Figurine Figurative Sculptures

Surmounted on a circular base, the odalisque portraying a half nude young female wearing a loose skirt, and is inscribed with the artist's name ‘A BOURGEOIS’. Maker: Charles Arthur Bourgeois...

Le Siffleur 85 is an original work of art by the French artist Idan Zareski. "Our feet are our roots, our roots are our heritage. They ground and anchor ...

Amazone Horse Back Riding Man Bronze Figurative Sculpture Contemporary In Stock Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, sil...

Franz Xavier Bergman Austrian, (1861-1936) Whirling Dervish Bronze, cold painted, signed 'B' in a vase Height: 6¾ inches Width: 2 inches Depth: 2 inch...

Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...

Le Siffleur 85 is an original work of art by the French artist Idan Zareski. "Our feet are our roots, our roots are our heritage. They ground and anchor ...

Bronze sculpture of a man in a business suit, looking solemnly downwards. Edition of 9

Contemporary animal terracotta sculpture Unique Signed by the artist

Angel Maya - Maya Angel This Mexican Wood Angel was made with Copal wood, wood carving technique gouges, machete and sandpaper, decorated with natural dyes and acrylic paintings with Zapotec symbols. At Cactus Fine Art...

For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea mar...

Unique terracotta sculpture Hand-signed by the artist Nili PINCAS was born in 1942 in Tel Aviv, in Israel. She studied at the Avni Art Institute of Tel Aviv in Israël and at the Eco...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina cast by Susse Frères - stamped with the founder's seal France created around 1890 and cast after his death height 12,5 cm A similar model reproduced inJules Dalou, le sculpteur de la République, Exhibition held at the Musée du Petit Palais, Paris, 2013, page 288, n°220. Biography : Aimé-Jules Dalou, said Jules Dalou (1838-1902) was a French sculptor, born from Protestants glovers craftsmen who raised in secularism and love of the Republic. Jules Dalou was very young talented for modeling and drawing, which earned him the attention of Jean-Baptiste Carpeaux, who made him entered in 1852 in the Little School, the future National School of Decorative Arts in Paris. In 1854, he was admitted to the School of Fine Arts in Paris, where he studied painting in the workshop of Abel de Pujol and sculpture in the workshop of Francisque Duret...

Antoine-Louis Barye (French, 1795-1875) Ocelot emportant un héron (Ocelot carrying off a heron) bronze sculpture, dark-brown patina, Signed “Barye” and “F. Barbidienne Fondeur Paris”...

Hoodie Girl Bronze Sculpture Nude Fashion Grey Modern The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the a...

An elegant, dynamic, fully finished, 19th century terracotta sculpture of richly attired figures in the Chinoiserie style. The idealized, rural imagery features two women in flowing ...

Solo Horse Sculpture Bronze Jumping Animal In Stock Lucie Sentjens (Brussels, 1959) is a sculptor, graduated from the Cambre in 1982 in the studio of Rik Poot. She takes evening pa...

Zoals Een Pijl Arrow Bronze Figurative Horse Sculpture Geometric In Stock KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgi...

AUGUSTE MOREAU French, (1834-1917) Alerte Patinated bronze; Signed ‘Aug Moreau’ and title ‘Alerte’ on base 22 x 14 1/2 inches Notes: Cupid's figure is standing with a bow on hi...

Sculpture of a man in a suit walking carefully across a precarious edge. Edition of 45, 1 left from the edition and 1 AP Signed to the leg Jim Rennert Biography American, b. 1958 ...

Abundance and Chaos by Hanneke Beaumont Beaumont's sculptures are realized in terracotta, bronze and cast iron, and she is known for sculpting figura...

Roofvogel met Vis no. 4 ( Bird of Prey with Fish) Bronze Sculpture In Stock Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor ...

Artist: Unknown, Russian Title: Dolphin Medium: Bronze Sculpture with Patina Size: 35 in. x 13 in. x 8 in. (88.9 cm x 33.02 cm x 20.32 cm)

Angel Mistico - Mistic Angel This Tree was made with natural clay. Hand-modeled technique decorated with colors of natural earthen substances, and cooked in oven. Listing: 1 Natural Clay Tree...

Costantino Barbella (Chieti 1852 - Rome 1925), Love Song Bronze sculpture 41 x 35 x 21 cm signed at bottom, on black marble base. Provenance: Private Collection, Rome.

Prada Sculpture Lapis Lazuli on Marble Big Blue Art In Stock Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. ...

IJsbeer Polar Bear Bronze Sculpture Animal Blue Green Patina In Stock Theo Mackaay (1950) Utrecht, the Netherlands Mackaay works with recognizable shape:: women, men and animals, w...

Karine Payette was born in 1983 in Montreal, Quebec, where she lives and works. Working primarily with sculpture and installation, she reproduces, for the most part, environments tha...

Laure Krug. Contemporary French artist Holder of a license in plastic arts, she naturally turns to sculpture. Materials: She begins by working the soil and masters the different co...

Unique terracotta sculpture Signed on the base

Mexican, sculpture, contemporary, figurative

Laughing Horse Bronze Sculpture Animal Laugh Contemporary Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Arc...

Antoine-Louis Barye (FR. 1795-1875) FRENCH “TIGRE DEVORANT UNE GAZELLE” (TIGER DEVOURING A GAZELLE); (SECOND VERSION) At this point; the only thing you can hear is the gazelle gaspi...

Frederick Hart is America's greatest figurative sculptor. Not only did he create works of great beauty and gravitas, he was singularly responsible for restoring to American public mo...

