Water Prints and Multiples

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

Publisher GKM. Unframed. Edition of 150 ex. Signed by the artist. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and da...

Richard DAVIES (1945-1991) Small Soldier Travelling in a Fish Original etching and mezzotint Handsigned in pencil Numbered / 60 On vellum 41 x 33 cm (c. 16 x 13 inch) REFERENCES : ...

Technique: Original Giclée Fine Art Print by Jay Kaes. Archival Pigment Print on Skateboard Deck Year: 2023 Size: 85 x 22 cm Edition: 15 - ONLY 2 left in Edition Collection: Dopa...

Beauty and the Beast (Lionfish) Rowena Fruth American (1896–1983) Date: 1941 Chlorobromide Silver Print Size: 13 in. x 10.5 in. (33.02 cm x 26.67 cm)

Toblino Castle is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the l...

Lake Garda and Tyrol  is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, o...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Edition of 11.

36" x 15" Unframed Limited Edition Giclée & Silkscreen on Paper Numbered of 75 Hand Signed by Tom Everhart

Publisher GKM. Unframed. Edition of 150 ex. Signed by the artist. Free shipment worldwide. Adami is the maestro of the unadulterated line,” writes the Swedish poet Lasse Söderberg i...

Lands and Waters 16, Westcombe, United Kingdom, 2016 32x40 inches Edition of 9 Archival Pigment Print UNFRAMED Also available in: 48x60 inches Edition of 5 Archival Pigment Print U...

Villa di Mare from the ‘La Dolce Vita’ suite is a hand-enhanced serigraph on canvas, image size 18.5 x 22 inches, signed ‘Kerry Hallam’ lower left and annotated lower right. From the...

Johnson, Bess L. GLOUCESTER. Etching and aquatint, not dated. Edition size not known. Titled in pencil, lower left, and signed in pencil, lower right. Image of a boat at a dock in Gl...

"Seba after Hiroshige" is an original color lithograph from the Japanese Suite by Michael Knigin. The artist signed the piece lower right and titled it...

Uses and Customs - Rufinella is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the govern...

Uses and Customs - Tivoli Waterfall and Nettuno Cave is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe:...

This realistic limited edition print captures a highly detailed, close up view of river water running over small, colorful rocks. Above the shapes, textures, and earthy colors of the...

This coastal seascape limited edition print captures a cropped view of rolling ocean waves. Highly detailed and realistic, it balances the deep blues and sea greens of the ocean with...

By Joaquim Torrents Llado 32.5" x 33" — Serigraph on Paper Image Size: 28" x 28" This serigraph by Joaquim Torrents Llado, titled "Amanecer en Canet II," depicts a vibrant, reflecti...

Three Years out of a Death Row Sentence (River) 40 x 60 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 40 x 60...

Four Years out of a Death Row Sentence (Ocean) 20 x 30 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 20 x 30 ...

Untitled (Nr. 2473) Photography 18" x 24" Edition of 20 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a s...

Ten Years out of a Death Row Sentence (Ocean) 40 x 60 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 40 x 60 in...

Eleven Years out of a Death Row Sentence (River) 30 x 45 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 30 x 4...

April in Paris is a serigraph on paper with an image size of 30 x 36 inches, signed ‘Kondakova’ lower right and numbered lower left. From the total edition of 500 and numbered 4/125 ...

36" x 15" Unframed Limited Edition Giclée & Silkscreen on Paper Numbered of 75 Hand Signed by Tom Everhart

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 48 x 72 in. $ 2,700 36 x 48 in. $ 1,800 30 x 40 in. $ 1...

Butera alla Marina Palace  in Palermo is a lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or Hi...

Brain Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843. The artwork belongs to ...

Brain Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843. Signed on plate on the ...

The large view of St Mark's Square in Venice was created by Federica Galli from five different etched plates and as many points of view of the lagoon city. She overcame these difficu...

11" x 9" Limited Edition Print on Paper of 25 Hand Signed by Esther Merikanskas

By Joaquim Torrents Llado Signed Serigraph, Edition 10/60 21.5" x 21" About the Artist: Joaquim Torrents Lladó (1946-1993) was a distinguished Spanish painter known for his figurati...

By Joaquim Torrents Llado 33" x 33.5" Serigraph on Paper Signed, Edition 58/75 Image Size: 28" x 28" A serene contemporary impressionist painting of a the Canal Venezia in Venice, I...

Banff is an engraving on paper realized by R. Waths in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

The Quay, Yarmouth is an etching realized in the Early-20th Century by J.Sands. Signed in plate. The artwork is realized in a well-balanced composition.

Maryport is an etching realized in 1845 by J.C.Armytage. Signed in plate. The artwork is realized in a well-balanced composition.

Blackpool Sands is an etching realized in the Early-20th Century by J.C.Armytage. Signed in plate. The artwork is realized in a well-balanced composition.

Beaumaris is an etching realized in 1845 by J.C.Armytage. Signed in plate. The artwork is realized in a well-balanced composition.

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

The Picturesque Harbor is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 1/99, on the left margin. ...

Bacher, Otto. FONDAMENTA DELLE ZATTERE (VIEW IN VENICE). Etching, 1880. #17 of the "Venice Set." Signed, titled, and dated in the plate. Framed. In excellent condition. Etching on pa...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Stretched. From the edition of 225. Artwork is in excellent condition. Certificate of auth...

The Picturesque Harbor is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 5/99, on the left margin. ...

Seascape is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 6/99, on the left margin. On the back i...

The Picturesque Harbor is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 3/99, on the left margin. ...

Seascape is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 8/99, on the left margin. On the back is...

Seascape is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 7/99, on the left margin. On the back i...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Lands and Waters 24, Wales Coast, United Kingdom, 2016 32x40 inches Edition of 9 Archival Pigment Print UNFRAMED Also available in: 48x60 inches Edition of 5 Archival Pigment Print...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Banff is a lithograph on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of preservation is good, only a yellowed paper along the edge and some foxing. William Henry Bartlett...

Oil Lamp With Heads of Animals from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in the 18th Century. Signed on the plate. Good conditions and...

Oil Lamp With Women Head from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in the 18th Century. Signed on the plate. Good conditions with some...

Oil Lamp is an Etching realized by Luigi Biondi (1776-1839). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano ...

Seascape is a lithograph realized by Luciano Villani in the 1980s. Numbered, Edition, 9/99. Hand-signed. The artwork is depicted through harmonious colors in a well-balanced compo...

Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the p...