Modern Art

Mystery Artist Tennessee, 9/12/86 Oil on canvas 34 x 43 3/4 x 1 in. Titled and inscribed upper left

Large Scale Abstract Encaustic/Oil Painting by unknown artist, 37 x 54 unframed.

Roger LERSY Grand canal of Venice, 1963 Oil on canvas Signed at bottom right Canvas size 46 x 61 cm (12P) Golden baguette frame size 59 x 74 cm Very g...

Acrylic on canvas Shipped rolled in a tube 100% hand made painting, unique piece.

Artist: Peter Doig Title: Alice at Boscoe's Year: 2023 Medium: Giclée Print on Cotton Smooth Rag, Oak frame with Optium Tru Vue Acrylic Glass Edition: 250; signed and numbered Dimen...

Artist: Vahe Yeremyan Title: Trees Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 20" x 12.5" x 0.8" inch (51 x 32 x 2cm) Presentation: Unframed, Gallery Wrapped on...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Certification of Authenticity stamped verso for Jerry Opper (American, 1914-2014). A lyrical, American modernist view of a young woman shown seated in an interior, gazing towards the viewer with her chin resting pensively on her hand. Born in Cleveland, Ohio, this California painter and printmaker moved to Los Angeles in 1933. Jerry Opper graduated from Hollywood High School and worked as a set painter in the movie industry while studying art at the Chouinard Institute. During the war, he was stationed in Colorado where he enrolled in the Colorado Springs Fine Arts Center. After the war, he returned to Los Angeles where he worked again in the film industry. In 1947, he moved to San Francisco where he studied full-time at the California School of Fine Arts and was awarded his diploma in June of 1950. Opper exhibited widely and with success including at the Drawing and Print Exhibition of the San Francisco Art Association in 1950 and again in 1951 when he was awarded the Artists' Council Prize. His work was included in the International Biennial of Contemporary Color Lithography at the Cincinnati Art...

Large expressionist acrylic on canvas of a 'Senegalese Couple' by Senegalese artist Amadou Kré M'Baye. Signed bottom right and dated bottom left. An arresting and highly coloured do...

"Leaving with you" is an invitation to escape, an ode to freedom and adventure. This work, created in oil on a wood panel, captures a moment of serenity and movement in a vibrant lan...

Euphoria Miriam Bromberg Date: 1970s Oil on Board Size: 24 in. x 36 in. (60.96 cm x 91.44 cm) Frame Size: 30 x 42 inches

Title: French Watercolour of Village Church in Plelan le Grand by Fanche Lel Size: 9 inches (height) x 6.75 inches (width) Watercolor painting on paper, unframed Condition: The paint...

Alexander by Eduardo Arranz-Bravo, Spanish (1941) Date: 2006 Oil on Canvas, signed l.r. Size: 60 x 40 in. (152.4 x 101.6 cm) Frame: 63 x 44 in. (160.02 x 111.76 cm) This fabulous im...

Printed as one of 11 lithographs included in the 1967 publication "Bernard Buffet: Lithographs 1952- 1966." Produced in cooperation with Fernand Mourlot, this was a catalogue of all ...

A colorful & dynamic ca. 1950s painting of Martha’s Vineyard by notable artist Francis Chapin, featuring The Old Whaler's Church in the background. Artwork size: 12" x 19". Framed...

John Bellany was an influential Scottish painter. Credited with pioneering a style of painting that melded the influences of Impressionism with Naive painting, Bellany’s work explored endemically Scottish symbolism and histories. "What he was doing in the mid-1960s in many ways changed the course of Scottish painting,” Keith Hartley, the senior curator of the Scottish National Gallery, has said of Bellany’s importance. “It was like a manifesto: I don't want to do paintings for Edinburgh drawing...

hand pulled limited edition lithograph signed and numbered by the artist Glenn Green Galleries also presents paintings, prints and sculpture by Southwestern luminary, DAN NAMINGHA....

Manuel Pardo (1952-2012). Portrait, 1989. Oil on canvas, 11 x 17.5 inches. Unframed. Signed, dated and dedicated on verso. Excellent condition. Manuel Pa...

