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Marina AbramovicSelf Portrait with Scorpion Homage to Frida Kahlo Lt Ed silkscreen on silk shawl2014
2014
$3,500
£2,651.91
€3,042.86
CA$4,925.06
A$5,414
CHF 2,845.35
MX$65,745.69
NOK 35,495.04
SEK 33,629.05
DKK 22,709.64
About the Item
Marina Abramovic
Homage to Frida Kahlo (Self Portrait with Scorpion), 2014
Silkscreen on 100% Silk Shawl/Scarf
Limited Edition of 50 (unnumbered)
With original label from publisher in collaboration with Marina Abramovic Institute (MAI)
Unframed
The exquisite silk work is unframed, and can be framed, or worn as a scarf or shawl. "I was truly inspired by Frida Kahlo and her Self-Portrait with Monkey," says Marina Abramović about this beautifully rendered limited edition design. Marina Abramović, was the subject of MoMA's highly acclaimed retrospective Marina Abramović: The Artist Is Present in 2010, This personal accessory became not just an image of female empowerment but also a sort of imaginary dialogue between two female masters.
The edition was originally created to raise funds for the Museum of Modern Art and Marina Abramovic Institute (MAI), a platform for immaterial art and long durational works, including those of performance art, dance, theater, film, music, opera, science, nature, technology, and undiscovered forms that may develop in the future..." This is sure to be an impressive conversation piece in any home or office.
Marina Abramovic Biography
Since the beginning of her career in Belgrade during the early 1970s, Marina Abramović has pioneered performance as a visual art form. She created some of the most important early works in this practice, including Rhythm 0 (1974), in which she offered herself as an object of experimentation for the audience, as well as Rhythm 5 (1974), where she lay in the centre of a burning five-point star to the point of losing consciousness. These performances married concept with physicality, endurance with empathy, complicity with loss of control, passivity with danger. They pushed the boundaries of self-discovery, both of herself and her audience. They also marked her first engagements with time, stillness, energy, pain, and the resulting heightened consciousness generated by long durational performance.
The body has always been both her subject and medium. Exploring her physical and mental limits in works that ritualise the simple actions of everyday life, she has withstood pain, exhaustion and danger in her quest for emotional and spiritual transformation. From 1975-88, Abramović and the German artist Ulay performed together, dealing with relations of duality. She returned to solo performances in 1989 and for The Artist Is Present (2010) she sat motionless for at least eight hours per day over three months, engaged in silent eye-contact with hundreds of strangers one by one.
Abramović was one of the first performance artists to become formally accepted by the institutional museum world with major solo shows taking place throughout Europe and the US over a period of more than 25 years. Her first European retrospective ‘The Cleaner’ was presented at Moderna Museet in Stockholm, Sweden in 2017, followed by presentations at the Louisiana Museum of Modern Art in Copenhagen, Denmark, Henie Onstad, Sanvika, Norway (2017), Bundeskunsthalle, Bonn, Germany (2018), Centre of Contemporary Art, Torun (2019), and Museum of Contemporary Art Belgrade, Serbia (2019). The artist’s operatic project ‘7 Deaths of Maria Callas’ debuted at the Bayerische Staatsoper, Munich, Germany in 2020, and toured to Palais Garnier, Paris, France and the Greek National Opera, Athens, Greece in 2021. Further performances are scheduled for spring 2022 at Deutsche Oper Berlin, Germany (8-10 April) and Teatro di San Carlo, Naples, Italy (13-15 May). In 2023, Abramović will be the first female artist to host a major solo exhibition in the Main Galleries of the Royal Academy of Arts in London.
Abramović has participated in many large-scale international exhibitions including the Venice Biennale (1976, 1997) and Documenta VI, VII and IX, Kassel, Germany (1977, 1982 and 1992). She has also established the MAI (Marina Abramović Institute) to support the future exploration and promotion of performance art.
-Courtesy Royal Academy
- Creator:Marina Abramovic (1946, Serbian)
- Creation Year:2014
- Dimensions:Height: 35.5 in (90.17 cm)Width: 35 in (88.9 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:This is a silk scarf which is brand new, but with the original folds, as issued and ships folded so any waviness or undulations are part of the delicate fabric design. Never used!
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213489282
Marina Abramovic
Marina Abramović is a world-renowned Serbian performance artist, whose work explores the physical limits of the body, and tests the boundaries of the relationship between artist and viewer.
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