Women Art

Continuing a series of small paintings in oil and tempera on wooden boards, artist turned to the image found in the live sketches at one of the beautiful Saturday mornings. So once ...

Serenity is an impressive, giant oil painting realized by the Italian painter Felice Carena in 1948. Signed lower left. Not framed, framing optio...

Calvin Lai's (US based) "Opaque" is an original, handmade oil painting that depicts a seated female with her face in profile and dappled in light. The painting is framed, with overall dimensions of 18 x 15 inches, Artist Bio: Calvin Lai's art is a mixture of medicine, meditation, and personal growth. He found early on that drawing was something he loved, and to make a picture appear lifelike became his goal. Through constantly drawing, his work began to breath, and his fascination with value and perspective led Calvin to become a student of realism. Eventually he moved from where he grew up in Los Angeles to San Francisco. There he studied drawing and printmaking at San Francisco State University. In 2008, he enrolled in the Academy of Art for illustration, but began painting instead. He found that he preferred the fine arts over commercial illustration...

Original pencil signed Grant Wood lithograph, "February," created 1940. A fine impression and one of the most important of the 19 lithographs created by the painter of "American Goth...

JOSE CLEMENTE OROZCO (1893 - 1949) PROLETARIANS (aka Basurero, Scavengers ) 1935 (Orozco 27) lithograph, One of 88 signed and numbered of a total edition of 133, (+ 42 unnumbered a...

The "Moments" series tells a visual story of life’s events—both big and small—that stay with us and warm the soul Each painting is available individually, yet all the works in this ...

Kabukie - The Province of Rokuoku is an original artwork realized in 1862 by Utagawa Kunikazu (1830 - 1919) Chuban. From the series "Dai Nippon rokuju of Rikuoku" (60 provinces of Glorious Japan), The Province of Rokuoku. Meeting of the two rivals in the forest at night, Tanigoro with sumo apron and fan with the national colours. Signed: Kunikazu. Good impression, backed, glued at corners, oxidation, centrefold, a little bit rubbed. Utagawa Kunikazu (1830 - 1919) was a printmaker from Osaka. He had a famous teacher, the ukiyo-e artist Kunisada Utagawa...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Turn of Century American Figurative Maine Lobster Fisherman - Grandfather's Joy A Old Lobster Fisherman ponders the future and the joy of grandchildren. Wonderful turn of century Ame...

Title: French Impressionist Oil Painting of Figures Walking Along a Street in a Town By Fanch Lel (French b. 1930) Size: 9.75 x 7.75 inches (height x width) Signed: Yes Oil painting ...

The Harbor by Michel Kritz (French 1925-1994) signed and dated 62' signed oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very good a...

Artist: Mishurovski V.V. Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2022 Title: White peonies on a silver backgrou...

The Architecture is an original Drawing in charcoal and pencil on paper realized by Hermine David in the mid-20th century. Good conditions. The artwork is represented through rapid...

The Jewish Welfare Board. Original World 1 vintage poster, excellent condition; archival linen backed and ready to frame. Printer: Alco-Gravure, Inc., N. Y. Civilians: When we...

Still Life (Untitled), c. 1940/50s, oil on canvas, 25 x 30 inches, identified by label verso Jeanette Maxfield Lewis was a California-based landscape painter and etcher. Born in Oa...

Carlo Dolci (Florence 1616 - 1686) shop Mater Dolorosa, known as Our Lady of the Finger Oil on oval canvas, 29 x 23 cm. In frame 48 x 43 cm. The painting we present to you depicts ...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

“Nascita di Telefo, Bassorilievo” (Birth of Telefo, Bas-relief) is a beautiful black and white burin and etching on paper, realized by the artist Angelo Campanella, after Bernardino Nocchi, as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Angelo Campanella incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. IX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a beautiful piece of the Borghese's collection, a classical bas-rilief representing the birth of Telefo, a Greek hero and myth. In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margins,this wonderful etching has preserved still today his beauty and his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Angelo Campanella (Rome, 1748 – 1815) Angelo Campanella was an Italian painter and engraver, learned his art under Giovanni Volpato. He engraved the statues of twelve apostles found in the church of St. John Lateran in Rome, and some of the plates for Gavin Hamilton's Schola Itálica including The Presentation in the Temple after Fra Bartolommeo...

