20th Century Still-life Prints

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Calder. Published and printed by Musée National d'Art Moderne, Par...

'African Boxthorn (Lycium horridum, Thurnberg)' Colour lithograph, 1909. Plate number printed at the top of the image.

Composition is a colored lithograph realized after George Braque by Atelier Mourlot.. The artwork is from A même la pierre, Fernand Mourlot Lithogra...

"What I wish to show when I paint is the way I see things with my eyes and in my heart." -Raoul Dufy This lithograph was reproduced after a painting by Raoul Dufy entitled "L'Atelie...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vo...

Signed and numbered from the edition of 60. Image of a cowboy with an oversized hat. Throughout his 40 year career as an artist, Frank Romero has bee...

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left, 'Epr. d' Artist' (Epreuve d'Artist / Artist's Proof); also indistinctly inscri...

This Holiday wreath adorns the door of a Brooklyn Mansion Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...

BUBBLE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches pa...

Created with a sensitive attention to color and value, this work is one of many floral motifs Braque depicted in his lifetime. Deeply saturated tones of ochre and brown express a subdued mood, while the hints of highlights convey to the viewer a sense of brightness and energy. A cluster of yellow daisies emerge from a simple ochre vase...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°4, 1954. Published and printed under the direct...

Brightly colored lithographic print of magnolia blossoms by Sally Bookman (British, b. 1943). Signed and numbered by the artist in the lower left corner ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

La Tasse et la Pomme (The Cup and the Apple) Wash drawing and gouache transferred to lithograph stone, 1947 One of four unsigned proofs Edition: a proof outside the edition of 50 pri...

'Begonia dichroa', native to Mexico. Antique botanical lithograph with original hand-colouring , 1912, lithographed by John Nugent Fitch...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 48-49, 1952. Published by A...

'217 Hydnum imbricatum 218 Hydnum zonatum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...

Josep Moscardó (1953) - Still-life Lithograph - Hand signed Lithograph measures 38x52 cm. Frameless. Numbered 37/50 Barcelona, 1953 Painter, sculptor and draftsman of deep-rooted p...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Lithograph by Georges Braque. Still life. Signed on plate. Framed

HIDDEN PEAR, color etching, signed in pencil, numbered 7/50, Jerusalem Print workshop blind stamp, image 7 ½ x 5 ½”, sheet 15 x 10 ¼”. Samuel Bak (born 12 August 1933) is a Polish- American painter and writer who survived the Holocaust and immigrated to Israel in 1948. Since 1993, he has lived in the United States. Samuel Bak was born in Wilno, Poland, Bak was recognized from an early age as having an artistic talent. He describes his family as secular, but proud of their Jewish identity. By 1939 when Bak was six years old, the war began and Wilno was transferred from Poland to Lithuania. When Wilno was occupied by the Germans on June 24, 1941, Bak and his family were forced to move into the ghetto. At the age of nine, he held his first exhibition inside the Ghetto. Bak and his mother sought refuge in a Benedictine convent where a Catholic nun named Maria Mikulska tried to help them. After returning to the ghetto, they were deported to a forced labour camp, but took shelter again in the convent where they remained in hiding until the end of the war. By the end of the war, Samuel and his mother were the only members of his extensive family to survive. His father, Jonas, was shot by the Germans in July 1944, only a few days before Samuel's own liberation. As Bak described the situation, "when in 1944 the Soviets liberated us, we were two among two hundred of Vilna's survivors--from a community that had counted 70 or 80 thousand." Bak and his mother as pre-war Polish citizens were allowed to leave Soviet-occupied Wilno and travel to central Poland, at first settling briefly in Lodz. They soon left Poland and traveled into the American occupied zone of Germany. From 1945 to 1948, he and his mother lived in Displaced Persons camps in Germany. He spent most of this period at the Landsberg am Lech DP camp in Germany. It was there he painted a self-portrait shortly before repudiating his Bar Mitzvah ceremony. Bak also studied painting in Munich during this period, and painted "A Mother and Son", 1947, which evokes some of his dark memories of the Holocaust and escape from Soviet-occupied Poland. In 1948, Bak and his mother immigrated to Israel. In 1952, he studied art at the Bezalel Academy of Arts and Design in Jerusalem. After serving in the Israel Defense Forces, he continued his studies in Paris (from 1956 at the École nationale supérieure des Beaux-Arts) and spent various periods of time in Rome, Paris, Switzerland and Israel before settling permanently in the United States. In 2001, Bak returned to Vilnius for the first time and has since visited his hometown several times. Samuel Bak is a conceptual artist with elements of post-modernism as he employs different styles and visual vernaculars, i.e. surrealism (Salvador Dali, Rene Magritte), analytical cubism (Picasso), pop art (Andy Warhol, Roy Lichtenstein) and quotations from the old masters. The artist never paints direct scenes of mass death. Instead, he employs allegory, metaphor and certain artistic devices such as substitution: toys instead of the murdered children who played with them, books, instead of the people who read them. Further devices are quotations of iconographical prototypes, i.e. Michelangelo's "Creation of Adam" on the Sistine Ceiling or Albrecht Dürer's famous engraving entitled "Melencholia" . In the late 1980s Bak opened up about his paintings, stating they convey “a sense of a world that was shattered.” He turns these prototypes into ironical statements. Irony in the art of Samuel Bak does not mean parody or derision, but rather disenchantment, and the attempt to achieve distance from pain. Recurring symbols are: the Warsaw Ghetto Child, Crematorium Chimneys or vast backgrounds of Renaissance landscape that symbolize the indifference of the outside world. These form a disturbing contrast with the broken and damaged images in the foreground. Samuel Bak's paintings cause discomfort, they are a warning against complacency, a bulwark against collective amnesia with reference to all acts of barbarism, worldwide and throughout the ages, through his personal experience of genocide. In Bak's piece entitled Trains Bak creates a vast grey landscape with large mounts creating the structure of a train. Massive taper candles burn in the distance further down the train tracks, surrounding an eruption. The smoke from the candles and volcano pour into a sky of dark ominous clouds that lurk over the landscape. Here Bak has created a whole new meaning for “trains.” Many of Bak’s pieces incorporate aspects of Jewish culture and the holocaust with a dark and creative twist, such as Shema Israel...

