George Hand Wright Art

A vibrant painting depicting a magician pulling doves from his hat for an enthusiastic audience. It captures a moment of modern city amusement that many artists, from Degas to Picas...

Bert Van Bork (German-American, 1928–2014) Walpi #4, 2001 Watercolor, ink, and charcoal on paper Image: 4¾ × 7 inches Framed: 8½ × 10½ × ½ inches Walpi #4 is an original mixed media watercolor by renowned German-American modernist Bert Van Bork, whose celebrated depictions of the Hopi mesas and pueblos rank among the most distinctive interpretations of the American Southwest. Executed in 2001, this intimate yet visually powerful work captures the timeless beauty of Walpi, the historic Hopi village perched atop First Mesa in northern Arizona. Working in watercolor, ink, and charcoal, Van Bork transforms the village's iconic adobe architecture into an expressive arrangement of luminous blues, warm yellows, vibrant oranges, and brilliant pinks. Loose gestural brushwork and confident linear drawing create a compelling balance between abstraction and representation, conveying not only the physical landscape but also the spiritual atmosphere and enduring cultural significance of Walpi. Throughout his later career, Van Bork returned repeatedly to the Hopi mesas, creating an important series of paintings and works on paper inspired by the region's remarkable architecture, dramatic desert light, and rich Indigenous heritage. His Walpi compositions are especially prized for their fusion of European Expressionism with the visual language of the American Southwest, making them appealing to collectors of Southwestern art, American Modernism, and Expressionist landscape painting. Born in Germany, Van Bork studied under Karl Schmidt-Rottluff, co-founder of the influential German Expressionist movement Die Brücke, before immigrating to the United States in 1954. In addition to his distinguished career as a painter and printmaker, he gained international recognition as a filmmaker, earning an Academy Award nomination for EyeWitness: The Legacy of Death Camp Art...

Bungalow (fauvist painting of New York scene) 1940's. image is 10X 11.5 inches. Hand signed lower right Watercolor painting on paper board Country Scene Samuel Grunvald was a Hunga...

Painted in 1941, Quitting Time is a compelling example of Charles Ragland Bunnell's mature modernist vision and his pioneering contribution to American abstraction. Created during a ...

Raymond Johnson (1915-1997). Cover Illustration for If Hate Could Kill, 1960. Gouache on illustration board, image measures 13 x 21 inches. Illustration board measuring 19.5 x 26 ...

A complex story is portrayed in one picture. American Glamour Illustrator Jon Whitcomb interprets a Mid-Century Cosmopolitan story about a beautiful blond actress who, on set, appea...

Abstract Expressionist Portrait -- The Red Headed Woman by Chicano Artist Ricardo de Silva This striking abstract expressionist portrait is by Latino artist Ricardo (Richard) de Sil...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Richard Tosczak creates life size paintings and sketches of his models which he then recreates in bronze. This large scale canvas reflects speed, gesture and the effect of capturing ...

This drawing studied of Van Gogh's self-portrait at his Solo exhibition " Poets and Lovers" in National Gallery, London, 2024. Shizico Yi learned her craft in drawings from old mast...

An almond-eyed brunette is depicted sitting pensively next to a window. She looks Mediterranean, perhaps Italian or Greek, and has a captivating face that one can fall in love with. ...

John Hultberg (1922-2005). Girl in Window, 1960. Gouache on illustration board measures 22 x 30 inches; 29.25 x 37.5 inches framed. Chestnut wood frame with beloved edge. Excellent ...