Pastoral pencil on paper sketch by a celebrated Filipino artist, Jose V. Blanco. The drawing depicts Filipino women and children sorting out mangoes...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

Ester before Ahasuerus Dutch School, 17th century circle of Rembrandt oil painting on wooden panel, unframed panel: 28 x 20 inches provenance: private collection, London condition: very good and sound condition for its age though there are old panel splits evident and minor, but stable, paint loss in those areas, as shown in the photos. The subject of ‘Ester before Ahasuerus’ was narrated by the Bible’s Book of Ester (V: 2-34). Here, the Persian King...

Hunt Slonem "Lawn" Light Green Bunny A single rabbit gestured in black on a light green background in a vintage frame Unframed: 6 x 4 inches Framed: 9 x 7 inches *Painting is framed...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Saint George A follower of Giovanni Battista Cima, known as Cima da CONEGLIANO (Conegliano c. 1449 - Conegliano c. 1517) Oil on canvas 126 x 49 cm. Framed 143 x 65 cm. The painting...

European Courtyard Josine Vignon (French 1922-2022) ...

William C. Grauer (American, 1895-1985) Scrub and Pines, 1929 Oil on canvas Signed lower right 18 x 20 inches 24.5 x 26.5 inches, framed Exhibited: Cleveland Museum of Art, May Show ...

Original Ville de Bruxelles (City of Brussels, Belgium) vintage art nouveau poster. This beautiful lithograph is in excellent condition, ...

Experience the captivating artistry of Spanish painter Conrado Lopez with this original piece entitled Bolonia IV, completed in 2024. Reflecting Lopez’s ability to capture intimate h...

The 1896 original poster by Privat-Livemont for Absinthe Robette stands as one of the most iconic examples of the Art Nouveau movement and a testament to the golden age of advertising art. Included in the prestigious series Les Maîtres de l'Affiche as Plate 104, this poster epitomizes the elegance, fluidity, and ornamental style that defined turn-of-the-century commercial design. Designed by Privat-Livemont, a Belgian artist renowned for his contributions to Art Nouveau, the Absinthe Robette poster was created to advertise the popular absinthe drink of the late 19th century. Absinthe, often referred to as the "Green Fairy," was a fashionable and somewhat controversial beverage, celebrated for its intoxicating allure and inspiration among artists, writers, and bohemians of the period. Privat-Livemont was celebrated for his ability to combine decorative elegance with commercial purpose. His work for Absinthe Robette reflects the signature traits of Art Nouveau: graceful lines, flowing forms, and a harmonious blend of nature-inspired motifs. Posters like this were not merely advertisements but works of art in their own right, often displayed in cafes, bars, and public spaces, capturing the imagination of passersby. Les Maîtres de l'Affiche (The Masters of the Poster) was a renowned collection of lithographic works, published between 1895 and 1900, that brought together the finest poster art from the greatest artists of the time. Curated by Jules Chéret, the series highlighted the artistic mastery of advertising and included works by notable artists such as Toulouse-Lautrec, Alphonse Mucha, and Privat-Livemont. Plate 104, featuring Absinthe Robette, is a shining example of the beauty and sophistication celebrated within this series. The late 19th century saw posters emerge as a powerful medium for both art and commerce, revolutionizing the visual landscape of cities. In this golden era, artists like Privat-Livemont elevated the status of posters from functional advertisements to celebrated works of art. Through their ornate designs and expressive use of color and composition, these posters reflected the aesthetic and cultural trends of the time. Today, the Absinthe Robette poster remains an enduring symbol of the Art Nouveau movement and a treasured piece of history. As part of Les Maîtres de l'Affiche, it holds significant cultural and artistic value, appealing to collectors, historians, and admirers of vintage advertising art...

Hunt Slonem "Mexican Red Head" Multicolor Amazon Parrot A single bird gestured in yellow, red and green on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 13 x...

M.F. Husain - Horse - 14 x 20 inches (unframed size) Serigraph on Paper, Edition 238/250 ( Unframed & Delivered ) MF Husain , world acclaimed artist has been famous for various of his series ,  however Ganeshas have been a close favorite by him which he has painted over and over again. The set of serigraphs make his works more affordable and helps us have a piece of Husain in our lives. Needless to mention they satiate the much needed space for the very auspicious imaginary of Ganesha in our spaces. This work is from the series of Ashtavinayak , meaning Eight Ganeshas of which the series comprised. A wonderful wonderful work to collect by one of the famous Indian Artist...

This artwork titled " Fallen Leaf III" 2015 is an oil painting on canvas depicting the Lake Tahoe area by noted American artist Andrew (Andy) Skaff, b.1945. It is signed at the lower...

