Michael Hurson

Two Flies on a Bentwood Chair: colorful rainbow pop art landscape Micheal Hurson

1987

Based on Rosenquist’s 1961 grisaille oil painting Flower Garden, this work arranges a still life using an advertisement for gloves with part of an athlete’s torso. A number 1 can be ...

This richly-hued screenprint depicts the ripped-open box packaging for Andre Champagne Cellars. On the side of the box is printed "Cold Duck," referri...

This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...

Large scale black and white stunning abstracted floral still life with sweeping brushstrokes and draped cloth. Lush and painterly composition for minimalist, contemporary and modern ...

The painterly, multicolored effect of this pastel ice cream still life is achieved by printing “à la poupée”, in which multiple colors can be applied to the plate for printing at one time. Oldenburg first printed in brown, and for the second plate, freely applied yellow, green, purple, blue, and light purple, producing an array of loosely sketched pastel confections. Image 13.5 x 21.15 in. / 34.3 x 53.7 cm Paper 22.5 x 31.25 in. / 57 x 79.4 cm Soft-ground etching and aquatint in six colors “à la poupée” on cream, thick, slightly textured Arches paper. Signed by the artist with initials lower center in pencil, dated 1976 lower right in pencil, and annotated AP VIII/XII lower left in pencil. Ice cream is a subject Claes Oldenburg has returned to again and again: from monumental sculptures of ice cream cones, to plaster parfaits, to countless drawings and designs. On his soft sculptures, Oldenburg wrote: "Reversing the expectations of hard sculpture, these huge collapsing objects rely on gravity and chance for their final form." The drooping edges of his soft sculptures connect to the unpredictably melting surface of ice cream, which he has explored viscerally through his dripped plaster ice cream sculptures...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and plate size ( 9 x 6 in. / 23 x 15 cm.) are the same. This drypoint comes from the archive of the publisher Petersburg Press. Signed by the artist, numbered 7/10, and dated 1972 lower center in pencil. Edition 10: this impression 7/10. Here, the blade of a hand saw...

In medieval universities, the trivium comprised the three subjects that were taught first: grammar, logic, and rhetoric. The word is a Latin term meaning "the three ways" or "the thr...

Lithograph and screenprint in colors on Rives BFK paper. Hand signed and dated by Roy Lichtenstein. Numbered 46/100 (there were also 10 artist's proofs). Published by Multiples, I...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 20 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 10 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

"S (It Is Safe To Be A Woman)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edition of 40. Each print is signed, stamped and numbered. The prints measure 17x17". Note the double-sided printing – surfaces of text, surfaces of image. See the full installation (photo above) as a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking Sculptures...

"SS (Masks We Wear)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edition of 40. Each print is signed, stamped and numbered. The prints measure 17x17". Note the double-sided printing – surfaces of text, surfaces of image. See the full installation (photo above) as a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking...