Still-life Sculptures

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

metal, polymer, pigment, wood "Label quote from Annie Leibovitz: ""I'm more interested in being good than being famous."" The drip is a film negative of Diane Arbus' iconic photo T...

metal, polymer, pigment, wood Edition of 8 "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. From MB DAY JOB Call Jackson This sculpt...

A hyper-realistic glass sculptor, Dylan's playful creations deceive the eye with their lifelike appearance. Whether mimicking water balloons or plastic bags filled with water housing...

"Keys to My Heart" by Katharine Morling – Black and white porcelain sculpture of pop art surreal key chain with six handmade keys, charms and a locket. Delicate yet bold, "Keys to M...

metal, polymer, pigment, wood Edition of 8 From MB HOT Burn Baby Burn This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood Edition 20 This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. The numeric code stamped into the tube spells AGAVE." ...

digital print on aluminum, wood, 3D print, paint, stainless steel Edition of 8 From MB DAY JOB Hirst Taxidermy This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood "This set includes the following conceptual brushes: dry, hare, hair, air, shaving, and feather." This sculpture will be shipped directly from the art...

metal, polymer, pigment, wood "Label text: Go back to sleep, it's just a dream. Companion piece to Pill Red." This sculpture will be shipped directly from the artist's studio.

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Esponjas 8, 11 y 16, 2022 by Paola Davila From the series Mareas Cyanotype on 300 gr cotton paper Mounted in a high-resistance borosilicate glass petri dish Overall size: 36 cm Dm x...

"Teddy Bear (Purple with Sparkles)" cast lucite acrylic, hand-polished sculpture with sparkles by artist Mara Sfara from an edition of 25. Signature Mara Sfara and edition number 1/2...

In the world of ceramics, Richard Shaw is a professor and the master of trompe l’oeil (French for “fool the eye”) sculpture, a style often associated with paintings intended to give a convincing illusion of reality. Shaw's work replicates everyday objects (such as tin cans, playing cards, and cutlery) in porcelain. He then glazes these components and groups them in unexpected and even jarring combinations. While interested in how objects can reflect a person’s identity, Shaw also poses questions regarding the relationship between appearance and authenticity. Teacup with Pencils on Paper Plate...

"A Likely Story" (2020) By Linda Prokop is an original bronze sculpture that depicts an abstracted portrait of a young girl standing next to a large bear. About the Artist: Linda Pr...

This ruggedly beautiful wall sculpture was created by the glass artist, Cheryl Wilson Smith. Granite Craig is so detailed and natural in its design that it looks as if it had been ch...

Tony Hochstetler's "Boa" (2014) is an original handmade bronze sculpture that perfectly captures the detail of a boa constrictor snake.

A hyper-realistic glass sculptor, Dylan's playful creations deceive the eye with their lifelike appearance. Whether mimicking water balloons or plastic bags filled with water housing...

ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...

A unique artwork from the “Imaginary Gardens” collection, Autumn Garden is a sculptural textile composition that fuses organic elegance with handmade sophistication. Inspired by natu...

"From the series- “Visions from a White Hole” (small)" is an original an original ceiling-hanging luminous sculptural work made of PVC and light element measuring approximately 11" x...

"Tires" is an original paper, enamel, pastel, inkjet prints, chain, wire, and tubing sculpture by Drew Leshko measuring approx. 11.5"h x 8.5"w x 0.75d. Drew Leshko is a Philadelphia...

Brass sculpture. Artwork size: 6.10 x 8.30 x 3 inches. From the edition of 10. Light bulb included. Artwork is in excellent condition. Certificate of authenticity included. Abo...

Medusas 11, 12 y 13, 2022 by Paola Davila From the series Mareas Cyanotype on 300 gr cotton paper Mounted in a high-resistance borosilicate glass petri dish Overall size: 36 cm Dm x...

This figurative sculpture titled "Flowering Ballerina" is an original artwork by Debra Broz made of secondhand ceramics and mixed media. The sculpture measu...

This beautiful one of a kind ceramic hand made NY Yankees cap is from Yael Yanay’s latest body of works. These hand-crafted ceramic hats are meticulously designed to resemble iconi...

Please allow a two month turnaround time for this piece to be made. About Cast Paper In David's words: “One thread running through my work is a connection to nature. Casting natur...

Molly Schulps is an artist and educator living in both California and Oregon. She grew up in Southern California and was deeply influenced by her father who was a successful educator...

Pablo Picasso A.R. 496 Face Number 203 1963 10” round Edition of 150 White earthenware clay, decoration in engobe and enamel under partial brushed glaze, grey patina Ramie 496 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...

This cast bronze twig NEST with a bright blue patina (with some of the bronze left raw) holds three highly polished bronze eggs. "The bronze NESTS are ano...

A large contemporary blue steel sculpture. Beautiful on the floor or a pedestal. A contemporary statement piece full of elegance and movement. ______________________________________...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

This white wall-hanging artwork titled "Close Enough" is an original artwork by Rosa Leff made of hand-cut paper towel. This piece measures 12"h x 12"w fra...

"Fancy! (WTF) Her"- Limited edition pink and white glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with ...

Bronze relief sculpture on table mirror. Incised Erte signature with stamped numbered edition, foundry and date. From the edition of 250. Certific...

In this series of outdoor ‘singing’ bowl sculptures, Marlene Hilton Moore continues to explore the theme of ‘listening.’ This stainless-steel bowl is laser cut with the word “Sing” i...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

In this series of outdoor ‘singing’ bowl sculptures, Marlene Hilton Moore continues to explore the theme of ‘listening.’ This stainless-steel bowl is laser cut with the word “Whisper...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Molly Schulps is an artist and educator living in both California and Oregon. She grew up in Southern California and was deeply influenced by her father who was a successful educator...

In the world of ceramics, Richard Shaw is a professor and the master of trompe l’oeil (French for “fool the eye”) sculpture, a style often associated with paintings intended to give a convincing illusion of reality. Shaw's work replicates everyday objects (such as tin cans, playing cards, and cutlery) in porcelain. He then glazes these components and groups them in unexpected and even jarring combinations. While interested in how objects can reflect a person’s identity, Shaw also poses questions regarding the relationship between appearance and authenticity. Paper Plate...

Untitled by Kelly Breez Size: 15.75 in. H x 13.25 in. W x 2 in. D Acrylic on wood 2016 ______________ Kelly Breez – (b. 1985, Lake Worth, FL) Graduate ...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Pradip Mondal - Nature (II) - 15 x 15 inches Medium - Wood & Bronze Single edition. About the Artist and his work : Born : 1977 in West Bengal. Education : 2001-02 : BVA (Modellin...

I was inspired to create this series by the film “The secret garden “ from the director Marc Munden. Оf course, the garden is only a metaphor . In a world overloaded with informatio...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

The intricate retablos of contemporary artist Patrick Fitzgerald are his means of paying homage to the musicians that inspired him throughout his life. Derived from Mexican votive...

'Grandmother' is an original black serpentine sculpture by the celebrated second-generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe's w...

In the world of ceramics, Richard Shaw is a professor and the master of trompe l’oeil (French for “fool the eye”) sculpture, a style often associated with paintings intended to give a convincing illusion of reality. Shaw's work replicates everyday objects (such as tin cans, playing cards, and cutlery) in porcelain. He then glazes these components and groups them in unexpected and even jarring combinations. While interested in how objects can reflect a person’s identity, Shaw also poses questions regarding the relationship between appearance and authenticity. Watercolor Palette...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 2 ce...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Katherine Jackson lives and works in Brooklyn. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...