A gentle mid-century portrait of a young girl by Pascal "Pablo" Cucaro (American, 1915-2004). Sealed in a layer of clear resin. Signed in a black textured medium, lower left: "cucaro...

Lunch Hour by Alain Le Garsmeur A lunchtime crowd relaxes in front of Marc Chagall’s Mosaic ‘Four Seasons’ in Chase Tower Plaza, Chicago, Illinois, USA, 197...

Etching and aquatint on paper realized by Chia in 1981. Hand signed and dated in pencil lower right. Artist proof dedicate by the Artist "to Svetlana with love" (a Svetlana con aff...

Winged Angels European artist, late 20th century (possibly a copy after an earlier painting) oil on canvas, unframed canvas : 24 x 36 inches provenance: private collection, Wiltshire...

Bijinga is an original artwork realized in 1833-1835 by Utagawa Kunisada (1786-1865). Chuban. From the series "Tokaido gojusan tsugi no uchi" (The 53 Tokaido Stations). Courtesan i...

Thomas Bossard was born in 1971 in Poitiers, France, to a large and creative family. His mother fostered his interest in art since an early age, bringing Thomas to various museums wh...

Elise Remender captures the romantic glamour of a bygone era in her contemporary figurative paintings that blend classical fine art and contemporary pop realism. Fantasy, mid-century fashion, and the glamour of travel and coastal living inform soft brush strokes and abstracted beauty; reminiscent of vintage advertisements and dusted sunlight. This original 50-inch square painting evokes a sense of delight and playfully nods at summery vintage aesthetics. This one-of-a-kind painting is painted with acrylic paint on canvas. It is signed by Remender on the front bottom right corner of the artwork. The sides are painted as a continuation of the front and it does not require framing. Free delivery within the local Los Angeles area. This artwork includes a certificate of authenticity issued by the gallery. Remender grew up in Arizona and is based in Southern California, but she has traveled all over the world gaining inspiration for her work. Her most recent series, Bathing Beauties, which captures the human form and abstracts it through light and reflection, was inspired by the vintage elegance and history of Southeast Asia’s historic hotel pools and gardens. It evokes a bygone era when Ernest Hemingway and Jackie O. were among the clientele. “I’m a bit of an old soul and there is a sense of elegance and beauty that has been lost in modern-day society, and I seek to recapture this essence in my work. I’m creating a sort of fantasy world of luxury, leisure, and old Hollywood glamour.” Her work has appeared in galleries in the US and Asia and in GQ Magazine, Architectural Digest, Dwell, California Home, People, among many other publications. Her paintings hang in luxury properties including The Ritz Carlton San Francisco, The Hard Rock Hotel Las Vegas, and Hilton properties across the United States, as well as in the homes of celebrity collectors including Ryan Seacrest and Kylie Jenner. REPRESENTATION: Artplex Gallery, Los Angeles, CA EXHIBITIONS: 2023 Artplex Gallery, Los Angeles, CA 2021 “The Beauty Myth”, Artplex Gallery, Los Angeles, CA 2018 “All American Inspired,” Merritt Gallery/Renaissance Fine Arts, PA, MD “At the Shore,” Eisenhauer Gallery, Edgartown, MA “Color in Motion,” Eisenhauer Gallery, Edgartown, MA “Having a Ball,” Jules Place, Boston, MA Meritt Gallery, Renaissance Fine Arts, PA, MD Studio E. Gallery, Palm Beach, FL 2017 “Distant Memories,” 111 Minna Gallery, San Francisco, CA Merrit Gallery, Renaissance Fine Arts, PA, MD “Holiday Gift Guide...

Portrait of the actor Nakamura Fukusuke I is an original modern artwork realized by Utagawa Kunisada in 1858. Woodcut print Oban Format from a tryptich. Portrait of the actor Nakam...

Unsigned. On board.

For the 1994 Pirelli Calendar shot on the Paradise Island in the Bahamas, photographer Herb Ritts set out to capture in a series of nudes what he called “the gentle innocence” of Kat...

