Women Portrait Prints

WOMAN LONG DARK HAIR is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter, 1...

Artist: Guillaume Azoulay - Moroccan (1949- ) Title: Shahrit Year: 1982 Medium: sepia colored etching Sight size: 16 inches in diameter (plate mark). Sheet size: 30 x 22 inches Pu...

Sharon Augusta Mitchell created "Ram Skull" in an edition of 100. This is impression #10 from the edition. It is signed, titled and numbered in pencil by ...

"Homme des Zemmour" translated to "Man of the Zemmour" is plate number 24 in Jean Besancenot's stunning portraits and depictions of the people of Moroc...

In this close-cropped portrait of a female figure, Pablo Picasso showcases his ability to capture the effects of light on facial features. Shining brightly from the upper left, the r...

NURSING MOTHER SEATED is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/Ame...

Vincenzo Cerino (1931-2014): painter, sculptor, writer closely associated with the Cilento region His works, in public and private collections, are in Italy, France, Spain, Austria, ...

Jean Jansem (1920-2013) Joelle de dos au coussin vert, 1995 Lithographie sur papier Arches Signée et justifiée 56 x 76 cm Album: La danse, 1999 Imprimeur: Arts-Litho, Paris Editeur ...

Joan Jett is one of the most prolific, bad-ass women in music. I was honored when Joan asked me to recreate the cover of her 1981 album "I Love Rock & Roll" for its 33 1/3 Anniversar...

Hand signed, dated and numbered by artist with pencil. Etching and aquatint. Edition of 90 prints plus 15 prints in Roman Numbers and 5 Artist's Proofs. Excellent condition.

Moulin Rouge. La Goulue and her sister is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: Moulin Rouge. La...

Ancient Roman Statues, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Vincenzo Campana in the 18th century. Signed on the pl...

Japanese Rider is a lithograph made by Auguste Wahlen in 1844. Hand colored.  Good condition.  At the center of the artwork is the original title "Cavalier Japonais".  The work i...

Signed, titled and numbered in pencil by the artist. Ricardo Estrada, is a Los Angeles Chicano artist best known for his portraits of street people a...

Talleyrand is an original Etching realized by A. Ethiou in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite...

Artist: (after) Hans Holbein (the Younger) (German-Swiss, c. 1497-1543) Title: "Catherine Howard Queen", "Jane Seymour Queen", "Anna Bollein Queen", a...

Couple is a Lithograph realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is excellent. Hand-signed. Artist's proof. ...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Marie Laurencin (after) Two Women Looking at a Picture Stone lithograph Printed signature in the plate Numbered / 250 On vellum 76 x 56 cm (c. 30 x 22 inch) Edition realized c. 197...

Figures is an artwork realized after Pablo Picasso (Malaga, 1881 - Mougins, 1973) in 1959. Phototype print. Dated, 24.12.59, and signed on the plate. Good condition. Pablo Picass...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating the Academy with this Limited Oscar Art...

Arabe Bedouin is a hand colored lithographs realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costumes de tous les peuples du ...

Down by the River Clarence Holbrook Carter American (1904–2000) Date: 1981 Lithograph, signed, numbered, and dated in pencil Edition of AP 30 Size: 25 x 32 in. (63.5 x 81.28 cm)

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

The Cat is an etching on paper realized by  Gian Paolo Berto. Good conditions. Numbered, Edition 40 of prints. The artwork represents a cat through perfect hatching. The artwork i...

This is a hand-colored engraving by Robert White (1645-1703) after a painting by Abraham Blooteling (or Bloteling) (1634–1690) entitled "The Effigies of the Right honorable: Thomas B...

Mixing Western and traditional pictorial styles, this vintage ad depicts a young family on a garden stroll. A cheongsam-clad woman nods to tradition in contrast to her Western-garbed...

Portrait after Raphael is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love o...

Arab Game is a photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditions. In th...

Village Woman Carrying a Basket on Her Back is a print realized by Johannes Pieter de Frey (Dutch, 1770–1834) After Jacobus Johannes Lauwers (Belgian, 1753-1800) in the 19th century....

"fkaTwigs" Photography 40" × 30" in Edition of 20 by Kate Garner Hahnemuhle fine art archival paper Not framed. Ships rolled in tube. Kate Garner: Seeker, Sage, and Preservationist...

Agent X Beauté du XVIIIe Siècle 3 Archival Pigment Inks on Canvas Year: 2022 Size: 74x58in Unique Signed, dated by hand COA provided Ref.: 924802-1164 -----------------------------...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

SEATED WOMAN ON BED, KNEE SOCKS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism...

