Skip to main content

George Hand Wright Art

to
4
Overall Width
to
Overall Height
to
4
2
1
3
1
4
4
2
2
1
1
1
4
4
2
2
1
4
8,244
2,807
1,643
1,319
4
4
Artist: George Hand Wright
Seats of the Haughty, Munsey's Magazine Illustration
By George Hand Wright
Located in Fort Washington, PA
Medium: Gouache on Board Signature: Signed Lower Right Seats of the Haughty, Munsey's Magazine illustration, December 1906 Literature: This illustration appeared in O. Henry's shor...
Category

Early 1900s George Hand Wright Art

Materials

Gouache, Board

British Soldiers in Combat
By George Hand Wright
Located in Fort Washington, PA
Medium: Ink and Gouache Signature: Signed Lower Right Probably a magazine cover for a Munsey’s pulp, ca. 1905.
Category

Early 1900s George Hand Wright Art

Materials

Ink, Gouache

Figure in the Forest
By George Hand Wright
Located in Fort Washington, PA
Medium: Watercolor on Board Dimensions: 23.50" x 15.00" Signature: Signed Lower Right
Category

20th Century George Hand Wright Art

Materials

Board, Watercolor

Young Woman Tries on Gown
By George Hand Wright
Located in Fort Washington, PA
Signed Lower Right by Artist Magazine story illustration: “Mr. and Mrs. Fixit”, author: Ring Lardner, Liberty Magazine; publisher: (Liberty Weekly, Inc.), Vol. 2, no 1, May 9, 1925.
Category

1920s George Hand Wright Art

Materials

Charcoal, Watercolor

Related Items
Art Deco Couple Portrait
Located in Wilton Manors, FL
Beautiful Art Deco illustration by unknown artist. Ink and gouache on faux wood grain illustration board. Image field measuring 14 x 18 inches on a 17 x 21 inch illustration panel...
Category

Early 20th Century Art Deco George Hand Wright Art

Materials

Ink, Gouache, Illustration Board

Art Deco Couple Portrait
Art Deco Couple Portrait
$500
H 21 in W 17 in D 0.1 in
Life Magazine Art Deco Showgirls Cartoon
Located in Wilton Manors, FL
Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...
Category

1930s Art Deco George Hand Wright Art

Materials

Ink, Gouache

Life Magazine Art Deco Showgirls Cartoon
Life Magazine Art Deco Showgirls Cartoon
$3,250 Sale Price
35% Off
H 15 in W 19 in D 0.01 in
Fancy Department Store Satirical Cartoon
Located in Wilton Manors, FL
Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...
Category

1930s Realist George Hand Wright Art

Materials

Gouache, Ink

Fancy Department Store Satirical Cartoon
Fancy Department Store Satirical Cartoon
$1,875 Sale Price
25% Off
H 15 in W 19 in D 0.01 in
Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration
By Antonio Petruccelli
Located in New York, NY
Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration Antonio Petruccelli (1907 - 1994) The Wedding Colliers published, June 17, 1933 17 1/4 X 11 1/2 inches (sight) Framed 23 1/4 X 17 1/2 inches Gouache on board Signed lower right BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category

1930s American Realist George Hand Wright Art

Materials

Gouache, Board

Arturo Souto Feijoo (1901-1964) City Walls w/ Figures Original Mixed Media c.195
Located in San Francisco, CA
Arturo Souto Feijoo (1901-1964) City Walls w/ Figures Original Mixed Media c.1950 Original pastel, watercolor and charcoal on paper. Housed in a simple f...
Category

Mid-20th Century Impressionist George Hand Wright Art

Materials

Charcoal, Pastel, Watercolor

American Cubist Gouache & Pastel Portrait Painting of Robert Lerner Chicago 1980
By Michael Hurson
Located in Portland, OR
American cubist portrait painting of the American academic Michael Lerner, by the Modernist artist Michael Hurson (1941-2007). This whimsical portrait is painted in the cubist style ...
Category

1980s Cubist George Hand Wright Art

Materials

Pastel, Paper, Gouache, Charcoal, Pencil

"DRAWING INVENTORY (Jamón y Gasolina)", acrylic painting, ham, gasoline, collage
By Andrew Cornell Robinson
Located in Toronto, Ontario
"DRAWING INVENTORY (Jamón y Gasolina)", 2019, painting in acrylic, charcoal, watercolor, collage, silkscreen enamel on cotton rag paper by artist Andrew Cornell Robinson...
Category

21st Century and Contemporary Contemporary George Hand Wright Art

Materials

Enamel

"The Salamander Pond" (2024) by Deb Komitor, Original Painting
By Deb Komitor
Located in Denver, CO
"The Salamander Pond" (2024) by Deb Komitor (United States) is a handmade landscape oil painting that is ready to hang. Deb Komitor was born and raised in Ohio and now resides in C...
Category

21st Century and Contemporary Impressionist George Hand Wright Art

Materials

Paper, Gouache, Board

Crossing the Water. Mid 19th Century Realist Painting. Ecouen school.
Located in Cotignac, FR
Mid 19th century Realist ink, watercolour and gouache portrait on paper of a young man in a field by John George Todd. The painting is signed G Todd bottom left as was his usual mann...
Category

Mid-19th Century Realist George Hand Wright Art

Materials

Watercolor, Paper, Ink, Gouache

Letter to Hieronymus Bosch - XX century, Colourful figurative painting
By Adam Niemczyc 1
Located in Warsaw, PL
ADAM NIEMCZYC (born in 1914) Painter, graphic artist, poet, novelist. He practiced easel, mural painting and book illustration. Since 1958 he participated in numerous exhibitions in ...
Category

1980s Other Art Style George Hand Wright Art

Materials

Tempera, Gouache, Board

Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene
By Antonio Petruccelli
Located in New York, NY
Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene Antonio Petruccelli (1907 – 1994) Perplexed Gentleman New Yorker cover proposal, c. 1939 13 1/4 X 8 ...
Category

1930s American Modern George Hand Wright Art

Materials

Gouache, Board

City Skyline. Contemporary Abstract Expressionist Painting
By Carola Richards
Located in Brecon, Powys
Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...
Category

1980s Abstract Expressionist George Hand Wright Art

Materials

Charcoal, Oil, Gouache

George Hand Wright art for sale on 1stDibs.

Find a wide variety of authentic George Hand Wright art available for sale on 1stDibs. You can also browse by medium to find art by George Hand Wright in paint, watercolor, board and more. Not every interior allows for large George Hand Wright art, so small editions measuring 15 inches across are available. Customers who are interested in this artist might also find the work of Walter G. Ratterman, George G. Adomeit, and Morgan Weistling. George Hand Wright art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $900 and tops out at $7,900, while the average work can sell for $5,700.

Artists Similar to George Hand Wright

Questions About George Hand Wright Art
  • 1stDibs ExpertNovember 20, 2024
    How much a George Wright painting is worth depends on its size, condition, historical significance and other factors. In 2023, his painting Hounds in a Kennel sold for more than $27,000 at auction in Lexington, Kentucky. He was best known for his hunting and coaching scenes and horse and equestrian portraits. Wright also painted historical subjects, including several small works of Cavaliers. If you own a Wright, a certified appraiser or experienced art dealer can evaluate it. Shop an assortment of George Wright art on 1stDibs.

Recently Viewed

View All