Squirrel II is a limited edition bronze sculpture. Created with the lost wax casting process.

An equestrian sitting white horse sculpture, crafted with exquisite precision and care. Handcrafted from clay, this sculpture stands as a testam...

Ballerina 2015. Porcelain, 12x19 cm (3 of 3) The Ballerina figurine is a charming piece of porcelain art created in 2015. It features a sitting ba...

This bronze bust can be commissioned. It will take approximately 3 months to cast. The marble base can be ordered in white or black. Sensuous Woman Maquette is a highly polished bronze casting sealed with automotive clear coat-Glasurit. It never needs to be polished. It is the bust of...

Hakuna is a limited edition bronze sculpture. Created with the lost wax casting process.

De Archaische Glimlach Archaisch Smile Bronze Sculpture Classic In Stock For years Joris August Verdonkschot decicated himself to filming. He studied Law and Cultural Science and wro...

Sculpture of two girls sitting on a bench. Edition of 31

Lentestier no. 2 Spring Bull Bronze Sculpture Animal Contemporary Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the Rot...

Without Title Bronze Sculpture Hand Female Nude Figure Mythology Classic The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of model...

Motherhood by Baltasar Lobo (1910-1993) A bronze group with a nuanced greenish dark brown patina Signed at the lower backside " Lobo " Cast by " Susse Fondeur Paris " (with the foun...

Volpato or Cialli manufacture, molded by Lorenzo Weber, Pio VI blessing on horseback during the Cavalcata for the Possession English white terracotta of 45 x 29 x 17 cm, datable to...

Newborn Giraffe and Mother is a limited edition bronze sculpture. We have 2 patinas available the brown and the sand. Created with the lost wax casting process.

FREE SHIPPING TO WORLDWIDE! Artisan: Fidel Martinez Martinez 1st. Place Category Clay Sculpture   XXX Edition Ceramics National Award Made with Black Clay, hand-modeled technique...

Breath Bronze Sculpture Torse Torso Body Classic In Stock For years Joris August Verdonkschot decicated himself to filming. He studied Law and Cultural Science and wrote a lot of fi...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

Lion is a limited edition bronze sculpture.

Bronze Sculpture, Edition 26 of 100 Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local coun...

Amazone Bronze Scullpture Horse Mythology In Stock Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motives like warriors, women, horses, archers, lovecouples, created with his own signature. An example of this work is the wellknown ‘Gouden Kalf’, the big prize of the ‘Nederlands Film Festival’, designed in 1980 by Mackaay, commissioned by Jos Stelling, filmdirector and initiator of the festival. There has been big developments in his work after the calf, but the basic forms are still to be found in his work. The renewal in his work has been a internal fight, between the two sides of his brain. The wild artist animal and the changed, peaceful, contemplative sculptor. The last one won! Not only did he change as a human being, his work changed with him. Big, tough, expressionist bronzes and stone statues whith the woman and animal as favourite subject, changed in touching, intimate bronze sculptures. In the early work of Mackaay, the masters of the past were more visible, like Marino Marini and Ossip Zadkine. Now it seems, the artist is letting go of the past and found his own form language, after all the highs and lows in his life. His wandering through France, Italy and China brought him to Malaga in Spain, his current residence. Maybe it is the Mediterranean Sea or the Spanish sun...

Hindu Birdcatcher A fine quality, a nineteenth-century bronze cast of the Hindu bird-catcher standing on an elephant skull and holding two birds in the air which are sitting on a bambu stick by Auguste De Wever (Belgian 1836-1910). Old cast probably by the Compagnie des Bronzes foundry signed...

Exquisite Pair of Neoclassical bronze Bacchus and Bacchante figures cast in a dark patinated bronze. The pair rest on on white marble bases set with relief cast gilt plaques. 18th C...

MATHURIN MOREAU French, (1822-1912) Signed ‘Math.Moreau’ 36 in. x 14 1/2 in. Notes: Fine Quality Patinated Bronze Group of a Mother and Child

Ram Aries Bronze Sculpture Zodiac Sign Constellation Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer ...

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the...

Laure Krug. Contemporary French artist Holder of a license in plastic arts, she naturally turns to sculpture. Materials: She begins by working the soil and masters the different co...

A sculpture by Felipe Castaneda. "Mujer Peinandose" is a figurative sculpture, bronze by Mexican contemporary artist Felipe Castaneda. The artwork is signed on the lower back, ""F. C...

Maraboe Marabou Bird Bronze Sculpture Contemporary Animal Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the Rotterdam Ac...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL SEATED ON A STOOL TYING HER SHOE signed "Juan Clara" and stamped A.G. Paris and marks L.R. 213 (on the stool ) bronze figure 6-3/8 x 3 x 4 inches (16 X 7.5 X 10 cm.) PROVENANCE Private Collector, Madrid A brown patia bronze sculpture of Art Nouveau style, depicting a little girl sitting on a sidewalk tying her shoe. The plasticity that Juan Clará achieves with the bronze when shaping this beautiful little sculpture is wonderful. We notice the effort that the little girl is making to put on her shoe, her gestures and attitudes which moves us and attracts us towards her. Juan Clará Ayats. Olot (Gerona), 6.XII.1875 - Paris (France), II.1958. Sculptor Student of José Berga at the Olot School of Fine Arts, developed his training in France, first at the School of Fine Arts in Toulouse, in 1896, and from 1901 in Paris. At this stage he lived with his younger brother, José Clará...