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Spectral (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 limited edition solarization photograph printed by the artist + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD7809 (She Disappeared into Complete Silence) 60" x 45" / 152cm x 114cm edition of 8 + 2AP 40" x 30" / 102cm x 76cm edition of 8 + 2AP limited edition photograph is printed under artist supervision and accompanied by a signed artist certificate: artist signature labels are 8x10 in size, signed, editioned, dated and titled by the artist, and stamped for authenticity label __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2021 Mona Kuhn: Works, Edwynn Houk Gallery, New York Mona Kuhn: Works, Flowers Gallery, London Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara 2020 Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg Mona Kuhn: Early Depictions, Flowers Gallery, London Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan 2019 Bushes and Succulents, Euqinom Gallery, San Francisco Mona Kuhn: She Disappeared, Jackson Fine Art...

Branko Bahunek, Croatian (1935 - ) - Couple. Year: 1991, Medium: Oil on Canvas, Size: 26 in. x 21 in. (66.04 cm x 53.34 cm), Frame Size: 29 x 25 inches, Description: Sitting across ...

After Gustav Klimt, Max Eisler #1, Die Freundinnen II; multi-color collotype after 1916/17 painting in oil on canvas which was destroyed by fire in May 1945 at Immendorf Castle Lower Austria. Eisler’s choice to begin his 1931 portfolio of works by Klimt with Girlfriends II was both bold and prescient. Just 14 years later, the painting was tragically destroyed in a fire. With such a loss, this rare and exquisite image is all the more valuable by virtue of having been made in color. In works from his late period, Klimt continued his fascination with exploring female dynamics and their various forms of love. Girlfriends II is a fine example of how space, color and ornament play a noticeable role in the evolution of his symbolic language. Wide swaths of space in the background as well as the two female forms create the structure. Klimt’s strong brushstrokes show a painterly quality and a new move toward abstraction which feels very far away from his earlier work. Nor should Klimt’s economy of line be overlooked. His draughtsmanship is what infuses the female bodies with movement, emotion and a profundity of life. Both women confront the viewer’s gaze unselfconsciously, as if they are modern-day Viennese women stepping out of a Klimtesque ukiyo-e print. Characteristic of this late period, Klimt uses ornament...

A small colorful and interesting profile portrait of a blond woman dressed in a red dress and wearing lots of jewelry also on her head scarf. Signed but unfortunately not identified...

Michael Carson's (US based) "Sitting" (2024) is an original, handmade oil painting. About the Artist: Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College o...

Portrait of Woman is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative artwork of a female...

This 2007 photograph features six beautiful blondes posing on a bed. The photograph is from John Stoddart’s, “Risqué” series, where he explored a form of photography that seeks to shed any barriers between the subject and the camera, by using a human body in a nude or semi-nude form. John Stoddart is known as the “Photographer to the Stars” and recognized as one of the world’s most renowned photographers. Born in the United Kingdom, his work includes photographing glamorous celebrities such as Catherine Zeta-Jones, Sir Anthony Hopkins, to big name bands such as “The Rolling Stones”. By the early 1980’s, John had photographed every major record label band, establishing himself as a legend photographer. A notoriously fast photographer, he has a preference for working with film as opposed to digital. John’s passion for photography carries over to the complete printing process and also includes his collection of beautiful, era gone by cameras. He is not just a photographer; he is an artist and his work capture not just a picture but a story that can be told to the viewer through the eyes of his subjects. He has worked for major publications and brands that included Vogue, Harper’s, EMI and Virgin and is often credited for the return of glamour to popular culture. Stoddart has exhibited world-wide, including galleries in London and Paris. The Sofitel Hotel, Beverly Hills in 2017 held an “A” list invitation only exhibition and has continued to use his celebrity images as framed art throughout the hotel. Limited Numbered Edition, on premium quality Archival Rag paper, signed by John Stoddart are available in the sizes below. We ship world-wide and shipping is free. Your choice of one or many artworks will be given the highest standard care and delivery. Limited Edition print orders, due to risk of damage, value and high shipping and insurance costs are not framed. All limited-edition prints are professionally packaged and shipped in sturdy tubes. Contemporary Bold Fine Art Print, Iconic Photography...

Matt Talbert's "Anticipation" (2024) is an original, handmade oil painting on panel that depicts a portrait of a brunette in a dark slip. Artist bio/statement: Matt Talbert is a co...

Gelatin silver print Signed, titled, dated, and numbered, verso 14 x 11 inches, sheet size (Edition of 5 + 2 APs) 20 x 16 inches, sheet size (Edition of 5 + 2 APs) From the series...

Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...