Amsterdam I is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both a...

Original Russian European Weight Lifting Championship held in Leningrad in 1968. This poster is archival linen-backed and in very good condition. The original fold marks have been restored during linen backing. The event was June 19th – 25th, 1968. Translation: USSR WEIGHTLIFTING FEDERATION June 19.25 LENINGRAD EUROPEAN WEIGHTLIFTING CHAMPIONSHIP The image of a big hand holding one side of a set of giant weights for the bench press...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 221, published by Aimé Maeg...

Artist: Lowell Nesbitt (1933-1993) Title: Lily & Rose Year: 1974 Edition: 60/100, plus proofs. Medium: Silkscreen on Arches paper Size: 24 x 35.5 inches Condition: Good Inscription: ...

DAYTIME KEY is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches paper, 100% acid-free. DAYTIME KEY is an engaging miniature beachscape scene depicting a sandy shoreline, blue sky, and vibrant red locking...

Artist: Lowell Nesbitt (1933-1993) Title: Iris Year: 1981 Edition: 98/200, plus proofs. Medium: Lithograph on Arches paper Size: 36 x 24.75 inches Condition: Good Inscription: Signed...

Artist: John Moore Title: Still Life (Sixth Annual Community Holiday Festival) Year: 1976 Signed: No Medium: Serigraph Paper Size: 47.25 x 31.25 inches ( 120.015 x 79.375 cm ) Image ...

Niagara Ellen Lanyon, American (1926–2013) Date: 1989 Lithograph, signed and numbered in pencil Edition 38/50 Size: 31.5 x 47 in. (80.01 x 119.38 cm)

Inscribed lower right, 'Gerard Langlet' (French, born 1906) and with limited edition number and limitation '128/375' lower right. A substantial, stone lithograph still-life showing...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Screen print in colors on lightweight board folded into a three-dimensional pyramid. Hand signed and numbered on interior edge by Roy Lichtenstein Numbered 41/300 (only approximate...

Still Life is a colored lithograph realized by Antonio Fomez in 1970s. Hand-signed in pencil on the lower right. Numbered, edition of 99 prints in pencil on the lower left. Good co...

Paula Scher Summer, ca. 1987 Silkscreen in Colors on Rives BFK Paper. 36 × 29 3/5 inches Edition 81/190 Signed in graphite lower right margin front; numbered 81/190 in graphite lower...

Donald Sultan Yellow Roses, April from Fruit and Flowers II, 1992 Color Screenprint Signed in Pencil, DS and 34/100 Printed by Watanabe Studio, Brooklyn Published by Parasol Press, L...

