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Vienna Secession Prints and Multiples

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Style: Vienna Secession
H.O. Miethke Das Werk folio "Portrait of Helene Klimt" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Mädchen am Fenster. 1906-08.
Located in New York, NY
Mädchen am Fenster. 1906-08. Color lithograph printed on smooth card stock. Full margins. Tipped into a later presentaion folder, signed by the artist in pencil, on the recto. Published by the Wiener Werkstätte, Vienna, with the printed postcard text on verso. Among Kokoschka's earliest prints were a series of 14 postcards, the current work and the following lot that he produced for the Wiener Werkstätte. Wingler/Welz 4. Oskar Kokoschka was an Austrian artist, poet and playwright best known for his intense expressionistic portraits...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien Plate #93: "Science" Lithograph by Carl Otto Czeschka
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

Max Eisler Eine Nachlese folio "Litzlberg on Lake Attersee" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #8, Litzlberg on Lake Attersee; blue monochrome collotype after the 1915 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN ...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio “House in a Garden” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #9, Haus Im Garten; aka Forester’s House in Weissenbach II; multi-color collotype after 1914 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GU...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Gerlach's Allegorien Plate #85: "Hunting" Lithograph by Carl Otto Czeschka
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

Max Eisler Eine Nachlese folio “Allegory of Life and Death” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #18, Der Tod und das Leben; multi-color collotype after original painting (1910-1916) in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AF...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Gerlach's Allegorien Plate #114: "Vignettes" Lithograph by Carl Otto Czeschka
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

H.O. Miethke Das Werk folio "Portrait of Fritza Riedler" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Gerlach's Allegorien Folio, plate #53: "Junius" Lithograph, Gustav Klimt.
Located in Chicago, IL
Contributors to Gerlach & Schenk’s publications valued design and innovation in the graphic arts just as much as they examined allegories as subject matter for exploration. Here, Gus...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien Plate #116: "Force, Thirst, Love" Lithograph
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

Max Eisler Eine Nachlese folio "Lady in a Feathered Hat" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #2, Dame mit Blumenhut (aka The Violet Hat); sepia monochrome collotype after the 1909 painting in oil on canvas. ...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Gerlach's Allegorien Folio, plate #58: "Sculpture" Lithograph, Gustav Klimt.
Located in Chicago, IL
As an artist trained in the applied arts, Gustav Klimt valued all forms of art, including the graphic arts. This final design from 1896 for inclusion in Allegorien published by Gerlach & Schenk demonstrates respect for artistic precedent and for a wide range of media and technique. The publication was printed in an unknown number of copies. Klimt’s rendering in latin of the title, “SCVLPTVR.,” with three-dimensional effect on the wall, is a figurative allusion to this medium as well as a literal reference to Ancient Rome. By doing the same with his signature and date in roman numerals on the right hand side of the image, Klimt places himself, The Artist, firmly in this linear and legitimizing context of art history and as its modern standard-bearer. Playing on Classical mythology and the story of Pygmalion, in which a statue comes to life, Klimt presents his modern Venus holding an apple. Klimt’s Venus exhibits a curvilinear softness; there are no angles. Klimt deftly shows the possibilities in a graphic image to give life to dark, wavy hair and tenderness to swelling breasts and belly. To further emphasize the allegory of thriving modern art, he contrasts his Venus with the cold, hard ancient classical head whose eyes are vacuous and whose hair is but a stylized mass of curls. Klimt’s living Venus stands in front of the large bust and large classical pillar upon which is a sculpture of a Sphinx and a Greek Attic bust. As if a gallery to represent sculpture’s “best of” through the ages, the upper horizontal panel includes bust depictions in marble, cast metal and wood...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

H.O. Miethke Das Werk folio "Death and Life" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio “The Bride” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #30, Brautzug; multi-color collotype after unfinished 1917/18 painting in oil on canvas. Painted in the last months of Klimt’s life, The Bride was one...
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1930s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio “Expectation” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #12, Aus dem Stoclet-Fries: Erwartung; multi-color collotype after the cartoon for the 1910-1911 mosaic frieze on the west wa...
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1930s Vienna Secession Prints and Multiples