Baie Des Anges after Marc Chagall 1962 Stone lithograph 39 2/5 × 26 in 100 × 66 cm

Standing Female Nude Drypoint, c. 1910 Unsigned Estate authentication on verso (see photo) Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Probably depicts the artist's wife, the artist's favorite model Extremely rare original drypoint by Frieseke Printed with selective inking to highlight the figure Condition: excellent Image/Plate size: 10 x 6 5/8 inches Frame size: 19 1/4 x 15 3/4 inches Provenance: Estate of the Artist By descent to his daughter Frances Hirschl & Adler Gallery, Stock No. APG 1106.3D-B (see photo) Biography Frederick Carl Frieseke was born on April 7, 1874, in Owosso, Michigan. After studying for a short while at the Art Institute of Chicago and the Art Students League in New York, Frieseke left for France in 1898, and almost all of his career was spent as an expatriate, with ties to the United States maintained through his New York dealer, William MacBeth, and by occasional visits to America. Following the pattern of innumerable young Americans, he enrolled at the Academie Julian where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921). He appears to have had at least brief contact with and to have been influenced by James McNeill Whistler, who had recently opened his Academie Carmen in Paris. By 1900 Frieseke was spending summers in the town of Giverny, made famous by the residence of Monet and subsequently by other artists, among them many Americans. In 1906, the year after his marriage to Sarah O'Bryan, he leased a house once occupied by the American Impressionist Theodore Robinson. Although the property was adjacent to Monet's, Frieseke had only limited contact with the French master. Instead he apparently found Pierre Auguste Renoir the most influential of all the Impressionists. Frieseke's Giverny house and garden, as settings for a series of female models, provided nearly all of his subject matter for the next thirty years, although in 1930 he made a series of watercolors of Florida scenes remembered from his childhood and painted some Swiss landscapes. After World War I, the artist and his family settled in Normandy. Frieseke's career falls roughly into three stages. In the first, figures most clearly show his academic training and draughtsmanship. Gradually these evolve into the most common images of the next decade, comprised of loosely-applied blotches of bright color. The vast majority of these show their subjects in the garden, standing among the flowers, taking tea, or just basking in the sun. Others include models in colorful, light-filled interiors. In Frieseke's latest paintings, the figures very often appear indoors, their forms are given greater solidity, and the brushwork is less broken. At the height of his career, in the 1910s and early 1920s, Frieseke was perhaps the most popular of all living American artists. He received numerous awards and medals and saw his work purchased by private collectors and major museums. Decades after the initial introduction of Impressionism by Monet and his contemporaries, Frieseke assumed this style for his work, choosing to ignore the newer artistic movements of the early twentieth century. Nevertheless, his paintings were acclaimed in both the United States and in Europe. In 1904 he won a silver medal at the St. Louis Universal Exposition and a gold medal at Munich. He was elected a member of the Société National des Beaux Arts in 1908 and the National Academy of Design in 1912. Seventeen of his canvases were featured at the Venice Biennale in 1909 and he won the Grand Prize at the Panama-Pacific International Exposition in 1915. He was commissioned to execute several murals, including one for the New York store of John Wanamaker, one of his most loyal patrons. He died on August 28, 1939, at his home in Normandy, in the town of Le Mesnil sur Blangy. In the decades following his death, however, after artistic tastes had changed considerably, his work was nearly forgotten until it received renewed attention as interest in American Impressionism grew in the 1960s Courtesy National Gallery of Art, Washington Etchings by Frederick Carl Frieseke include The Balcony and Standing Female Nude. Frieseke was an American Impressionist painter who was popular in the 1910s and 1920s. Etchings by Frederick Carl Frieseke: The Balcony: An etching by Frieseke from 1904 Standing Female Nude Other paintings by Frederick Carl Frieseke: The Garden Parasol...

Original American Airlines - California, Arizona, Texas, New Mexico by McKnight Kauffer, 1948 vintage poster. Archival linen backed in Grade A, Excellent condition. No paper loss and no restoration. Kauffer’s signature artistry is on full display with a bold and minimalist design. The striking depiction of a Western figure adorned with a cowboy hat and scarf emphasizes California, Arizona, Texas, and New Mexico—the sun-drenched landscapes and destinations of the era's most adventurous travelers. The clean typography and bold color contrasts evoke modernism and nostalgia, making the piece a perfect centerpiece for collectors of aviation history, vintage travel memorabilia, or timeless graphic art. Designed by E. McKnight Kauffer, a renowned artist known for his bold use of color and striking designs, this poster is a masterpiece that resonates with the charm of a bygone era. This original piece from 1948 tells a story about American Airlines and reflects the excitement of post-war travel and the booming airline industry. This rare, authentic poster...