Bride Figurative Sculptures

Frederick Hart is America's greatest figurative sculptor. Not only did he create works of great beauty and gravitas, he was singularly responsible for restoring to American public mo...

Coming to the earth recently ... but a desire buried since childhood following the visit of potters' workshops. For several years, as an amateur and self-taught, I knead ,,I add ,,...

A sculpture by Micaela Amato. “Aljama” is a contemporary sculpture, cast leaded glass in browns, yellows, and greens by American female artist Micaela Amato. The artwork is unsigned....

Bronze sculpture by artist Andrea Wilkinson. Edition 8/30.

Giuseppe Palumbo’s whimsical, anthropomorphic sculptures delve into the human psyche through irony, wit, and humor. By applying classical techniques to his contemporary subjects, Pal...

This imaginary nose in the colours of a luminous night seems to snore from its nostrils, like the engine of a propeller plane. I wanted to pay tribute to Antoine de Saint Exupéry, t...

This handcrafted Aparmita statue is made by lost wax process which is one of the ancient process of making metal sculptures. It is fully 24 carat gold overlay on copper. Aparmita fig...

Pearl Girl Teal, 2021 Black Parian, Porcelain and Freshwater Pearls 27 x 14 x 16 cm 10 5/8 x 5 1/2 x 6 1/4 in. Girl wearing teal dress with pearls made from Black Parian, Porcelain ...

Artist

Apache Lovers, bronze, sculpture, Allan Houser, figurative, limited edition

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

My Children, by Allan Houser, Apache, Mother, children, bronze, sculpture lifetime bronze casting limited edition of 8

Cast glass, sandblasted carved glass, litho on brass and holograms. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected ...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Giacinto Bosco Ti prometto la luna Bronze 210 x 65 x 65 cm Biography: Sicilian-born Giacinto Bosco began working with local artisans at a very young age, and apprenticed as an artis...

The Holdup of the Overland Stagecoach By. Gordon Phillips (American, 1927-2011) Initialed and Edition 493/750 Gordon Phillips was born in 1927 in Boone, North Carolina. He studied a...

"ICON I, 2009" is a Steel Mesh painted sculpture by sculptor David Begbie. Since his graduation in 1982 he has worked almost exclusively with the human form, although has often prod...

The language on this extravagant sculpture are two poems that read; "The heart asks pleasure first and then excuse from pain," Emily Dickinson & "Becoming ever more quiet constantly branching out into ever thinning air...

MUSEUM SCULPTURE Master workshop Hans Klocker before 1474, possibly in Gais - After 1500 "CRESCENT MOON" Around 1480/90 Stone pine wood carved Original version Height 77 cm This ext...

The sculpture, "Camile", is an artistic take on the 1960's shirtwaist dress and is made from enamel painted aluminum with a red bottle cap bodice. Dimensions are 26" T x 16" W x 16...

Signed and numbered on the sculpture , number 3 on 25 VYKI creates figurative and contemporary sculptures linking steel to the human body. His works aim to provoke reaction, reflecti...

"Woman-White'' is an edition bronze sculpture by Paul Braslow. This sculpture is hand-signed. He was an American sculptor and artist that established hims...

"5th Avenue B" is a hand painted cut 3D paper wall sculpture by David Gerstein, an Israeli painter and sculptor. Edition of 150, signed and numbered. Born i...

Signed and numbered on the sculpture , number 1 VYKI creates figurative and contemporary sculptures linking steel to the human body. His works aim to provoke reaction, reflection and...

Albert-Ernest Carrier-Belleuse (French, 1824-1887) "Leda and the Swan" c .1858 Bronze w/Gold Patina 18 x 24 x 14 Signed "A. Carrier" Based upon a c...

Andromeda, white marble, female figure, waves, chain, nude, classical sculpture In Greek mythology, Andromeda is the daughter of Cepheus and Cassiopeia, king and queen of ancient Et...

The Canary (La Canaria), bronze architectural sculpture by Eduardo Oropeza brown limited edition of 25 patina colors vary, contact gallery for information

Buddha Monk statue created by Buddha Monks in the 19th Century. The statue is made of wood and beautiful red and gold lacquer. This statue stansd 26 inche...

From Petrey's Dress Series, Fushidara features a vintage feed store sign, aged aluminum and steel.

From Petrey's Dress Series, Merida is a life size sculpture and is made out of blue, green and Silver patina copper and steel.

Ushabti Hetheru is the Goddess of Creation. She is associated with creation and fertility. Ushabti Hathor is the Goddess of Love. Hathor is a solar deity, the goddess of beauty, music, dance, joy, motherhood, and love. Bronze Monaco Unique Pieces 30.5 x 7 x 7 inches (each) May also be purchased individually. Please inquire. ARTIST STATEMENT "The beauty, grace and symmetry of traditional figurative sculpture has always called to me. It is my school and my obsession. My language is the figure and I feel the need to comment on the human condition, sometimes distorted by demons, and other times enchanted by all that is pure within us. I have renewed my relationship to the human form. It has undergone a metamorphosis from silent conformity, where the rules and proportions are tantamount to a partial figure where the human condition becomes of primary importance. I want to stretch the canons of classical realism by giving beauty another voice that challenges socio-political norms. I speak of spirit and courage, of heritage and of imperishable strength. Today I challenge the traditional figure, creating a characterization of the Spirit; a metaphor to our inner world that might encourage us to seek a deeper understanding of ourselves. Consciousness, as a philosophical concept, can lead us many places, from the empirical world of the cognitive sciences to a theoretical one, where psychology attempts to provide the answers. It is my intention to reach into the 21st. century using sculpture to transcend disciplinary boundaries between the physical bodies in bronze and the self-knowledge and understanding of the ethereal realm that is our internal landscape." ~ Blake Ward...

Silver wire, turquoise beads.