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Irene Rice Pereira Art

American, 1902-1971
Born Irene Rice, she took the name of her first husband, the commercial artist Umberto Pereira. She adopted the name I. Rice Pereira because then as now discrimination beset women in the arts. By the time war broke out Irene had divorced Pereira and married George Wellington Brown, a marine engineer from a prominent Boston family. Brown was an ingenious experimenter with materials, and he encouraged his petite new wife in their mutual passion for experimentation. Pereira in the 1930s was drawn to ships, not only because of George Brown, but because of their intricate machinery, their functional beauty. The inside-out infrastructure of the Pompidou museum in Paris amused Pereira, although she thought it art-historically tardy. Irene Rice Pereira was a lovely, fragile being. Her presence was hushed. She spoke almost in a whisper and listened far more than she spoke. She was a prodigious autodidact and a spellbinding lecturer. The main body of her metaphysical library today resides in the Museum for Women in the Arts in Washington, D.C. Her papers and the manuscript for her still unpublished book, Eastward Journey, are available to scholars in the Schlesinger Library at Harvard. Pereira won recognition for her abstract geometric work, particularly her jewel-like works on fluted and coruscated layers of glass, throughout the 1940s and early 1950s. In 1953 the Whitney Museum, then in Greenwich Village, gave her a retrospective exhibition with Loren MacIver, and that same year Life magazine published a centerfold photo examination of her work. By the late 1950s Abstract Expressionism had swept Manhattan, flattening such nascent movements as Geometric Abstraction. Such artists as Stuart Davis, Stanton MacDonald Wright, George L.K. Morris, George Ault, Jan Matulka, Richard Leahy, Philip Guston and many others were eclipsed. Pereira believed that a European angst, brought to our shores in the wake of the Holocaust, had introduced a cynicism and a profoundly anti-female sensibility that boded ill for art in America. Rightly she pointed out that even when the works of women were acquired by museums they were rarely shown, a disgrace that persists to this day. The women who did achieve success, she said, were often collaborators with more famous male artists and tastemakers. Pereira died in 1971 in Marbella, Spain, ill and broken-hearted. She had been evicted from the Fifteenth Street studio in Chelsea where she had painted for more than thirty years. Suffering from severe emphysema, she could barely negotiate a few stairs. But by the 1980s a new generation of women scholars and curators had begun to resurrect her stature. A considerable following has formed to honor a pioneer artist who cared about other artists and willingly paid the price to denounce what others feared in silence. Indeed when Pereira sold a painting she had two immediate impulses: buy a new hat, and give the money to an artist friend in trouble. She loved hats but loved to help fellow artists even more.
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Artist: Irene Rice Pereira
Omega (Poem by George Reamy), Surrealist Etching by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
Omega (Poem by George Reamy) Irene Rice Pereira, American (1902–1971) Date: 1953 Etching and Aquatint, signed, dated and dedicated in pencil Edition of Dedicated Proof Image Size: 14...
Category

1950s Surrealist Irene Rice Pereira Art

Materials

Etching, Aquatint

The Lapis III, 1954 Mixed Media by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
The Lapis III Irene Rice Pereira, American (1902-1971) 1954 Watercolor and Ink on Paper, signed, dated and titled Size: 12 x 15 in. (30.48 x 38.1 cm) Frame Size: 14 x 17 inches
Category

1950s Abstract Irene Rice Pereira Art

Materials

Ink, Watercolor

Mercurius Bringing Day, 1940 Pastel by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
Mercurius Bringing Day Irene Rice Pereira, American (1902-1971) 1940 Pastel on rice paper, signed, titled and dated in pastel 38.5 x 24.5 in. (97.79 x 62.23 cm)
Category

1940s Modern Irene Rice Pereira Art

Materials

Pastel

Amphitrite, 1967 Mixed Media by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
Amphitrite Irene Rice Pereira, American (1902-1971) 1967 Pastel, acrylic on rice paper mounted on paper, signed and dated in marker Size: 36.5 x 25 in. (92.71 x 63.5 cm)
Category

1960s Modern Irene Rice Pereira Art

Materials

Pastel, Acrylic

Blue Woman, 1958 Pastel by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
Blue Woman Irene Rice Pereira, American (1902-1971) 1958 Pastel on rice paper, signed and dated in pastel Size: 36.5 x 25 in. (92.71 x 63.5 cm)
Category

1950s Modern Irene Rice Pereira Art

Materials

Pastel

The Descent of the Dove, 1967 Pastel by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
The Descent of the Dove Irene Rice Pereira, American (1902-1971) 1967 Pastel on rice paper, signed and titled in marker, dated in pastel 39 x 24.75 in. (99.06 x 62.87 cm)
Category