By and by Too many thoughts rooted in my soul So many memories, the good and the bad They all shaped me. Colourful in a wink, darkness looted. But when it's all going grey, it shine...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2024 Style: Impressionism, Subject: Sity scape Size: 18.5" x 25.5" x 0.8...

Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...

FALLING STAR is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, by the renowned African American artist Romare Bearden. FALLING STAR presents a visual memory from Bearden's childhood in Mecklenburg County North Carolina expressed as a modern collage portrait depicting a black woman set in a nostalgic Southern domestic interior. FALLING STAR's main focus is a black woman standing on the right drinking from a blue and white teacup...

Sku: LM411 Artist: after Jean-Michel Basquiat Title: Florence Year: 2002 Signed: No Medium: Offset Lithograph Paper Size: 25.5 x 35.75 inches ( 64.77 x 90.805 cm ) Image Size: 22.5 x 35.75 inches ( 57.15 x 90.805 cm ) Edition Size: 2000 Framed: No Condition: A: Mint Additional Details: Reproduction of a work after Jean-Michel Basquiat published for a retrospective at a museum in Italy in 2002. The image of “Florence, 1983” originally a very large painting...

Symbolic and surreal landscape with figure eminating life force by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

A very large reproduction of Les Pigeons, the view from Picasso's window onto the Bay of Angels, in Nice, France. The image was also featured by French Tourism Office promoting la C...

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the ...

The Old Harbor French Impressionist artist, mid 20th century oil on canvas laid over board, framed painting: 9 x 9 inches framed: 9.5 x 9.5 inches condition: overall very good, a few...

Julian Schnabel NEMO LIBRIZZI 1998 25-color silkscreen with poured resin 38 x 36 inches (97 x 91 cm) Signed and numbered edition of 90 Suite of 3 Also available Born in Brooklyn,...

Artist: Marc Chagall Title: The Accordionist (Derriere le Miroir 99-100) Portfolio: Derriere le Miroir Medium: Original Lithograph Date: 1957 Edition: 2500...

John Ferry Mid-Century Modern X2 #1 Medium: Oil on Panel Year: 2020 Size: 4.75x15.25 in Signed, dated and inscribed by hand COA provided Re.: JF-20-10 “Fer...

Hand signed in lower left margin and numbered 35 of 200 (aside from the artists proof edition of 30). Printer Rupert Jasen Smith, New York. Co published by Ronald Feldman Fine Arts N...

This 30" x 24" painting by David Crown, captures an interior scene, rendered in an abstract and simplistic manner. The painting uses a vibrant color palett...

Paper Size: 11.5 x 17.25 inches ( 29.21 x 43.815 cm ) Image Size: 11.5 x 17.25 inches ( 29.21 x 43.815 cm ) Framed: Yes Frame Size: H: 12.5 x W: 18.25 x D: .75 in. Condition: A: ...

Mid-Century impressionist oil on board by Italian artist J. Torrelli. This painting of a lakeside at dusk, reminiscent of the 'Barbizon School', showcases impressionist painting tec...

Work on cardboard Wooden frame 44 x 37.5 x 3 cm

A large, dynamic Mid-Century Modern summer landscape painting with standing female bathers by noted Chicago artist, Rudolph Pen. A wonderful example of the artist's uniquely express...

The name “Arike,” meaning “one who is cherished and pampered” in Yoruba, reflects the essence of this portrait—an individual whose story is rich with depth, emotion, and significance...

Jean Dassonval (French, 1939-2012) Untitled, 1989 Acrylic and mixed media on canvas 19 3/4 x 25 3/4 in. Signed lower right: Dassonval Stamped verso: Jean Dassonval Inscribed in Fren...

Artist: Slonem, Hunt Title: Bayou Teche Sunset Date: 2024 Medium: Oil on Canvas Unframed Dimensions: 36" x 48" Framed Dimensions: 38" x 50" Signature: Signed verso Edition: Un...

"Springtime Mushroom Harvest I" is a illustration style painting diptych by Romina Milano that captures the whimsical essence of nature's bounty through two panel paintings . Each pa...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: (A), 48x60cm, acrylic ink and acrylic paint on paper, 2011 Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabel's own words: Banana Boat...

A striking fauvist work in chalk pastel. Signed to the lower right. Presented in a large contemporary frame with a crisp white mount. On paper.

The inspiration for Daniel Wimmer’s art consistently stems from the human body. He is particularly fascinated by the beautiful colors of the skin and is constantly searching for intr...

ANOTHER DAY is an original limited edition woodcut by the American painter and sculptor, Otto Neals. The woodblock used to print ANOTHER DAY was hand carved by Otto Neals and printed in shades of brown, light blue, beige, and black on archival Rives BFK printmaking paper, 100% acid-free, enhanced with hand colored accents. ANOTHER DAY is a dramatic, contemporary black couple portrait portraying a man and woman standing back to back, the woman's arm raised up and pointing in front of her. She wears a stark white, bell-sleeved dress and large teardrop shaped dangle earrings and bangle bracelet, set against a dramatic natural wood grain patterned background, a large potted plant positioned on the table in the foreground. The man dressed in a warm brown colored suit, wearing white shirt and necktie, his dignified male profile looks straight ahead to the left of the composition adding visual interest and mystery. Print size - 25 x 20 inches, unframed, mint condition, pencil signed and numbered by Otto Neals, Certificate of Authenticity provided (actual print number may vary from photo upon availability) Image size - 19.75 x 15.75 Edition size - 100, plus proofs Printer - JK Fine Art Editions Co. NJ Publisher - Mojo...

"Turkey Tail Mushrooms" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Antique American impressionist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 27 by 31 inches overall and 21.5 by 26 painting alone.

In this vibrant portrayal, I've merged multiple art styles to capture an explosion of emotions. By layering acrylics, watercolors, and colored pencils, I've created a textured harmon...

SECOND GENERATION is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. SECOND GENERATION portrays a double portrait of a boy and girl in profile, bordered by bright yellow, orange and red flames with a row of turquoise blue silhouette figures marching in protest across the lower portion of this striking composition by Elizabeth Catlett. From the FOR MY PEOPLE suite of prints, a set of 6 lithographs illustrating the well known 1942 poem by Margaret Walker. "Let a new earth rise. Let another world be born. Let a bloody peace be written in the sky. Let a second generation full of courage issue forth; let a people loving freedom come to growth. Let a beauty full of healing and a strength of final clenching be the pulsing in our spirits and our blood. Let the martial songs be written, let the dirges disappear. Let a race of men now rise and take control." stanza from the poem FOR MY PEOPLE by Margaret Walker...

Zaida del Rio (Cuba, 1954) 'Untitled 1', 2020 silkscreen on paper Intaglio 300 g. 30 x 30 in. (76 x 76 cm.) Edition of 40 ID: DER-103 Unframed

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Henri Matisse (After), French (1869-1954) Icare (Icarus) Portfolio: Jazz Year: Of Original: 1947 Year Printed: 1983 Medium: Lithograph Image Size: 14.75 x 9.75 inches Size: 15.25 x ...

Medium: original lithograph. Published by Maeght in 1973 for the "Sculptures de Miro ceramiques de Miro et Artigas" catalogue. Sheet size: 8 x 7 3/4 in...

'Still Life with Grapes', oil on canvas, French School, signed 'Kerlog' (circa 1950s). A naively charming still life with vibrant colours and ha...

Medium: original lithograph. Printed in 1960 for the "Poetes, Peintres, Sculpteurs" issue of the art revue Derriere le Miroir (No. 119) and published in Paris by Maeght. Size: 15 x 2...

This piece titled "green occupied 7" is an original artwork by Miriam Singer and is made of pencil, marker, and acrylic on paper. The artist spends her free time biking around the ci...

Acrylic on canvas Shipped rolled in a tube I can do commissioned works

VIA APPIA Size: 51.5 x 61.5 cm (including frame) Oil on board A serene depiction of the historic Via Appia, one of Rome’s most storied ancient roads, painted by Swedish artist Eric ...

"River Scene" Artist: Jean Metzinger Medium: Oil on Canvas Size: 23" x 28.75" Date 1902-3 Metzinger Catalogue Raisonne Number: AM-02-002.1, by the Regis...

Steven H. Rehfeld (American, born 1954) 'Feast' 2021 Oil paint, canvas, stretcher bars The artist signed the back of the painting. "Feast" by Steven H. Rehfeld emerges as a triumpha...