Dora Masters Art

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Milton Avery (1885 – 1965). Milton Avery was a prominent Modernist painter whose work combined abstraction and...

Alexander Calder (1898-1976) Plumbings II 1973 gouache and ink on paper 74.9 x 109.9 cm signed and dated ‘Calder 73’ (lower right) Price: $152,250 USD (inc. 5% UK import VAT) Prove...

'Portrait of Future Man', oil on board, Berlin School, (circa 1960s). A thoroughly modern portrait clearly in the style of Italian Futurist, Fortunato Depero (1892-1960). Futurism co...

A pop-art depiction of Marilyn Monroe done in a very urban style. The drips and fast brushwork make for a unique display of the artists more abstract technique. With bright pinks and...

" Poppy Botanical Leaf" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. The hand-drawn render is reminiscent and inspired by beautiful mid-...

Combination of several figures in various poses by Robert Moesle (American, b. 1932), (Paralipomenon) The figures overlap in multiple layers, highlighting certain aspects of each person. Careful attention was paid to the texture and folds in clothing. White gouache is used as a highlight. Signed in the lower right corner. Presented in a wood frame with a rose colored mat and anti-glare glass. Card size: 17.5"H x 12.5"W Robert Moesle was born in San Jose, California in 1932. He graduated from San Jose State College and attended The Ruskin School of Art, Oxford University, England. Moesle lives in the Chateau region of France, which he finds to be an ideal location for a watercolorist. Moesle paints outside and enjoys watching the landscape change through the seasons. Unlike most watercolorists, Moesle takes his time painting and tries to capture the feeling of durability in his subjects. Moesle has exhibited his work in shows in London, Paris and throughout the United States. “Figurative painting by Robert Moesle are…lyrical, visionary, softly dream-like… Moesle’s Harlequin Prince offers a memory of early Picasso...

Designs by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 20 inches good condition provenance: from the artists estate, France Josine V...

JOHN PIPER (British,1903-1992) : Tetbury Signed 'John Piper' (lower right) Ink, watercolor, gouache and pastel Executed in 1957 PROVENANCE : Save & Prosper collection, deaccessio...

Parrot Sketches by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 20 inches good condition provenance: from the artists estate, France ...

Gorgeous abstracted figurative of Caryatids titled "Ring Three" by Doris Ann Warner (American, 1925-2010). Signed, titled, and dated "Warner 1970" on verso. Displayed in rustic wood ...

Abstract watercolor or gouache composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

Oil on canvas. From the ancient Greek lā́thō/λᾱ́θω, the name Leto is believed to mean "hidden one", or "the forgotten one". The faceless Leto is also an allusion to C.S. Lewis' Till...