Original poster: SOLDIERS-SAILOR AND WOMEN GUESTS welcome to the Y.W.C.A. hostess house "A bit of home within the camps". A sailor shakes the hand of a man while a woman is standing and smiling at them. Linen-backed original WW1 poster...

"The Presidents of the U.S." is an original hand-colored lithograph by Nathaniel Currier. It features the first eleven presidents of the United States. 14" x 10" art 23" x 19 1/8" frame Nathaniel Currier was born March 27, 1813 to Nathaniel and Hannah Currier in Roxbury, Massachusetts. At the age of fifteen he was apprenticed to William S. and John Pendleton of Boston who had set up the first lithographic establishment in America. His apprenticeship served him well as he went on to be the largest publisher of lithographs. Mr. Maurer described Nat Currier as being very gentlemanly and liberal. As is evident to the success of the firm of Currier & Ives he was very devoted to his business. Nat Currier had many friends including Horace Greely and P.T. Barnum. He was well known for his sense of humor and Harry T. Peters tells one story about P. T. Barnum. "Currier had heard that one day his friend, the great showman, had rushed into the barber shop of the old Park Hotel, at Beekman and Nassau Streets, to get a shave. Barnum had hurried up to Tom Higginson, the barber, and said, 'Tom, I'm in a hurry.' 'Sorry for it,' said Tom, 'but it's that gentleman's turn next.' 'That gentleman' was an unshaven irshman waiting for a ten-cent shave. Barnum turned to him and said, 'My friend, if you will let me have your turn, I'll pay for what you have done.' The gentleman consented, and, as Barnum found out later, had a full job done - absolutely everything the house had. The check was for a dollar and sixty cents. When Currier heard this story he found the very Irishman and had him pose. The result was the famous cartoon, "The Man that Gave Barnum 'His Turn.'" Nathaniel was married twice; his first wife was Miss Eliza West of Boston. He had one son with Eliza, Edward West Currier. In 1847 he married Miss Laura Ormsbee of Vermont. Laura and Nathaniel are memorialized in the famous N. Currier lithograph The Road Winter...

Wearing a brightly-colored beret, the woman in this Pablo Picasso print is rendered in hues of blue and teal. Looking to the side, the woman is portrayed from a multitude of angles t...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Buste de Femme Nue Face (Jacqueline Roque)". The original pai...

St. James is an original etching artwork on paper realized by an anonymous artist of the XVII century. Sheet dimension:21 x 14 Good conditions. The artwork represents St. James. T...

Just  Marilyn  is a black and white lithograph realized by Alejo Vidal-Quadras in the 20th century. Hand-signed by the artist in pencil on the lower right. Numbered in pencil on the...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating the Academy with this Limited Oscar Art...

"Three Seconds with the Masters - Jeweled" framed triptych of C-prints by artist James Osher. Based on Jean-Auguste-Dominique Ingres' 1851 painting, "M...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition. 

Medium: linocut Year: 2019 Image Size: 24 x 16 inches Edition of 10 Young indigenous girl against a backdrop that includes the Mayan symbol for God, along with doves taking flight from a book she has opened. As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation. Fuentes' relief printing process follows closely the social realist tradition of Latin American artists such as Jose Guadalupe Posada...

Baigneuse Devant un Port (Sainte-Adresse) is an original moder artwork realized by Raould Dufy in 1920s Original Lithograph. Artist's proof, aside from the edition of approximately...

Desaix is an Etching realized by A. Ethiou in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite "AtlasBatt" ...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Niño Payaso is an original hand drawn stone lithograph by the Mexican artist Rafael Coronel. Niño Payaso was printed one color at a time on archival printmaking paper using traditional hand lithography techniques in Paris c.1973 from lithographic stones drawn by the artist. Niño Payaso is a sensitive profile portrait depicting a young boy wearing an antique-style clown outfit whose image suggests a deeply dispirited child at a moment of gloom; a very strong impression printed in rust orange, light beige and black ink on buff colored paper. Framed size - 24 x 30 in., dark brown Mexican wood frame...

"Marilyn Chanel Diamond [Queens White (B+W Bright White)]" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depicts Marilyn Monroe h...

An Alphabet is a Wood engraving, realized by the Artist William Nicholson in the 1890s. Titled, the artwork belongs to the series "Almanach' Guidance of Editions is written on the l...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Portrait is an original artwork realized by Johann Caspar Lavater (1741 - 1801). Original Etching from "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mank...

Gathering is a Lithograph realized by Guido Gonin in the 19th Century. Good conditions. The artwork is depicted through soft strokes in a well balanced conditions.