20th Century Still-life Prints

Artist: Arman, French (1929 - 2005) Title: Yves Klein's Violins Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Ira Moskowitz, Polish/American (1912 - 2001) - L'Amour, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 33 in. x 24 in. (83.82 cm x 60.96 cm...

Artist: Ronald Julius Christensen – American (1923-1999) Title: Zannias (sic) Year: circa 1980 Medium: Color Lithograph on BFK Rives paper Image size: 24 x 19 inches. Sheet size: 30 x 22.5 inches Signature: Signed lower right Edition size: 295 This one: 114/295 Condition: Very good Unframed This exceptional vivid lithograph is by noted artist Ronald Julius Christensen (1923-1999). It makes use of vivid colors and bold strokes. The print is in very good condition. Born in Quincy, Massachusetts, Ronald Christensen established a fine-art career as a printmaker, painter and muralist in Boston where he had studied at the Boston Museum School of Fine Art and the Vesper George School of Art. He became a teacher in Color Theory at the New England School of Art in Boston in 1963. Exhibition venues included the National Academy of Design (1965) and the Rhode Island Art...

Still Life 1965 is an original black serigraph realized by Leo Giuda. Hand-signed on the lower left corner and in very good condition. Leo Guida artist sensitive to current issues,...

Artist: Francisco Bores Medium: Lithograph Title: La Femme En Bleu Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Signed in the pl...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 17...

A colorful pop art drawing of a whimsical landscape scene featuring red flowers, green trees, yellow sun, and blue sky and clouds with cubist furniture on a front porch. Two flies converse over bentwood chairs drawn in black, red and white, in this whimsical work by famed New York artist Michael Hurson. Framed in white enamel. Paper 23.5 x 32.5 in. / 59.5 x 82.5 cm Frame 27 x 35 x 2 in. / 68.5 x 89 x 5 cm Two Flies on a Bentwood Chair by Michael Hurson. Lithograph on white paper with silkscreen on plexiglass, in a cream-colored lacquer frame. Edition 70: this impression 56/70. Signed by the artist with initials and numbered 56/70 in pencil lower right. Prepackaged and framed: ready to ship immediately, and ready to hang out of the box. This mixed-media lithograph with silkscreen portrays the colorful scene of a lush, sun-drenched front porch. Hurson's whimsical play on geometry and three-dimensionality is enhanced by the layers of plexiglass and paper upon which the image is printed. In the center of the composition, printed on the base layer of paper, a bright yellow sun sits atop a liquid, sky-blue background, and a jaunty, crayon-textured cloud. A porch door...

DEARDORFF is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniqu...

Artist/Designer; Manufacturer: Philip Guston (1913-1980) Marking(s); notes: signed, blind stamp; ed. 39/50; 1980 Country of origin; materials: Canadian-American; lithograph Dimension...

Bodegon 31 Juan Manuel Gomez-Quiroz, Chilean (1939) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of AP 90 Image Size: 12.5 x 18.5 inches Size: 21.5 in. x 29 in....

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 129, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

This lithograph, produced in an edition of 100, and signed and numbered by James Rosenquist, is offered by CLAMP in New York.

Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, The Documents of Modern Art. Arp: On My Way, Poetry And Essays 1912 - 1...

Insect I is a  contemporary artwork realized by the artist Fifo Stricker in 1981. Mixed colored aquatint and etching. Hand signed and dated by the artist on the lower right margin....

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Pine Tree. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

This artwork "Still Life With Lamp and Fruits" c.1965 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered LXXV/L...

Whimsical 1970's hand painted botanical silkscreen of a spider plant by Babette Joslyn Bauman Eddleston (American, 1922-1990). This limited edition screen print has splashes of color painted in by hand. The edition number 22/270 is written lower left. It is titled "Spider Plant" and signed "Babette Eddleston...

Still Life is an original artwork realized by Josè Guevara in the late 20th Century. Colored lithograph on paper. Edited by Fondazione Di Paolo. Hand-signed in pencil on the lower...

