Bride Figurative Sculptures

CLÉMENT LÉOPOLD STEINER French, (1853-1899) A Maiden in Classical Gown Patinated bronze; Signed ‘Steiner’ 46 1/8 x 22 1/2 x 14 inches

This larger than life gold gilded bronze of a sea man with oars will decorate any area and be a great conversation piece. The composition and casting detail are amazing. This is the ...

Giuseppe Palumbo’s whimsical, anthropomorphic sculptures delve into the human psyche through irony, wit, and humor. By applying classical techniques to his contemporary subjects, Pal...

MATT SMITH (BRITISH) Study in Green with Pearls, 2021 Black Parian, Found Ceramic, Freshwater Pearls 29 x 14 x 14 cm 11 1/2 x 5 1/2 x 5 1/2 in. (MS206) £ 4,000.00 UK-born Matt Smit...

Eleanor has a keen sense of spirituality. Myrrh, frankincense and labdanum are always present in her fragrances, like a reminder of this spirituality... She often thinks of her frag...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Chengreshi is a form of Avalokiteshvara, also known as four armed buddha is seated ...

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

Handcrafted Vajrapani statue is made by lost wax process which is one of the ancient method of metal craft. It has a halo of fire flames behind the figure. The statue has a overlay o...

Wonderful and rare original Carl Kauba (1865-1922) gilt bronze of a Lady with sword and law book titled "Justitia" Signed: C Kauba and Geschutzt 4889. Height: 10.7 Inches with mar...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Agathon Leonard (French, 1841 - 1923) Art Nouveau Silvered Bronze A French Art Nouveau gilt bronze sculpture, "Marguerite", by Agathon Léonard of Margeruite, placing a flower in her...

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Kubera is seated in easy pose with one hand holding a jewel and another a mongoose....

Bronze

Bronze

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

Cast and handbuilt porcelain, gold lustre

Edition of 50 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her t...

A cold patinated bronze model depicting a two Arab men in a tent, pitched with the help of a palm tree, and held open with a shield and flag. The seated figure sits, smoking an long pipe. The standing figure guards the entrance of the tent, with a large rifle in his hands. Signed "Chotka” on the base Artist: Anton Chotka...

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Manjushree is seated on lotus with one hand holding a sword which is believed to cu...

Incised with the artist's estate signature, dated 1991 and numbered 2/9

Cast and handbuilt porcelain, gold lustre

Incised with the artist's estate signature, dated 1991 and numbered 2/9

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Manjushree is seated on lotus with one hand holding a sword which is a symbol to cu...

CHARLES GEORGES FERVILLE-SUAN French, 1847-1925 Bronze group of a winter scene A winter scene of a man on skates, pushing the woman’s sled ...

A mother and father with their kids on their shoulders all squeezed under the same umbrella.

After WILLIAM ADOLPHE BOUGUEREAU French, (1825–1905) Cupid With Butterfly H 34 in. x W 16 in. x D 16 in.

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Aparmita is seated in "Padmasana" or lotus pose with two hands holding healing elix...

This Avalokeshwor statue is handcrafted by lost wax process which is one of the ancient process of making metal sculpture. Standing Avalokeshwor figure has se...

This handcrafted Aparmita statue is made by lost wax process which is one of the ancient process of making metal sculptures. It is fully 24 carat gold overlay on copper. Aparmita fig...

Ivy Naté uses universally recognizable objects in non-traditional ways. She creates both large-scale installations and smaller works. Yet, each express Ivy’s captivation with raw hum...

A. BATACCHI Italian, (XIX-XX) Nymph Italian Carrara marble. H 10.50 in. x W 17 in. x D 31.50 in. Signed A. Battachi, Florence in verso. Note: Batacchi was active in Flore...

MATHURIN MOREAU French, (1822-1914) Pair of Bronze Group of Dancing Beauties Patinated bronze; Signed ‘Moreau Math; Math Moreau’ 19 3/4 x 9 inches

Artist

Inspired by the nose of Pablo Picasso and the Cubist deconstruction and reconstruction that marked definitively the painting of the twentieth century. This association of wood and ce...

The ball changes sides... Mêlée! Bodies link up, muscles tear. Elbow strikes the nasal cartilage. The nose changes direction... And to think this sport is called French Flair!

Pearl Girl Teal, 2021 Black Parian, Porcelain and Freshwater Pearls 27 x 14 x 16 cm 10 5/8 x 5 1/2 x 6 1/4 in. Girl wearing teal dress with pearls made from Black Parian, Porcelain ...

Apache Lovers, bronze, sculpture, Allan Houser, figurative, limited edition

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

My Children, by Allan Houser, Apache, Mother, children, bronze, sculpture lifetime bronze casting limited edition of 8

Cast glass, sandblasted carved glass, litho on brass and holograms. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected ...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Maija Peeples-Bright Sir Woffic Newton (INV# NP4058) ceramic and glaze 6.25 x 5 x 10" 2005 signed by the artist

Giacinto Bosco Ti prometto la luna Bronze 210 x 65 x 65 cm Biography: Sicilian-born Giacinto Bosco began working with local artisans at a very young age, and apprenticed as an artis...

The Holdup of the Overland Stagecoach By. Gordon Phillips (American, 1927-2011) Initialed and Edition 493/750 Gordon Phillips was born in 1927 in Boone, North Carolina. He studied a...

"ICON I, 2009" is a Steel Mesh painted sculpture by sculptor David Begbie. Since his graduation in 1982 he has worked almost exclusively with the human form, although has often prod...

The language on this extravagant sculpture are two poems that read; "The heart asks pleasure first and then excuse from pain," Emily Dickinson & "Becoming ever more quiet constantly branching out into ever thinning air...

MUSEUM SCULPTURE Master workshop Hans Klocker before 1474, possibly in Gais - After 1500 "CRESCENT MOON" Around 1480/90 Stone pine wood carved Original version Height 77 cm This ext...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

The sculpture, "Camile", is an artistic take on the 1960's shirtwaist dress and is made from enamel painted aluminum with a red bottle cap bodice. Dimensions are 26" T x 16" W x 16...

Signed and numbered on the sculpture , number 3 on 25 VYKI creates figurative and contemporary sculptures linking steel to the human body. His works aim to provoke reaction, reflecti...

"Woman-White'' is an edition bronze sculpture by Paul Braslow. This sculpture is hand-signed. He was an American sculptor and artist that established hims...

"5th Avenue B" is a hand painted cut 3D paper wall sculpture by David Gerstein, an Israeli painter and sculptor. Edition of 150, signed and numbered. Born i...

Signed and numbered on the sculpture , number 1 VYKI creates figurative and contemporary sculptures linking steel to the human body. His works aim to provoke reaction, reflection and...

Albert-Ernest Carrier-Belleuse (French, 1824-1887) "Leda and the Swan" c .1858 Bronze w/Gold Patina 18 x 24 x 14 Signed "A. Carrier" Based upon a c...

Andromeda, white marble, female figure, waves, chain, nude, classical sculpture In Greek mythology, Andromeda is the daughter of Cepheus and Cassiopeia, king and queen of ancient Et...

The Canary (La Canaria), bronze architectural sculpture by Eduardo Oropeza brown limited edition of 25 patina colors vary, contact gallery for information

America Martin Woman Listens to the Wind Foam, Urethane Flex Coat, Industrial Bone White Paint and Redwood 79 inches x 48 inches x 24 inches AMERICA MARTIN is an internationally rep...