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McKenney & Hall
A Chippeway Widow

1838-9

Price:$850
$1,200List Price

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ESH-TA-HUM-LEAH.
By McKenney & Hall
Located in New York, NY
McKenney, Thomas and James Hall. History of the Indian Tribes of North America. Unknown publisher and date, probably 1840s. ESH-TA-HUM...
Category

Mid-19th Century Portrait Prints

Materials

Paper

Portrait of a Woman
Located in New York, NY
Sadatora, Utagawa (active 1818-1844). [Portrait of woman]. Japan, ca. 1825. Original woodblock print.
Category

1820s Portrait Prints

Materials

Paper

Actor Portrait
By Utagawa Kunisada III
Located in New York, NY
Kunisada, Utagawa. [Actor portrait.] Japan, ca. 1855. Original woodblock print.
Category

Mid-19th Century Portrait Prints

Materials

Paper

"Mr Abington" Vanity Fair Jockey
Located in New York, NY
Color lithograph from Vanity Fair of Mr. Abington. London, circa 1890.
Category

1890s Portrait Prints

Materials

Paper

Obelisco Egizio (Egyptian Obelisk) from Vedute di Roma Etching by Piranesi
By Giovanni Battista Piranesi
Located in New York, NY
Obelisco Egizio from "Vedute di Roma" by Giovanni Battista Piranesi. 2nd Roman state, 1759-1778. Etching on laid paper with a watermark of a Fleur-de-L...
Category

Late 18th Century Prints and Multiples

Materials

Paper

Hand-Colored Penguin Engraving
By George Edwards
Located in New York, NY
Original engraving, hand-colored at the time of publication, after the work of George Edwards from "Sammlung verschneider auslandischer und seltener Vogel" by Johann Michael Seligma...
Category

Mid-18th Century Animal Prints

Materials

Laid Paper

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Rolling Stones Tin Pan Alley Colour LIFETIME silver gelatine print
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Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...
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King Henry VII /// Old Masters Royal Family British Portrait Face Engraving Art
By George Virtue
Located in Saint Augustine, FL
Artist: George Virtue (English, 1684-1756) Title: "King Henry VII" Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History *Issued unsigned, though signed by Virtue in the plate (printed signature) lower right Year: 1736 Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown, London? UK Publisher: James, John, and Paul Knapton, London, UK Reference: Brunet No. IV.1115; Bryan V. No. 294 Framing: Recently framed in a gold ornate moulding with 100% cotton rag matting, and filet from Italy Framed size: 22.69" x 18.63" Image size: 11" x 7" Condition: Light toning and a few minor foxmarks to sheet. In very good condition Notes: Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings. Engraving of Henry VII, King of England. Half length with long hair, cap with jewelled brooch, jewelled collar, and robes edged in ermine, holding orb in left hand and sceptre in right. Within a rectangular frame with crown, orb, and sceptre above and with coat of arms, putti, and a portrait of Elizabeth of York below. With English inscription below. Henry VII (1457-1509) was the King of England and Lord of Ireland from his seizure of the crown on 22 August 1485 to his death. He was the first monarch of the House of Tudor. Henry attained the throne when his forces defeated King Richard III at the Battle of Bosworth Field, the culmination of the Wars of the Roses. Biography: George Vertue...
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"Tupac Shakur mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti
By Gerard Marti
Located in Culver City, CA
"Tupac Shakur mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist. The short eni...
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Jewish Man
By Fedor Loevenstein
Located in London, GB
FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Jewish Man, early 1920’s Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper Paper Size: 28 x 22 cm / 11 x 8.7 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted in Cyrillic "EBPEЙ" (Jew) and numbered "19" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 19 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...
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1920s Cubist Portrait Prints

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Portrait of a Man with Hands on Table
By Fedor Loevenstein
Located in London, GB
FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Portrait of a Man with Hands on Table, early 1920’s Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper Paper Size: 28 x 22 cm / 11 x 8.7 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted in Cyrillic "ИАН ИАNCON" (probably Jan Jansson) and numbered "22" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 22 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...
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1920s Cubist Portrait Prints

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Beggars
By Fedor Loevenstein
Located in London, GB
FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Beggars / Bettler, early 1920’s Technique: Original Hand Signed, Inscribed, Dedicated and Titled Woodcut on thin wove paper Paper Size: 28.5 x 20.5 cm / 11.3 x 8 in Plate Size: 15 x 10 cm / 5.9 x 3.9 in Additional Information: This work is hand signed and dated in pencil by the artist "F. Loevenstein 22" at the lower right margin. It is also tilted "Bettler" (Beggars) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. It is dedicated “pour ma chere et jamais ce debacle, Fedor, Zoppot Sommer 22” (for my dear never this debacle [sic], Fedor, Sopot (Poland) Summer (19)22.) This work was hand printed by the artist himself in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...
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1920s Cubist Portrait Prints

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