Materials

Paper

Ottokar Mascha Folio: plate 11 "5th Secession Exhibition Poster" by Kolo Moser
Located in Chicago, IL
after KOLOMAN MOSER (1868-1918) 5TH SECESSION EXHIBITION POSTER, 1899, (In Mascha, no. 11) A pivotal figure in early-20th century Austrian ...
Category

1910s Vienna Secession Prints and Multiples

Materials

Lithograph

Der Polster
Located in New York, NY
Kurzweil, Maximilian. Der Polster, 1903. Color woodcut on japon. Included as an insert in Pan. Unsigned. Framed.11 1/4 x 10 1/4. 1 Ref: Hofstatter, p. 241; Pabst, p. 154. Maximillian Kurzweil was the co-founder of the Vienna Secession in 1897 and editor and illustrator of the influential Secessionist magazine Ver Sacrum...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien, plate #66: "Tragedy" Lithograph, Gustav Klimt.
Located in Chicago, IL
Gustav Klimt created this image for inclusion in Gerlach & Schenk’s Allegorien the year before he formed the Vienna Secession. While this design is similar to his other inclusions, L...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

H.O. Miethke Das Werk folio "Portrait of Emilie Flöge" collotype print
Located in Chicago, IL
Portrait of Emilie Flöge, no. 10 from the first installment of Das Werk Gustav Klimts His confidante and life companion of more than 30 years, Klimt capt...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Portrait of Gertha Felsövanyi" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio "Portrait of Friederike Marie Beer" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #24, Bildnis Friederike Maria Beer; multi-color collotype after the 1916 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN ...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Orchard in the Evening" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Gerlach's Allegorien Plate #78: "Hunting" Lithograph by Carl Otto Czeschka
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

Max Eisler Eine Nachlese folio "Baby" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #25, Baby; black & white collotype after the 1917 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT ...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Gerlach's Allegorien Plate #83: "Seasons" Lithograph by Carl Otto Czeschka
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital f...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien Plate #94: "Heads" Lithograph
Located in Chicago, IL
Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

Max Eisler Eine Nachlese folio "Wally" (Girl in Profile) collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #27, Madchen im Profile; grey-toned monochrome collotype after the 1916 painting in oil on canvas. Original destroyed by fire May 1945. GUSTAV K...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Gerlach's Allegorien Plate #30: "Love" Lithograph
Located in Chicago, IL
Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

H.O. Miethke Das Werk folio "The Three Ages of Woman" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Pallas Athene" collotype print
Located in Chicago, IL
Pallas Athene, no. 9 from the third installment of Das Werk Gustav Klimts The Klimt-led Vienna Secession which rebelled against the Academic State-run e...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Rose" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper wi...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Judith I" collotype print
Located in Chicago, IL
Judith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper, Ink

H.O. Miethke Das Werk folio "Portrait of Adele Bloch-Bauer II" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio “Garden Path with Chickens” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #26, Bauerngarten mit Hühnern; multi-color collotype after 1916 painting in oil on canvas. The original was destroyed by fire in May 1945 at Immendorf Castle, Lower Austria. Landscapes, for Klimt, are vehicles to convey universal themes such as procreation and the mysteries of life. Using a highly personal language of symbols, Klimt creates a voluptuous scene of fertility, fecundity and domesticity. Klimt uses a similarly lustrous palette of pearly iridescence for the path as he had for many of his female nudes. This feminine quality is intensified by the tunnel-effect produced by the walls of colorful floral blooms whose leafy stalks are redolent with wild abundance at the height of summer.The passage leads to a green covered arbor, womb-like, which contains a simple wooden table and a bench. Human presence is unmistakeable.The two chickens shown in the path provide the link to engage with this scene cerebrally and emotionally. Protective and maternal, the mother hens do somewhat bar one’s path, but by no means in a menacing way. The experiential aspect of walking forward and ignoring those chickens, certain that they will dodge out of the way, heightens the rational with the intuitive senses creating the illusion and feeling that the flanking floral walls are parting to provide clear passage to within. Seen in this context, the age old conundrum to divine what came first, the chicken or the egg, begs the question of the greatest mystery of all. One’s relationship to procreation itself, Klimt shows us, is interwoven all around us. Far from banal, this universal quality of the natural world is fraught with thrilling wonder. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio "Portrait of Serena Lederer" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #6, Bildnis Frau Serena Lederer; grey monochrome collotype after the 1905 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Sunflower" collotype print
Located in Chicago, IL
Sunflower, no. 10 from the third installment of Das Werk Gustav Klimts Created during his residency in Litzlberg on Attersee, where Klimt and the Floge family summered from 1900-1907, Klimt explores nature’s transcendental qualities. His single sunflower is human-like, it’s golden halo is like a ring of sun-kissed hair surrounding a bald pate. It’s known that at the same time Klimt was creating this image, he was also at work on a photo essay about the Floge sisters’ clothing from their fashion salon. Their fashion house was best known for its “reform dresses” which featured loose-fitting long robes which billowed at the arms and torso. Viewed with this in mind, it is not a hard leap to imagine the lone sunflower as a self-portrait from reverse. Klimt’s balding head crowned in a golden corona forms the apex of a pyramidal flowing gown of foliage and flowers. By orienting the anthropomorphic flower at the garden’s central foreground and adorning it with repetitive motifs of round flowers of varying sizes, Klimt’s sunflower...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "The Hope II" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Gerlach's Allegorien Plate #44: "Music" Lithograph
Located in Chicago, IL
Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien Plate #51: "Summer" Lithograph
Located in Chicago, IL
Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