1960s Modern Irene Rice Pereira Art

Materials

Pastel

Sitting Woman, Mixed Media by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
Sitting Woman Irene Rice Pereira, American (1902-1971) circa 1966 Watercolor, acrylic, pencil and pastel on rice paper, signed in watercolor 24 x 18.75 in. (60.96 x 47.63 cm)
Category

1960s Modern Irene Rice Pereira Art

Materials

Pastel, Acrylic, Watercolor, Pencil

Mars, 1966 Mixed Media by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
Mars Irene Rice Pereira, American (1902-1971) Creation Date: 1966 Acrylic and pastel on rice paper, signed, dated, and titled in pastel Size: 39 x 24.75 in. (99.06 x 62.87 cm)
Category

1960s Modern Irene Rice Pereira Art

Materials

Pastel, Acrylic

The Lapis V, 1954 Mixed Media by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
The Lapis V Irene Rice Pereira, American (1902-1971) 1954 Watercolor and Ink on Paper, signed, dated and titled Size: 12 x 15 in. (30.48 x 38.1 cm) Frame Size: 13.75 x 17 inches
Category

1950s Abstract Irene Rice Pereira Art

Materials

Ink, Watercolor

The Sewn Seed, Mixed Media by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
The Sewn Seed Irene Rice Pereira, American (1902-1971) circa 1966 Watercolor and Acrylic on rice paper, signed in pencil, titled in sharpie 23.5 x 18.5 in. (59.69 x 46.99 cm)
Category

1960s Modern Irene Rice Pereira Art

Materials

Acrylic, Watercolor

The Lapis IV, 1954 Mixed Media by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
The Lapis IV Irene Rice Pereira, American (1902-1971) 1954 Watercolor and Ink on Paper, signed, dated and titled Size: 12 x 15 in. (30.48 x 38.1 cm) Frame Size: 13.75 x 16.75 inches
Category

1950s Abstract Irene Rice Pereira Art

Materials

Ink, Watercolor

Irene Rice Pereira Modernist Gouache Drawing Painting Abstract Expressionist Art
By Irene Rice Pereira
Located in Surfside, FL
Irene Rice Pereira, Mixed Media on Paper (American, 1902-1971) Titled "The East Wind Carries the Seed" Hand signed l.r. "I. Rice Pereira". Paper: 14.1/8"h x 18.25"w Irene Rice Pe...
Category

Mid-20th Century Abstract Expressionist Irene Rice Pereira Art

Materials

Paper, Gouache

Radiant Reflections Abstract 1950s Oil Mid 20th Century American Woman Artist
By Irene Rice Pereira
Located in New York, NY
Radiant Relections. Abstract Non-Objective 1950s Oil Mid 20th Century American Woman Female Artist. Signed lower right. Provenance: Estate of Foy C. Casper, Norfolk, Virginia (a close personal friend of the artist and a former director of the Irene Rice-Pereira Foundation). Sothebys American art sale October 10, 2008. The canvas measures 50 x 40. The work has been restored, relined and is housed in its original frame, made by the artist's second husband, George Wellington Brown, a marine engineer from Boston. BIO Periera was an American abstract artist, poet, and philosopher who played a significant role in the development of modernism in America. She is known for her work in the Geometric abstraction, Abstract expressionist, and lyrical abstraction genres and her use of the principles of the Bauhaus school. She helped found the Federal Art Project...
Category

1950s Abstract Irene Rice Pereira Art

Materials

Canvas, Oil

Untitled
By Irene Rice Pereira
Located in New York, NY
Chalk on black paper 1963. (Inscribed 1963) Signed and Dated. I.Rice Pereira was an American abstract artist, poet, and philosopher who playe...
Category

1960s American Modern Irene Rice Pereira Art

Materials

Chalk

"Composition with Figure, " Irene Rice Pereira
By Irene Rice Pereira
Located in New York, NY
Irene Rice Pereira Composition with Figure, 1951 Inscribed, signed and dated Salford/Pereira 2/51 (lr); inscribed I Rice Pereira/2669 Great Clowes St/Sa...
Category

1950s Abstract Irene Rice Pereira Art

Materials

Paper, India Ink, Casein

ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing
By Irene Rice Pereira
Located in New York, NY
ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing Irene Rice Pereira (1902-1971) Abstract 8 1/2 x 5 1/2 inches Watercolor, gouache, and ink on black paper Signed lower right Framed by Bark BIO rene Pereira was born in 1902 in Chelsea, Massachusetts and grew up in Great Barrington. She was strongly influenced by her mother who was an amateur artist. Irene began art lessons at the age of fifteen; she took a secretarial job because her father had died. She took art classes at the Art Students League in New York City. At the age of twenty-one she married the first of three husbands, Humberto Pereira, whose name she kept. She traveled extensively in Europe and North Africa and was much inspired by the expansive vistas of the Sahara Desert. Returning to New York, she began incorporating these visions into her work, increasingly experimental in her styles and methods. At first she painted on canvas, then she devised a means of actually incorporating light into her works by painting on layers of glass and mounting the layers together. In 1942 she married George Brown, an engineer, who helped her experiment with a variety of materials. By the 1950s she became more interested in writing poetry and, divorced from Brown in 1952, she married George Reavey, an Irish Poet...
Category