This print is from David Halliday's Box Series where he creates his own distinctive take on classic still life compositions. Signed, titled and numbered in pencil from the edition ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 168, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

Paul Sarkisian (1928-) 1971 Blue Satchel or Mailbag Lithograph Silkscreen Print on calendred BFK Rives fine art paper. small edition of 12 from Tamarind print workshop with their bli...

Harry McCormick, American (1942 - ) - The Landmark Tavern II. Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: AP 60, Size: 26 x 31 in. (66.04 x 78.74 cm)

Bicentennial Dawn Silk screen and gold foil collage element, 1976 Signed and dated lower right in gold foil (see photo) Edition 100 (57/100) original label attributes this image as b...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...

Jekabs day. 1984. Paper, linocut, 25x34 cm imprint size 13x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illust...

Still life etching with jars by Doris Ann Warner (American, 1925-2010). Four jars sit on a countertop. Overlapping fabric patterns like cheesecloth are used to create shadows and tex...

Hangar is a contemporary artwork realized by the artist Fifo Stricker in 1981. Mixed colored aquatint and etching. Hand signed and numbered. Edition 17/25.

Lithograph on vélin du Marais paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve:...

Untitled is a drypoint artist's proof realized by Ardengo Soffici (Rignano sull’Arno 1879 – Vittoria Apuana 1964). It is signed and dated on the lower right. This is one of the mos...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 116, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Man in Profile. This one is not hand signed although the rest in the portfolio were. (it might just have been an oversight and been missed) Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 210, 1974. Published by Aim...

Portrait of Boy is an original artwork realized by Hugo Pereyra in 1964. Original Ink and Watercolor Hand-signed.

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Homage to Jean Cocteau is a beautiful brown-ink lithograph on paper, realized in 1987 by the Italian artist Giancarlo Limoni . Hand-signed , dated, and titled "Omaggio a Cocteau/Limoni 87 " with a brown pencil on the lower margin. Edition 138 of 150 prints. This contemporary artwork representing an abstract composition is in excellent conditions. Giancarlo Limoni was born in Rome in 1947, where he lives and works. In 1975, he opened his first personal exhibition at the "Galleria della Trinità" in Rome. In 1983-84, he briefly studied at the Pastificio Cerere, where Fabio Sargentini...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 175, 1968. Published by Aimé Maeght, Éditeur, Paris; pr...

Abstract Flowers is an original modern artwork realized in the1970s by Franco Gentilini. Mixed colored lithograph Hand signed and dated on the lower margin. Edition of 35/100 Inc...

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 175, 1968. Published by Aim...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Artist: Richard Bernstein Title: Diamond Year: 1978 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Size: 26 in. x 30.5 in. (66.04 cm x 77.47 cm) Frame Size: 32...

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Raspberry MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 23/200 MEASUREMENTS: 29.75" ...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Au Temps de Paris Seine, 1964. Published by Pierre ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 200, 1972. Published by Aim...

Image dimensions: 41.5 x 53.5 cm. Flowers And Guitar is an original artwork realized by Jean Marzelle in the 1970s. Mixed colored lithograph. Hand-signed by the artist on the lowe...

Moody depiction of a press by Doris Ann Warner (American, 1925-2010). This piece is dark and saturated, giving the impression that the press is located in a dark room. The press is d...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

This piece is an original silkscreen collage on graph paper done in 1966. It is hand initialed "J.D." on the front right corner and numbered 14/150 on the back. This piece measure...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Fruit is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. The a...

A colorful still-life etching of Pomegranates and pips on a table by Canadian artist, Norman Laliberte. The print is hand-signed and numbered 61/99 in pencil. The image measures 35 x...

Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right in pencil ...

This artwork "Still Life with Silver Vase" 1991 is a large original color serigraph by artist Audean Johnson. It is hand signed and numbered 195/275 in ...

Artist: Kate Delos – Mexican/American (1945- ) Title: Untitled – Abstract Flower Year: 1983 Medium: Monotype Image size: 15.5 x 11.75 inches. Paper si...