Men Portrait Prints

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with slight foxing. Signed in the plate. The artwork is depicted through confident strokes. The...

Portrait after Raphael is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing and stain. The artwork is depicted through confi...

Portrait is a woodcut print print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Woman is a woodcut print print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Woman is a woodcut print print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Portrait of Soult is an etching that belongs to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837. Author Jacques Norvins published one o...

Portrait is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Title...

Elegant Man is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (50x32.5 cm). Luc-Albert Moreau (1882-1948) is a French painter, engraver, lithographer, and illustrator, close in his early days to the group known as the Black Band, then to the Golden Section.

Juggler is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (65.5x50 cm). Hand-signed on ...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Couples Ballroom Dancing is a very attractive print that is VERY nicely framed-- A wonderful accent to a living room or bedroom! 16 x 16 in size an...

Portrait is a lithograph realized by Graham Sutherland in 1972. Numbered edition 58/65. Dimensions:65.5 x 50. In very good conditions. Original creation by the English painter Gr...

Portrait Of Charles Nodier is an Etching realized by Constant Le Breton in the early 20th Century. Good conditions. Monogrammed on plate. The art...

Text - Generation of Swine Limited Edition of 30 On 100% cotton rag pH neutral, acid-free 250 gsm (90lb) paper using high-end water-based acrylic ink. Hand printed and signed by t...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 135 / 200. There are 200 pieces in the edition all signed and numbered b...

The Portrait is an original lithograph print on ivory-colored paper, realized in the 19th Century by Giuseppe Balbiani. Signed on the plate Good condition with some folding and a c...

"Keith Richards Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist.

Partners in life and art - Intimate portraits of John and Yoko. Renowned for his sensual, provocative images, Kishin Shinoyama is one of Japan’s most controversial and acclaimed art...

Interview is a Lithograph on wove paper BFK Rives realized in the 1970s by Christian Ricker. Edition of 65 prints, numbered and hand signed in pencil. Published by Wolfgang Ketter...

Set of 3 screen prints on paper includes "Animal", "Saviour", and "Poison Reality". Edition of 200. Matching editions. Each print measures 19.69 x 19.69 inches. Artwork is in exce...

Nude is an Etching and Aquatint realized by Enotrio Pugliese in 1970s. Artist's proof. signed by the artist. Good conditions. Enotrio Pugliese (May 11, 1920 - August 1989) was an...

Soldier is an Etching and Aquatint realized by Enotrio Pugliese in 1970s. Limited edition of 24 copies numbered and signed by the artist. Good conditions. Enotrio Pugliese (May 11...

Portrait of Old Woman is an Etching realized by Enotrio Pugliese in 1970s. Limited edition of 20 copies numbered and signed by the artist. Good conditions. Enotrio Pugliese (May 1...

Peasant is a lithograph realized by Enrico Tommasi in the Late 19th Century. Good conditions. Signed on Plate. The artwork is depicted through soft strokes in a well balanced comp...

In 1968 several of Chagall's poems were published in the album "Les Poemes" (The Poems). He also illustrated this album, featuring a series of 24 woodcuts. Unsigned. From the edi...

Woman in Prayer is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 12 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pu...

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...

Producer of 'Moulin Rouge' and 'Room at the Top' who was one of the most successful impresarios in the British film industries Art Sz: 14" x 12" Fram...

Portrait of Henry Melville, author of Moby Dick. The portrait is a companion piece to Or, The Whale (2019-20), a 14-by-51 foot scratchboard mural detailing the history and cost of Am...

Linda Stein, Flo Kennedy 406 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits series a feminist labor of love. Ea...

Portraits is an etching realized by Frédéric Villot (1809-1875) after Eugène Delacroix. Good condition on a yellowed paper, included a white cardboard passpartout ( 64x51 cm). Hand-signed by the artist on the margins. The artwork represents three portraits...

Self-Portrait is an etching realized by Edouard Dufeu (1840-1900). Proof artist, good condition, included a white cardboard passpartout (49x35 cm). Sig...

Portrait is an original modern artwork realized by Pierre Grandon in the 19th Century. Black and white etching. The artwork is depicted through soft strokes in a well-balanced comp...

Poster. Measures 31 x 26 inches and is Unframed. Good/Fair Condition.

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

Le Charpentier is a beautiful original etching on paper, realized by the French painter Charles Paul Renouard (Cour, Cheverny, 1845 - Paris,1924) in the late 19th Century. Signed on...

Tunisian is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in on the lower right. Artist's proof. Very good conditions. In ...

Portraits is an Original etching realized by Frédéric Villot (1809-1875) after Eugène Delacroix. Good condition on a yellowed paper, included a white cardboard passpartout ( 64x51 c...

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

Les Partageuses is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions except for some foxings. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land...

Raffet is a lithograph realized by Simon Louis Gérard during the 19th century. Good condition.

The Caricature is an Original Lithograph realized by Auguste Raffet in 1831. Not signed. The original work is glued to a white card, good condition. Denis Auguste Marie Raffet (18...

Portrait of Pierre Louÿs is a woodcut print on paper, realized the portrait of the young poet by an anonymous artist in the 20th Century. Titled on the lower. Good conditions excep...

Giclee on canvas. Hand signed and numbered by Alex Ross. Edition of 100. Canvas is stretched. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Nelson Alexander Ross (born January 22, 1970) is an American comic book writer and artist known primarily for his painted interiors, covers, and design work. He first became known with the 1994 miniseries Marvels, on which he collaborated with writer Kurt Busiek for Marvel Comics. He has since done a variety of projects for both Marvel and DC Comics, such as the 1996 miniseries Kingdom Come, which Ross co-wrote. Since then he has done covers and character designs for Busiek's series Astro City, and various projects for Dynamite Entertainment. His feature film work includes concept and narrative art...

"Jim Morrison Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti Giclee print on canvas Stretched on wooden bars. Signed and numbered by the artist. The short enigma...

Profile is a modern artwork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972. Black and white etching. Hand-signed and dated on the lower right. Numbered on the ...

Profile is an original modern artowork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972. Black and white etching. Hand-signed and dated on the lower right. Numbe...

Officier Tartare is an original artwork realized by the French artist Jean Baptiste Le Prince (1734-1781) Etching on paper. Signed, dated on p...

Tobi C is a white, non-binary artist who grew up in San Diego and calls Columbia, Missouri home. Tobi holds a BA in both Structural Violence and Gender Studies from the Metropolitan University of...

Profile is an original modern artowork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972 Black and white etching. Hand-signed and dated on the lower right. Number...

Profile is an original modern artowork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972. Black and white etching. Hand-signed and dated on the lower right. Numbe...

Profile is an original modern artwork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972. Black and white etching. Hand-signed and dated on the lower right. Number...

A. Karr is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

Les Invalides du Sentiment is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19t...

Études D'Androgynes is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Centu...

Études D'Androgynes is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Centu...