Max Eisler Eine Nachlese folio “Adam & Eve” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #20, Adam und Eva; multi-color collotype after unfinished 1917/18 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Gerlach's Allegorien Plate #78: "Astronomy, The Creation, The Lie" Lithograph
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

H.O. Miethke Das Werk folio "Life is a Struggle" collotype print
Located in Chicago, IL
Life is a Struggle (The Golden Knight), no. 10 from the second installment of Das Werk Gustav Klimts With his golden armor meticulously and faithfully rendered after examples found ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Archival Paper

H.O. Miethke Das Werk folio "Nuda Veritas" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper wi...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Portrait of Hermine Gallia" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

1910s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Black Feather Hat" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "The Great Poplar I" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Portrait of Marie Henneberg" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Cottage Garden with Crucifix" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Water Snakes I" collotype print
Located in Chicago, IL
Water Snakes I, no. 9 from the first installment of Das Werk Gustav Klimts Known by various names, Women Friends, Girlfriends, Water Snakes I and what Kli...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Sema portfolio, 1912, "Male Nude I" Lithograph print 21/215
Located in Chicago, IL
MALE NUDE (SELF-PORTRAIT) I by Egon Schiele, 1912, a brush and ink lithograph on vellum paper made for the Munich-based artists’ association, Sema 15 Originalsteinzeichnungen portfol...
Category

1910s Vienna Secession Prints and Multiples

Materials

Lithograph

Gerlach's Allegorien Plate #35: "Love & Wine" Lithograph
Located in Chicago, IL
Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category

1890s Vienna Secession Prints and Multiples

Materials

Lithograph

H.O. Miethke Das Werk folio "Portrait of Paula Zuckerkandl" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Slowakisches Bauernhaus,
By Karl Schwetz
Located in New York, NY
Schweiz, Karl. Slowakisches Bauernhaus, Ca 1911. Color linoleum cut. Framed. Provenance: Galerie Michael Pabst, Munich. Noted artist, painter, illustr...
Category

1910s Vienna Secession Prints and Multiples

Materials

Linocut

H.O. Miethke Das Werk folio "The Virgins" collotype print
Located in Chicago, IL
The Virgins, no. 2 from the fifth installment of Das Werk Gustav Klimts The Virgins speaks to a new chapter of Klimt’s artistic development. That it was sel...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "Train of the Dead" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

H.O. Miethke Das Werk folio "The Great Poplar II (Thunderstorm)" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Secession
By Rudolf Jettmar
Located in New York, NY
Jettmar was a painter and founder member of the Vienna Secession, a group of artists founded in 1897, who rejected the more traditional and conservative styles of their predecessors ...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Lithograph

Vienna Secession prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Vienna Secession prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Gustav Klimt & K.K. Hof-und Staatsdruckerei, (after) Gustav Klimt, (after) Egon Schiele, and Gustav Klimt. Frequently made by artists working with Paper, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Vienna Secession prints and multiples, so small editions measuring 3 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $250 and tops out at $125,000, while the average work sells for $3,500.

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