Cecilio Sanchez Fierro Art

Guillaume Couffignal (French b. 1964) Theatre, 2014. Bronze. 19 7/8 x 13 1/2 x 7 1/4 inches. Signed on the base: Couffignal. Beautiful texture and patina. Guillaume Couffignal is a French Postwar & Contemporary self taught, outsider artist who was born in 1964. He works in bronze casting complex, fantastic, architecture models, abstract theater and boat models that look like relics from the past. He learned the art of lost wax casting with a traditional African foundry in Koudougou, Burkina Faso in Africa when he was 23, blessed to find his way so young. He felt the deep alchemy of the process combining the elements of Nature to produce a concept that did not previously exist in our world. He saw the potential of this earth magic. It forces chance and pushes the limits of bronze because each sculpture can never be exactly reproduced. Like the use of clay, this art has a deep connection with the primitive elements of Nature. There is the wind and the sky and the earth and the fire. There are ashes and dust. Here exists a collaboration with the spirit of the Illusionist, an artist in all his unpredictability. But it is not an art of chance. The Illusionist / artist masters the elements of accident and surprise. He is a magician who controls the secrets of his process. In the case of Couffignal, this has to do with the three-dimensional collage of carefully chosen fragments and shapes and with its earth-like textures, carefully perfected over many years of experimentation. Its textures make the materials lie. They have an irregular patina of wear and bad weather. They make bronze itself secondary with this creamy pigmentation of the earth burnt by the sun. The texture then becomes a painting. Couffignal sets the scene for the pure drama of the void. He fills it with memories and voices. This decor is visually minimal, but this very minimalism points to the importance of his other intentions. Its boats are "soul boats" caught between two universes. Its architectural pieces evoke ruins and nevertheless attest to their own existence. Although this process is ancient, and in this case learned from the African tradition, the true testimony of the power of Guillaume Couffignal is that not a single element of his work derives from something existing. As a true iconoclast, he has taken up a traditional language, learned this language, and starting from this language has created a poetry completely unique and unique to him. Randal Morris, 2013. His work is from the tradition of outsider art, art brut, folk art, naïve art, visionary art and intuitive art with a sophisticated subject matter. A kind of symbiosis of jean Dubuffet and Daniel Arsham. Sculptures as forgotten images of a world where the trace always precedes presence. As in the art of raku, ancestral Japanese pottery where the cooking accident and the patina of use - wabi and sabi - testify to an intimate cosmogonic geography. Omnipresent memory of the color and the smell of the earth - mud, noble material which in Africa is used to erect huts, houses, palaces and mosques. Historically and up to the margins of the caravan route, on the borders of the great Arabic Muslim...

A cairn is an almost ubiquitous symbol of trail finding and communion with nature. This design combines stone and glass in a beautiful tension that’s fitting for almost any home. (...

Original Painting: Terracotta Relief With Acrylic Painting on Wood Panel Hand signed These works are paintings with a 3D carved sculpture dimension to them, fusing sculpture with painting Mixed media on board depicting a romantic couple, a woman seated on a man's lap. Mark Kanovich...

SALE ONE WEEK ONLY “Santa Cruz de las Huertas Jalisco” is a whimsical, charming and colorfully ceramic rendition painted blue and red of a local bus that traversed the town where the artist Candelario Medrano...

Alligator 1989 Gerardo Ramirez Morales San Antonio Arrazola, Oaxaca, Mexico Copal wood, acrylic paint Signed 22.25 inches L. x 6.50 inches H. (at tail) x 8 inches W. This amazing al...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Granny's Curse Jar Materials : Stoneware, Underglaze, Glaze Date : 2015 Dimensions : 4" x 3.5" x 3.5" Description : Ceramic jar with vintage textile prints and vignette phrases Rachel Hubbard Kline's work explores the wistfulness of personal connections to historical domestic objects and material culture. Kline seeks symbiosis in the relationship of surfaces to forms and addresses the hierarchy of importance between the form itself and the image or decoration. Objects both functional and decorative, factor into the banality and routineness of daily life. As the current political and social climate continues to shift, She seeks to compare past and present means of the production of goods and labor. Surface design inspired by vintage textile prints from family quilts and other historical motifs appear in Kline's work. The vessel acts as a stand in for the body and a metaphor for preservation. Kline's series of jars and jugs are intended to preserve memories of family members and places by using specific colors, patterns and objects she remembers from childhood to the present. Rachel Hubbard Kline is an art educator and artist in her hometown Kansas City, MO. With a background in fashion and art history, she explores relationships of fine art and craft in the disciplines of drawing, painting, ceramics, and fiber. Hubbard draws on her Midwestern roots and ties to rural farm life to reflect on past ways of life based on collections and artifacts. Hubbard Kline has been the recipient of educator residencies at the Kansas City Art Institute, a participant in the Connecting Collections teacher institute in New York, and Educator Conferences and AP Teacher Training at the Savannah College of Art and Design. She earned a Master of Arts in Teaching from Park University in 2010, a Bachelor of Arts from the University of Connecticut in 2007, and attended Parsons School of Design. She is currently pursuing her Master of Fine Arts in Studio Art at the Maryland Institute College of Art. Contemporary Ceramics, Functiona lCeramics, Pattern, Stoneware, Underglaze, Glaze, Decals, Luster, Craft, Fine Art, Contemporary Craft, Contemporary Fine Art, Beatrice Wood, Nampeyo, Karen Karnes, Tammy Garcia, Melanie Sherman, Mary Rose Young...

An exceptional drummer sculpture by Willitts Designs International and Shen Lung. The sculpture is cold painted and made of hand cast resin. The drummer sculpture shows an african A...

A unique clay mask by Hawaii based artist Ira Ono. Artist: Ira Ono Year: 1982 Medium: Ceramic Size: 10.5 x 5.5 x 3 in. (26.67 x 13.97 x 7.62 cm)

"Penguin" - Steatite Stone Hand Carved Sculpture, St. Lawrence Island Eskimo Art Dynamic steatite stone sculpture of a standing penguin. The sculpture prop...

Untitled Figure with X on Chest by Charlie Willeto, Navajo Folk Art, wood, paint Vintage

This charming sculpture, created by artist Renate Frotscher in her Cantal-based atelier, captures the whimsy of the beloved Little Prince disguised as a fox. Crafted with meticulous ...

A great American folk art shrine, found many years ago in Minnesota. The Christian imagery, typical in Hispanic folk art, is here likely to have Scandinavian origins in the upper Gre...