babbuino in Rome. She married the musician and composer Michele Paradiso on 1 July 1978 in Campidoglio. From 1956 to 2014, the work of Stefania Guidi was expressed in various techniques and materials with great craftsmanship. She made 192 etchings on copper and zinc; 40 lithographs on stone...

Artist: After Pablo Picasso (1881-1973) Title: Deux Modèles se regardant (after Bloch 209) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone s...

Nude is an original etching on cardboard realized in 1983 by Andrea Biniglio. Hand-signed lower right in pencil. Artist's Proof. Good conditions. The artwork represents a lying nu...

Nude is an original lithograph realized by Sergio Barletta. With a poem written on the lower center in blue. Hand-signed on the lower right. Artist's proof. In very good condition...

Woman With Horse is an artwork realized by Enzo Assenza. Print in lithograph technique. Hand-signed by the artist in pencil on the lower right corner. ...

L'Ouverture sur L' Été is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. L'Ouverture sur L' Été depicts a bold reclining female nude whose mint green body with cobalt blue delineated details and face rests upon a deep green background amidst the heat of summer - red horizon with blazing yellow sun and an exotic blue bird hovering above. Print size - 19.5 x 25.5 inches, unframed, full bleed image, no margins, pencil signed by Corneille Edition size - 200, plus proofs Year published - 1981 Printer - J K Fine Art Editions Co., NY About the artist Corneille - Guillaume Corneille was born in Liege, Belgium on July 3, 1922. Corneille studied drawing at the Amsterdam Rijksakademie, but as a painter he was entirely self-taught. After having attended courses at the School of Fine Arts in Amsterdam, he started his painting experience influenced by Surrealism. Corneille, also known as Corneille Guillaume Beverloo, was a painter and graphic artist who radicalized the conservative Dutch art world in the early 1950s. He is co-founder with Karel Appel, Eugene Brands...

Blue and Yellow Figures is a lithograph on paper realized by Alberto Cavallari in the 1970s. Hand-signed, and numbered, edition of 100 prints. Good conditions.

Guido Crepax - "Valentina" to "O" is an origianl offset realized in 1976 by Guido Crepax. Not signed. This artwork was realized in the occasion of the ...

Woman With Parrot is a very colorful lithograph realized by the artist Michael Ciomakov in the 1970s . Hand-signed in pencil on the lower center. N...

Artist: Raphael Soyer Title: Nude Woman Portfolio Medium: 2 Lithographs, 1 printed in color & 1 black/white Original paper portfolio cover Signed: Hand Signed Edition: From the editi...

This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Vegetation an original Lithograph artwork realized by Daniele Dimitri. Hand-signed at the bottom. Numbered, edition 91/100. In excellent conditions. Passepartout included 70 x 50...

This artwork titled "Dorme E Mare" c.1980 is an original aquatint by noted Swiss artist Annapia Antonini, b.1942. It is hand signed, titled and numbered 14/100 in pencil by the artist. The plate mark (image) size is 5.55 x 8.15 inches, sheet size is 14.75 x 14 inches. It is in excellent condition, has never been framed. About the artist: Annapia Antonini was born in Lugano Switzerland in 1942 and lives in Paris (France) since 1962. She studied drawing at the Académie Julian with Mac Avoy, painting with Pierre Jérôme always at the Académie Julian and etching with John Friedlander...

Nude is a lithograph a on paper realized in 1980 by Sergio Barletta. Hand-signed on the lower right in pencil. from the edition of 100 prints. Numbered in pencil on the lower left. I...

Artist: Donald Saff Title: Wolf and Man Year: 1980 Medium: Etching with Aquatint, Hand signed and numbered in pencil Edition: 50 39 in. x 27.5 in. Donald Jay Saff (born 12 Decemb...

Nude is an original etching realized by Sergio Barletta. Hand-signed on the lower right in pencil. In very good conditions. Sheet Dimension: 50 x 34 cm. The artwork represents ...

Screen print realized in 1976 by Nicolas Simbari. Hand Signed. Edition of 99 pieces.

Woman from Shoulders is an original black and white etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006). Hand-signed, dated by the artist in pencil on the l...

Tout Bas Cover is an original lithograph realized by Renzo Vespignani. Not signed. Titled on the center of the print. Good conditions. In this Artwork there is a written in green ...

Untitled Plate 7 from Paroles Peintes Suite is an etching and aquatint on Japon paper. Hand-signed and hand-numbered in pencil on the lower margin. Edition of 85 prints. Perfect con...

Femme Nue Allongée is a sensual color lithograph realized by Bernadette Kelly (1933-) in the 20th century. Dimensions: cm 32 x 24. Very good conditions. This suggestive artwork is ...

Matin Calme Daniel Gelis, French (1942) Date: circa 1980 Lithograph on Arches, signed and numbered in pencil Edition of 137/180 Size: 22 x 27 in. (55.88 x 68.58 cm)

Untitled (Flower hats) 1976 Serigraph Ed. Edition of 175 25.75 x 20.5 inches

Figure is an original lithograph artwork realized by the artist of the 20th Century in 1980. Hand-signed in pencil on the lower right. Numbered, edition 23/99. The state of preser...

Nude is an original artwork realized by Ercole Pignatelli in 1972. Colored lithograph. Hand-signed and numbered by the artist in pencil on the lower right. Edition of 100. The artwo...

The Praise of the Poet is a vintage offset poster after Gustave Moreau, realized in 1993 for the Thirty-Fifth Festival dei due Mondi held in Spoleto, Italy in Racani Palace. Good co...

HEROIC SPIRIT is a hand drawn limited edition lithograph after the sketch by Frederick Hart for his sculpture entitled "Heroic Spirit" created for the 19...

Hand Signed and numbered. Edition of 90 prints.

Woman in Yellow is a screen print realized by Nicola Simbari in 1976. Hand signed and dated in pencil lower right (Simbari 76). Edition of 90 prints. The artwork represents a female...

Red Landscape is a delightful serigraph depicting a calm landscape scene in red and purple colors. It was realized by the talented contemporary artist Nicola Simbari in 1976. The sc...

Hand Signed and numbered. Edition of 90. Very good condition.

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

Hand Signed and numbered. Edition of 90 pieces. Very good condition.

ARTIST: Salvador Dali TITLE: Three Graces of Cova d'or MEDIUM: Etching with embossed verso SIGNED: Hand Signed PUBLISHER: Galerie des Quatre Mouvements EDITION NUMBER: 31/90 ME...

Artist: Dan May (American, 1955-) Title: "Home Early" *Signed by May in pencil lower left Year: 1995 Medium: Original Linocut on white Hosho handmade paper Limited edition: test prin...

Publisher GKM. Unframed. Edition of 150 ex. Signed, dated and numbered. Free shipment worldwide. Vladimir Velickovic was born in 1935 in Belgrade. He graduated from the Faculty of A...

Woman i  is a screen print realized by Nicola Simbari in 1976. Hand-signed on the lower right. Numbered .Edition 11/90. The artwork represents a female nude in profile with an abs...

Woman in Yellow is an original serigraph realized by Nicola Simbari in 1976. The artwork represents a female nude in profile with an abstract multicolour composition. There are colo...

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.