Poggi Sideboards

Beautiful Italian 1950s sideboard, credenza, buffet with very elegant shapes and classic wood worked according its natural light graining. This great piece has 6 frontal drawers and ...

Franco Albini Modular bookcase model "LB7" Production Poggi Pavia 1957 This bookcase has two storage modules, one divided into 4 sections and the other with a shelf. Plus two shelves...

This attractive sideboard features a smooth oak build and bright copper accents. Monumental in size. The eye-catching coral and black decorative knobs...

A wonderful multifunctional Italian sideboard cabinet bar style of Paolo Buffa, 1950s.

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

The LB7 "Infinito" bookcase by Franco Albini for Poggi is an iconic creation of 1950s Italian design. This bookcase, designed in 1957, bears Albini's distinctive signature with its c...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Important and elegantly shaped Italian Art Deco Mid-Century Modern sideboard or credenza, greatly designed with white marble top, six drawers highlighted by the white lacquered handl...

Franco Albini (1905-1977) lived in Milan where he stuied Architecture at the Politecnico. He started his career at Gio Ponti's studio, with whom he collaborated before getting in tou...

High quality "Monaco" Sideboard designed by Gerard Guermonperez in 1957. The entire outside of the sideboard is made from a beautiful birch veneer. The interior is covered in a w...

This exquisite Italian sideboard or chest of drawers crafted by Permanente Mobili of Cantù in the late 1950s is a stunning example of mid-century modern design. The beautiful woodwork on the front of the six drawers creates a striking contrast between light and dark tones, while the sides feature an elegant herringbone pattern that adds a touch of refinement. A hammered black lacquer band underneath the top adds a subtle but distinct touch of sophistication to the piece. The original and distinctive handles are crafted from the same wood as the drawers, adding to the seamless and cohesive design. The chest of drawers is topped with a sleek black glass plate...

Sideboard or Cabinet Bar designed by Vittorio Dasi in 1950s, great executive quality, wooden upper top, the front is characterised by the presence of two large compatments that open...