1950s Abstract Irene Rice Pereira Art

Materials

Paper, Watercolor, Gouache

The Dove of Light, Mixed Media by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
The Dove of Light Irene Rice Pereira, American (1902-1971) circa 1966 Charcoal, Acrylic, and Pastel on rice paper, signed in pastel, titled in marker 39 x 24.75 in. (99.06 x 62.87 cm)
Category

1960s Modern Irene Rice Pereira Art

Materials

Pastel, Charcoal, Acrylic

Descent of Mercurius, 1962 Mixed Media by Irene Rice Pereira
By Irene Rice Pereira
Located in Long Island City, NY
Descent of Mercurius Irene Rice Pereira, American (1902-1971) 1962 Pastel and Acrylic on rice paper, signed, titled and dated in pastel Size: 35 x 23.75 in. (88.9 x 60.33 cm)
Category

1960s Modern Irene Rice Pereira Art

Materials

Pastel, Acrylic

Abstraction
By Irene Rice Pereira
Located in New York, NY
I . Rice Pereira Abstraction Pastel. Signed. 9 1/8 x 5 7/8" I.Rice Pereira was an American abstract artist, poet, and philosopher who played a significant rol...
Category

1960s Abstract Geometric Irene Rice Pereira Art

Materials

Oil Pastel

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Marc Chagall (1887-1985) - De Mauvais Sujets - Planche V Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...
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An Intimate, 1940s Modern Portrait Drawing of a Young Woman by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A finely drawn, introspective portrait in pastel and charcoal o...
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La femme aux fleurs (Portrait de Mathilde See)
By Paul César Helleu
Located in New Orleans, LA
Paul César Helleu is regarded among the most sought-after society portraitists of his era, and his Belle Époque works rival those of his contemporaries John Singer Sargent and Giovanni Boldini. He is best remembered for capturing the era's most beautiful socialites, including Consuelo Vanderbilt, the Duchess of Marlborough, the Comtesse de Loriol Chandieu and the Comtesse Mathieu de Noailles, among others. This work, however, stands out in that it captures the charming likeness of one of his art world cohorts, Mathilde See, a Parisian-born decorator and painter of floral still lifes. She is the essence of the modern woman, captured in her fashionable dress as she strolls along the flower-lined streets of Paris. Commanding in size, Portrait de Mathilde See fully displays Helleu's mastery over the medium of pastel. The muted palette of greys and blues is typical of the artist, bringing a harmony and cohesiveness to the composition. Furthermore, Helleu cleverly alludes to See's own artistic output with a backdrop of vibrant floral blooms, enlivening the canvas and complementing the greens and blues of the peacock feather adorning her hat. The portrait is all the more significant thanks to its provenance. It was previously in the collection of A. Alfred Taubman, one of America's most successful entrepreneurs and one-time owner of Sotheby's. Considering Taubman encountered some of the most noteworthy and beautiful works of art ever made through his auction house, the fact that he chose this portrait by Helleu to grace his collection is a testament to its import. Born in Brittany in 1859, Helleu moved to Paris in 1876 in order to study at the École des Beaux-Arts. Like so many other artists of his generation, he was trained there under the Academic master Jean-Léon Gérôme. That same year, he also attended the Second Impressionist Exhibition...
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Located in Roma, IT
The Figures Sketches is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil and pen and pa...
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Mid-20th Century Modern Irene Rice Pereira Art

Materials

Pastel, Pen, Pencil

Memories of Surrealism Crazy Crazy Crazy Minerv
By Salvador Dalí­
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Memories of Surrealism Crazy Crazy Crazy Minerv MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 29.25" x 21.75" YEAR: 1971 ...
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1970s Surrealist Irene Rice Pereira Art

Materials

Etching

Celui qui dit les choses sans rien dire, Planche XII
By Marc Chagall
Located in OPOLE, PL
Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XII Etching and aquatint from 1976. An unnumbered and unsigned copy in black, outside from signed editio...
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1970s Surrealist Irene Rice Pereira Art

Materials

Etching, Aquatint

Previously Available Items
Untitled
By Irene Rice Pereira
Located in New York, NY
Oil on canvas. Signed in oil by the artist lower right corner.
Category

Mid-20th Century Abstract Irene Rice Pereira Art

Materials

Canvas, Oil

ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing
By Irene Rice Pereira
Located in New York, NY
ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing Irene Rice Pereira (1902-1971) Abstract 12 x 6 1/2 inches Watercolor, gouache, and ink on black paper ...
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1950s Abstract Irene Rice Pereira Art

