Items Similar to Jewish Man
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Fedor LoevensteinJewish Man1920
1920
About the Item
FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947
(Czech / French)
Title: Jewish Man, early 1920’s
Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper
Paper Size: 28 x 22 cm / 11 x 8.7 in
Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in
Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin.
It is also tilted in Cyrillic "EBPEЙ" (Jew) and numbered "19" in pencil at the lower left margins.
This work was printed in the early 1920's in a small edition. Our impression is number 19 from the edition.
Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936.
His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946.
Exhibited: Fédor Lowenstein (1901-1946): Three Martyr Works, Musée des Beaux-Arts, DRAC Aquitaine and the Centre Pompidou at the Musée des Beaux-Arts of Bordeaux, May 15 - August 24, 2014.
Condition: Good condition. Strong impression. Time staining and handling creases. Some foxing marks. Tears along top margin.
- Creator:Fedor Loevenstein (1901 - 1947, Czech, French)
- Creation Year:1920
- Dimensions:Width: 11.03 in (28 cm)Depth: 8.67 in (22 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU180241322
About the Seller
4.7
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1981
1stDibs seller since 2013
160 sales on 1stDibs
Typical response time: 9 hours
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- BeggarsBy Fedor LoevensteinLocated in London, GBFEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Beggars / Bettler, early 1920’s Technique: Original Hand Signed, Inscribed, Dedicated and Titled Woodcut on thin wove paper Paper Size: 28.5 x 20.5 cm / 11.3 x 8 in Plate Size: 15 x 10 cm / 5.9 x 3.9 in Additional Information: This work is hand signed and dated in pencil by the artist "F. Loevenstein 22" at the lower right margin. It is also tilted "Bettler" (Beggars) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. It is dedicated “pour ma chere et jamais ce debacle, Fedor, Zoppot Sommer 22” (for my dear never this debacle [sic], Fedor, Sopot (Poland) Summer (19)22.) This work was hand printed by the artist himself in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...Category
1920s Cubist Portrait Prints
MaterialsPaper
- Portrait of a Man with Hands on TableBy Fedor LoevensteinLocated in London, GBFEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Portrait of a Man with Hands on Table, early 1920’s Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper Paper Size: 28 x 22 cm / 11 x 8.7 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted in Cyrillic "ИАН ИАNCON" (probably Jan Jansson) and numbered "22" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 22 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...Category
1920s Cubist Portrait Prints
MaterialsPaper
- Uncle VanjaBy Fedor LoevensteinLocated in London, GBFEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Uncle Vanja, early 1920’s Technique: Original Hand Signed, Inscribed and Titled Woodcut on thin wove paper Paper Size: 27.5 x 21 cm / 10.8 x 8.2 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted "Onkel Wanja" (Uncle Vanja) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...Category
1920s Cubist Portrait Prints
MaterialsPaper
- Portrait of an Old ManBy Lowenstein FedorLocated in London, GBFEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Portrait of an Old Man, 1922 Technique: Original Hand Signed, Titled, Dated and Dedicated Woodcut on thin paper Paper Size: 19.2 x 14.5 cm / 7.5 x 5.7 in Image size: 14.5 x 11.7 cm / 5.7 x 4.5 in Additional Information: This work is hand signed and dated in pencil "Fedor Loevenstein '22" at the lower margin It is also tilted and inscribed in Cyrillic in pencil at the lower left margins. There is an additional text in French at the far lower right margin. This work as printed in 1922 in a small edition. Originally from Czechoslovakia, Fédor Löwenstein...Category
1920s Cubist Portrait Prints
MaterialsColor
- Portrait of a Young Lady, ca. 1938By Bela KadarLocated in London, GBBELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Portrait of a Young Lady, ca. 1938 Technique: Original Signed Double-Sided Waterc...Category
1930s Expressionist Portrait Prints
MaterialsWatercolor
- Two Girls - Half NudesBy Otto MuellerLocated in London, GBOTTO MUELLER 1874-1930 Liebau 1874-1930 Wrocław, Poland (German) Title: Two Girls - Half Nudes Zwei Mädchen - Halbakte, 1920 Technique: Original H...Category
1920s Expressionist Portrait Prints
MaterialsLithograph
You May Also Like
- GARCON ET DORMEUSE A LA CHANDELLE (BLOCH 226)By Pablo PicassoLocated in Aventura, FLPlate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 wit...Category
1930s Cubist Nude Prints
MaterialsEtching, Aquatint, Paper, Engraving
- QUATRE FEMMES NUES ET TETE SCULPTEE (BLOCH 219)By Pablo PicassoLocated in Aventura, FLPlate 82 from La Suite Vollard. Bloch 219. Baer 424. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Number...Category
1930s Cubist Nude Prints
MaterialsEngraving, Paper
- FEMME ASSISE DANS UN FATEUILBy (after) Pablo PicassoLocated in Aventura, FLSelected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...Category
1980s Cubist Portrait Prints
MaterialsPaper, Lithograph
- VISAGE SUR FOND ROUGEBy (after) Pablo PicassoLocated in Aventura, FLSelected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...Category
1980s Cubist Portrait Prints
MaterialsPaper, Lithograph
- ENFANT EN PIEDBy (after) Pablo PicassoLocated in Aventura, FLSelected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...Category
1980s Cubist Portrait Prints
MaterialsPaper, Lithograph
- TETEBy (after) Pablo PicassoLocated in Aventura, FLSelected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...Category
1980s Cubist Portrait Prints
MaterialsPaper, Lithograph