George Hand Wright Art
to
4
Overall Width
to
Overall Height
to
4
2
1
3
1
4
4
2
2
1
1
1
4
4
2
2
1
4
8,975
2,811
2,504
1,340
4
4
Artist: George Hand Wright
Young Woman Tries on Gown
By George Hand Wright
Located in Fort Washington, PA
Signed Lower Right by Artist
Magazine story illustration: “Mr. and Mrs. Fixit”, author: Ring Lardner, Liberty Magazine; publisher: (Liberty Weekly, Inc.), Vol. 2, no 1, May 9, 1925.
Category
1920s George Hand Wright Art
Materials
Charcoal, Watercolor
British Soldiers in Combat
By George Hand Wright
Located in Fort Washington, PA
Medium: Ink and Gouache
Signature: Signed Lower Right
Probably a magazine cover for a Munsey’s pulp, ca. 1905.
Category
Early 1900s George Hand Wright Art
Materials
Ink, Gouache
Figure in the Forest
By George Hand Wright
Located in Fort Washington, PA
Medium: Watercolor on Board
Dimensions: 23.50" x 15.00"
Signature: Signed Lower Right
Category
20th Century George Hand Wright Art
Materials
Board, Watercolor
Seats of the Haughty, Munsey's Magazine Illustration
By George Hand Wright
Located in Fort Washington, PA
Medium: Gouache on Board
Signature: Signed Lower Right
Seats of the Haughty, Munsey's Magazine illustration, December 1906
Literature: This illustration appeared in O. Henry's shor...
Category
Early 1900s George Hand Wright Art
Materials
Gouache, Board
Related Items
Arturo Souto Feijoo (1901-1964) City Walls w/ Figures Original Mixed Media c.195
Located in San Francisco, CA
Arturo Souto Feijoo (1901-1964) City Walls w/ Figures Original Mixed Media c.1950
Original pastel, watercolor and charcoal on paper. Housed in a simple f...
Category
Mid-20th Century Impressionist George Hand Wright Art
Materials
Charcoal, Pastel, Watercolor
$1,800
H 27 in W 33 in D 2 in
Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration
By Antonio Petruccelli
Located in New York, NY
Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration
Antonio Petruccelli (1907 - 1994)
The Wedding
Colliers published, June 17, 1933
17 1/4 X 11 1/2 inches (sight)
Framed 23 1/4 X 17 1/2 inches
Gouache on board
Signed lower right
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Realist George Hand Wright Art
Materials
Gouache, Board
"DRAWING INVENTORY (Jamón y Gasolina)", acrylic painting, ham, gasoline, collage
By Andrew Cornell Robinson
Located in Toronto, Ontario
"DRAWING INVENTORY (Jamón y Gasolina)", 2019, painting in acrylic, charcoal, watercolor, collage, silkscreen enamel on cotton rag paper by artist Andrew Cornell Robinson...
Category
21st Century and Contemporary Contemporary George Hand Wright Art
Materials
Enamel
Fancy Department Store Satirical Cartoon
Located in Wilton Manors, FL
Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed.
Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ.
For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony.
In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques.
He found that talent in Barbara Shermund.
For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice.
Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence.
“Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League.
In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.”
“While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund.
And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...
Category
1930s Realist George Hand Wright Art
Materials
Gouache, Ink
$1,875 Sale Price
25% Off
H 15 in W 19 in D 0.01 in
Art Deco Couple Portrait
Located in Wilton Manors, FL
Beautiful Art Deco illustration by unknown artist.
Ink and gouache on faux wood grain illustration board.
Image field measuring 14 x 18 inches on a 17 x 21 inch illustration panel...
Category
Early 20th Century Art Deco George Hand Wright Art
Materials
Ink, Gouache, Illustration Board
Life Magazine Art Deco Showgirls Cartoon
Located in Wilton Manors, FL
Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed.
Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ.
For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony.
In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques.
He found that talent in Barbara Shermund.
For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice.
Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence.
“Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League.
In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.”
“While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund.
And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...
Category
1930s Art Deco George Hand Wright Art
Materials
Ink, Gouache
$3,250 Sale Price
35% Off
H 15 in W 19 in D 0.01 in
Antique Illustration of a Golfer by Listed Illustrator for Vanity Fair
Located in Buffalo, NY
Antique illustration of a golfer getting out of a sand trap by well listed illustrator Leslie Saalburg whose work appeared in Vanity Fair and Esquire.
Category
1910s Realist George Hand Wright Art
Materials
Gouache, Illustration Board
$871 Sale Price
56% Off
H 21 in W 16 in D 0.5 in
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
By Antonio Petruccelli
Located in New York, NY
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Antonio Petruccelli (1907 - 1994)
Play Ball
New Yorker cover proposal, c. 1939
12 x 8 inches (sight)
Framed 18 1/2 X 14 3/4 inches
Gouache on board
Estate sticker verso
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern George Hand Wright Art
Materials
Gouache, Board
Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene
By Antonio Petruccelli
Located in New York, NY
Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene
Antonio Petruccelli (1907 – 1994)
Perplexed Gentleman
New Yorker cover proposal, c. 1939
13 1/4 X 8 ...
Category
1930s American Modern George Hand Wright Art
Materials
Gouache, Board
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
By Antonio Petruccelli
Located in New York, NY
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
Antonio Petruccelli (1907 - 1994)
Steel Workers
Textile design
19 1/4 X ...
Category
1930s American Modern George Hand Wright Art
Materials
Gouache, Board
Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA
By Antonio Petruccelli
Located in New York, NY
Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA
Antonio Petruccelli (1907 - 1994)
Movers
New Yorker published, September 20, 1935
18 X 11 1/2 inches...
Category
1930s American Realist George Hand Wright Art
Materials
Gouache, Board
Frank Brangwyn Painting Mural Study Christ's Hospital West Horsham England 1912
By Sir Frank Brangwyn
Located in Portland, OR
FRANK BRANGWYN ( U.S./U.K./Belgium, 1867-1956) watercolor, gouache, and charcoal on paper, "The Scourging of St. Alban," study for the mural painted for Christ's Hospital, West Horsh...
Category
1910s Art Nouveau George Hand Wright Art
Materials
Chalk, Charcoal, Watercolor, Gouache, Pencil
$7,500
H 21 in W 28 in D 1 in
George Hand Wright art for sale on 1stDibs.
Find a wide variety of authentic George Hand Wright art available for sale on 1stDibs. You can also browse by medium to find art by George Hand Wright in paint, watercolor, board and more. Not every interior allows for large George Hand Wright art, so small editions measuring 15 inches across are available. Customers who are interested in this artist might also find the work of Walter G. Ratterman, George G. Adomeit, and Morgan Weistling. George Hand Wright art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $900 and tops out at $7,900, while the average work can sell for $5,700.
Artists Similar to George Hand Wright
Questions About George Hand Wright Art
- 1stDibs ExpertNovember 20, 2024How much a George Wright painting is worth depends on its size, condition, historical significance and other factors. In 2023, his painting Hounds in a Kennel sold for more than $27,000 at auction in Lexington, Kentucky. He was best known for his hunting and coaching scenes and horse and equestrian portraits. Wright also painted historical subjects, including several small works of Cavaliers. If you own a Wright, a certified appraiser or experienced art dealer can evaluate it. Shop an assortment of George Wright art on 1stDibs.