Materials

Paper, Watercolor, Gouache

“Red Boat with Swans”
By Irene Rice Pereira
Located in Southampton, NY
Early in the career painting of a red boat with swans by Irene Rice Pereira. Most likely done in Paris in 1931 or 1932. Signed lower right. Oil on canvas. The painting is housed in a new silver leaf gallery frame. Overall measurements are 23 by 27 inches. Provenance: A Pelham, New York collector. Born in Boston in 1902, Irene Rice Pereira moved to Brooklyn, New York, with her family during her childhood. In 1926, Pereira enrolled in art classes at Manhattan’s Washington Irving High School. In 1927, at age twenty-five, she began taking night classes at the Art Students League. She studied with Jan Matulka, a formative teacher who introduced his students to the European avant-garde, particularly the Cubists and Constructivists. Here, Pereira was exposed to the work of Pablo Picasso and Henri Matisse and was encouraged to experiment with Cubist abstraction. In 1931, Pereira left New York for Paris and studied briefly at the Académie moderne before traveling throughout Europe and visiting several African countries. After returning to New York in 1933, Pereira received her first solo exhibition at the American Contemporary Art Gallery (now ACA Gallery) and went on to become a member of the fine-arts faculty at the Works Progress Administration Design Laboratory. As a teacher, Pereira championed the interdisciplinary study of art and science, modeling her program after László Moholy-Nagy’s machine and technology-oriented curriculum at the Bauhaus in Dessau, Germany. Pereira’s work from this period demonstrates her interest in a modern, clean-lined aesthetic and new, industrially produced materials, such as metal and glass. Philosophy, psychology, and theories of perception were equally influential, and works such as Black and White (1940) exemplify her investigations of light, reflection, and depth through geometric abstraction. Throughout the 1930s and 1940s, Pereira became a central figure among New York–based abstract artists. From 1940 to 1942, she worked at the Museum of Non-Objective Painting (now Solomon R. Guggenheim Museum) as a museum assistant. In addition to continuing her prolific work as an educator and lecturing at numerous universities and art museums, Pereira was honored with many shows at major local museums, including the Museum of Non-Objective Painting. Pereira’s art was included in the groundbreaking Exhibition by 31 Women (1943) at Peggy Guggenheim’s museum-gallery, Art of This Century; in a major two-person retrospective with Loren MacIver...
Category

1930s Modern Irene Rice Pereira Art

Materials

Canvas, Oil

ABSTRACT female WPA American Abstract Artists drawing non-objective mid century
By Irene Rice Pereira
Located in New York, NY
ABSTRACT female WPA American Abstract Artists drawing non-objective mid century. Signed lower left. Periera was an American abstract artist,...
Category

Mid-20th Century Abstract Irene Rice Pereira Art

Materials

Paper, Watercolor, Gouache

The Spirit of Air
By Irene Rice Pereira
Located in Denver, CO
Presented in a custom frame, outer dimensions measure 51 ¾ x 37 ¾ x 2 ½ inches. Image size is 50 x 36 inches. Irene Rice Pereira was born in Chelsea, Massachusetts, and was consider...
Category

Mid-20th Century Abstract Expressionist Irene Rice Pereira Art

Materials

Canvas, Oil

Abstraction
By Irene Rice Pereira
Located in Saratoga Springs, NY
Signed lower right Considered the most avid Bauhaus proponent in the United States during the 1930's and 40's, Irene Rice Pereira's oeuvre reflects her commitment to machine-age mat...
Category

Mid-20th Century Abstract Geometric Irene Rice Pereira Art

Abstraction
By Irene Rice Pereira
Located in New York, NY
The Transcendental Formed Logic of the Infinite : The Evolution of Cultural Forms. Signed. 9 7/8 x 6 5/8" Good Condition. I.Rice Pereira was an American abstract artist, poet, a...
Category

1960s Abstract Irene Rice Pereira Art

Materials

Watercolor

Untitled
By Irene Rice Pereira
Located in New York, NY
White and Yellow gouache on black paper 1961. (Inscribed 1963) Signed and Dated. Provenance: The Artist I.Rice Pereira was an American abstract artist, poet, and philosopher who pla...
Category

1960s Modern Irene Rice Pereira Art

Materials

Gouache

Untitled
H 25.025 in W 19.05 in

Irene Rice Pereira art for sale on 1stDibs.

Find a wide variety of authentic Irene Rice Pereira art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Irene Rice Pereira in paint, paper, canvas and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Irene Rice Pereira art, so small editions measuring 6 inches across are available. Customers who are interested in this artist might also find the work of Edmund Quincy, Sue Bartfield, and Hildegarde Haas. Irene Rice Pereira art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,000 and tops out at $29,000, while the average work can sell for $5,500.

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