Daniel Celentano was born in New York, the fifth of 15 children of Neapolitan immigrants. He lived most of his life in the uptown Manhattan area known as Italian Harlem, and much of his work chronicles the events and people of that neighborhood. At the age of 12, Celentano became the first pupil of renowned American Scene painter Thomas Hart Benton and later assisted Benton in the execution of several murals. The two artists remained friends throughout their lives. By 16, Celentano had won several scholarships, one of which enabled him to study for three years at the Cape Cod School of Art under Charles W. Hawthorne. Other grants came from the New York School of Fine and Applied Arts, and the National Academy of Design. Celentano began showing his work in New York City in 1930 when he participated in an exhibition at Alfred Stieglitz's Opportunity Gallery. His success there was followed by exhibitions at other New York galleries and participation in major museum annuals, including the Corcoran Gallery of Art, the Pennsylvania Academy of the Fine Arts, the Whitney Museum of American Art, and the Carnegie Institute. Celentano showed six paintings at the Art Exhibition by the Staff Artists of the American Museum of Natural History. In 1936, the Carnegie Institute and the Chicago Art Institute bought works by Celentano exhibited at Walker Galleries. The Whitney Museum of American Art followed suit the next year, purchasing Celentano's entry First Born in the museum's biennial exhibition. The Walker Galleries gave Celentano his first one-man exhibition in 1938. Celentano joined the mural division of the WPA, where he created murals for the Queens Borough Public Library, Flushing Branch (Commerce, 1936), and P.S. 150 in Queens (Children in Constructive Recreation and Cultural Activity, 1940). In 1938, he won a commission through the Treasury Department to execute the mural, The Country Store and Post Office, for the U.S. Post Office in Vidalia, Georgia. With the outbreak of World War II, Celentano joined the art department of the Grumman Aircraft Corporation, Long Island, where he executed a mural entitled The Flight of Man, which depicts the advancement of transportation and communications from ancient times to present. The mural is now at the Cradle of Aviation Museum on Long Island. Daniel Celentano's work can be found in many museum collections, including the Whitney Museum of American Art, Smithsonian American Art Museum, and High Museum of Art.
FLIGHT American Futurism Modernism Scene WPA Mid-Century Oil Painting Realism
By Daniel Ralph Celentano
Located in New York, NY
FLIGHT American Futurism Modernism Scene WPA Mid-Century Oil Painting Realism Daniel Celentano (1902-1980) "Flight," 26 x 26 inches. Oil on canvas, c. 1940s. Signed lower right. Ori...
Canvas, Oil
"Idle Hours" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan
By Daniel Ralph Celentano
Located in New York, NY
"Idle Hours" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan Daniel Celentano (1902–1980) Idle Hours (Study for a larger oil) Oil on masonite, c. 1930s 10 1/2 x ...
Oil, Masonite
$4,800
H 22 in W 26 in D 1 in
Interior J&L Works, Pittsburgh, Pennsylvania American Industrial Scene Painting
Located in Marco Island, FL
An interior scene of industrial America where workers kept the production of steel going in Pittsburgh, Pennsylvania. This detailed and atmospheric painting shows the hard work and ...
Oil, Board
$4,000
H 19.75 in W 23.625 in D 0.5 in
Signed Lowell Herrero Beach Scene Painting
Located in New York, NY
Lowell Herrero (American, 1921-2015) Untitled, c. Late 20th-Early 21st Century Oil on canvas 16 x 20 in. Framed: 19 3/4 x 23 5/8 in. Signed lower right:...
Canvas, Oil
$2,300Sale Price|50% Off
H 24 in W 28 in D 2 in
God Bless Our Home, Social Realist Scene, Figurative Americana Interior Scene
Located in Doylestown, PA
"God Bless Our Home" is an interior and figurative scene of a woman sitting on her couch in serious and proper expression. The Americana style paint...
Canvas, Oil
$78,000
H 51 in W 33 in D 2 in
Summer Resort in Michigan -Modernist Mid-Century Saugatuck Oil Painting
By William Schwartz
Located in Marco Island, FL
Summer Resort in Michigan is an exceptional work painted by the Chicago Modernist, William Schwartz. He studied at the Art Institute of Chicago shortly ...