Still Life is an Original vintage offset print, reproducing the original watercolor by Giorgio Morandi in 1973. Signature and date by the artist is perfectly reproduced on plate. ...

Georges BRAQUE Tribute to Cezanne : the Apples, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 39...

Watermelon is a mixed colored lithograph by the Sicilian artist Renato Guttuso in 1982 The artwork is from XXeme Siècle Paris/New York; Printer Graphis Arte Livorno/Roma. Referenc...

Signed in graphite to the lower edge. On laid paper.

Fruit By Henri Matisse Henri Matisse, a towering figure of 20th-century art, is celebrated for his revolutionary contributions to modern painting and sculpture. Known for his bold...

Jean-Baptiste VALADIE Seated Nude Original lithograph Handsigned in pencil Justified EA (artist proof) On vellum 51 x 39 cm (c. 20 x 16 in) Very good condition, light defects at th...

This artwork titled "Bouquet" c.1990 is a original color lithograph on Arches paper by noted American artist Gary Bukovnik, born 1947. It is unsigned. The image size is 39.75 x 12 inches, sheet size is 41.5 x 18.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist. Born and educated in Cleveland Gary Bukovnik has lived in San Francisco for over 25 years. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik creating colorful floral images of great depth and intensity. Bukovnik collaborates with Trillium Press, whose owner and master printer, David Salgado, studied at the Tamarind Workshop, formerly in Los Angeles. In 2003, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist for six weeks. He was asked to attend a second session in February 2005. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. The work of Gary Bukovnik is held in public and private collections worldwide. Selected Museums Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum Brooks Museum of Art, Memphis The Butler Institute of American Art, Youngstown Dallas Museum of Art Fine Arts Museums of San Francisco Frye Art Museum, Seattle Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh Hunterian Art Gallery, University of Glasgow Library of Congress, Washington, DC The Metropolitan Museum of Art, New York The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston The Museum of Modern Art, New York The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library Oakland Museum of California Philadelphia Museum of Art Phoenix Art Museum Portland Art Museum, Oregon Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum Selected public collections ALZA Corporation, Mountain View ART In Embassies Program, U.S. Department of State AT&T, New York Atlantic Richfield, Los Angeles BankAmerica Corporation, Charlotte Citigroup, New York Cleveland Institute of Music Clorox Company, Oakland Comerica Bank, Costa Mesa & San Jose H.J. Heinz Company, Pittsburgh Illinois Bell Telephone Company, Chicago IBM, Atlanta, New York, San Francisco KPMG LLP, Atlanta Lincoln Center/List Collection, New York Macy's California, San Francisco MetLife, New York The Metropolitan Opera, New York MGM Mirage Hotel...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

This artwork titled "6 Camellias After An Unknown Japanese Artist" 1988 is a original color lithograph on Wove paper by noted American artist Gary Bukovni...

Delicate Flowers is an original artwork realized by Georges Vial in the XX Century. Hand-signed in pencil on the lower right corner. Numbered in penc...

Still Life is an original artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right i...

MIGHTY TREE II is an original limited edition lithograph(not a photo reproduction or digital print) using traditional hand lithography techniques on archival Arches buff colored paper, 100% acid free. MIGHTY TREE II is a realistic tree drawing expressed as a three panel, horizontally placed composition printed in dark brown gray and pale green ink from a hand drawn lithography stone. The tree is meticulously drawn using highly detailed pencil markings which create the intricate foliage crown, massive trunk, and multi-fingered roots. MIGHTY TREE II is truly an imaginative, surrealist style triptych drawing of an uprooted age-old tree existing from another time. Superb quality, hand crafted original lithograph, very fine impression. Print size - 20.5 x 30 inches, unframed, very good condition, light handling, printer registration pin holes on left and right margin, pencil signed by Hanna Kay...

Georges BRAQUE Bouquet of flowers, 1961 Original lithograph in six colors (Mourlot workshop) Printed signature in the plate On vellum 34 x 26 cm (c. 13 x 10 inch) REFERENCE : Catal...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

Salvador Dali - Cherries - Original Hand-Signed Lithograph Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned Edition: EC.d (collaborator edition "d") Excellent Condition Refer...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 221, published by Aimé Maeg...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 173, published by Aimé Maeg...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 175, 1968. Published by Aim...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...