Canvas, Oil
$150,000
H 39 in W 61 in
"Hotel Chelsea" New York interior painting by Paul Oxborough
By Paul G. Oxborough
Located in Greenwich, CT
Signed lower right Unframed dimensions: 30 x 52 inches Framed dimensions: 39 x 61 inches Paul G. Oxborough studied at Minneapolis College of Art and Design and Atelier Lesueur, a 4...
Linen, Oil
Landscape
By Marcel Emile Cailliet
Located in Los Angeles, CA
Landscape, 1940, oil on canvas, 24 x 20 inches, signed, dated and titled verso: “Marcel Cailliet ’40 – S.C.” and “Marcel Cailliet Landscape”; likely exhibited at the annual juried st...
Canvas, Oil
$2,800
H 25 in W 31 in D 1.5 in
A Serene 1940s, Modern Western Landscape Painting with Horses by Francis Chapin
By Francis Chapin
Located in Chicago, IL
A serene, 1940s Modern Western landscape painting with horses by famed Chicago artist, Francis Chapin. Accompanied with a handsome walnut brown stained wooden frame. Canvas size: 22 x 28 inches. Framed size: 25 x 31 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...
Canvas, Oil
$9,500
H 32 in W 42.5 in
"Tugboat in New York Harbor" Ernest Fiene, Modernist, WPA, Cloudy Horizon
By Ernest Fiene
Located in New York, NY
Ernest Fiene Tugboat in New York Harbor Signed lower right Oil on canvas 24 1/2 x 34 1/2 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated...
Canvas, Oil
Night In the City
By Pal Fried
Located in Sheffield, MA
Pal Fried Hungarian-American, 1893-1976 Night In the City Oil on canvas 30 X 24 in. w/ frame 36 ¼ X 30 ¼ in. Signed "Fried Pal" lower right Pal was born in Budapest and studied at ...
Canvas, Oil
Six O'Clock
Located in Los Angeles, CA
Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...
Canvas, Oil
NY Skyline
Located in Los Angeles, CA
NY Skyline, 1942, oil on canvas, signed and dated lower left, 24 x 20 inches, dated and titled verso, together with Lewis’ address NY Skyline depicts a typical array of Manhattan sk...
Canvas, Oil
The Road Up
By Marina Stern
Located in Los Angeles, CA
This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Previously exhibited 1) Marina Stern Nocturnes, Forum Gallery, New York, NY, September 9 to 24, 1993, no. 17 (label verso); and 2) Perception and the Cultural Environment – The Paintings of Marina...
Canvas, Oil
Self Portrait
By Daniel Ralph Celentano
Located in Los Angeles, CA
Self Portrait, c. 1940s, oil on canvas, 14 ¼ x 12 1/4 inches, signed lower left, presented in a newer frame This work is part of our exhibition America Coast to Coast: Artists of the 1940s. Daniel Celentano was an American Scene painter who is well known for depictions of his Italian neighborhood in East Harlem. The son of Italian immigrants, Celentano was born into a large family. As a child, he suffered from polio which impacted the use of his right leg. During this time of struggle and with the support of his parents, Celentano began to focus on art. Once recovered, he began to study painting at the age of twelve with Thomas Hart Benton. In 1918 Celentano won the first of several scholarships to study art at Charles Hawthorne's Cape Cod School of Art in Provincetown, the New York School of Fine and Applied Art in Greenwich Village, and the National Academy of Design. During the Great Depression, Celentano worked as an artist for Federal public works projects, receiving a commission in 1938 from the Treasury Department's Section of Painting and Sculpture for a mural entitled The Country Store and Post Office for the post office in Vidalia, Georgia. He also painted murals for two high schools, Andrew Jackson (1940) and St. Albans (1941), both in Queens, and a large mural called Children in Constructive Recreation and Cultural Activity in Public School 150 in Long Island City, as well as assisting William C...
Canvas, Oil
Sold
H 16 in W 18 in D 2 in
Long Beach WPA Mid 20th Century American Scene Social Realism Modernism Ashcan
By Daniel Ralph Celentano
Located in New York, NY
Long Beach WPA Mid 20th Century American Scene Social Realism Modernism Ashcan Daniel Ralph Celantano (1902-1980) "Long Beach" 8 x 10 inches Oil on artist board Signed lower left:...
Oil, Board
Sold
H 14 in W 16 in
"A Marro" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan
By Daniel Ralph Celentano
Located in New York, NY
"A Marro" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan. Signed lower right. Verso, label of Walker Galleries New York and signed in pencil and titled, A Marro....
Oil, Board