Poggi Tables

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Iconico tavolino/servomuto modello 'Cicognino' disegnato da Franco Albini e prodotto a partire dagli anni '50 da Poggi. Una delle tre esili gambe si allunga per diventare “manico-bec...

Carrello bar disegnato da Franco Albini per Poggi, struttura in legno. Produzione Poggi, Italia, 1958.

Midcentury table model TL 58 designed by Marco Zanuso for Poggi Italy, 1970 Bibl.: Giuliana Gramigna Repertorio del Design Italiano1950-2000 Allemandi 2011 pag. 224

This rare, beautifully crafted dining table made out of solid wood is lacquered black. The round top is made of rosewood veneered.

Franco Albini was a significant figure in modern Italian design of the twentieth century. His creations are characterized by an aesthetic that can best be described as elegant minima...

Franco Albini for Poggi, dining table, model TL2, walnut and iron, Italy, 1951. The TL2 table by Franco Albini features a simplistic and sleek design. Executed in darkened walnut wo...

An iconic design with a refined and essential taste, which in its playful form evokes a reassuring feeling of familiarity. Franco Albini created the table by reducing its structure t...

A dining table or desk Model TL2 by Franco Albini, better known as "Cavalletto", is an iconic piece designed by the esteemed Italian maestro in the 1950s. This table embodies the ess...

Rare and important writing desk model Stadera designed by Franco Albini for the Poggi manufacture in 1959. Model 840. Made of noble wood for its shelf, in perfect preserved conditi...

Franco Albini model TL2 desk or dining table for Poggi, Italy, 1950s Franco Albini for Poggi, dining table model TL2, walnut and metal, Italy, 1951. The TL2 table by Franco Alb...

Franco Albini for Poggi table or desk, Italy, 1960s Walnut table TL22 model by Franco Albini for Poggi Italy 1960s. It is in excellent condition, with a minor patina on the wood parts. This unique table or desk would be an eye-catching addition to any interior, such as a living room, family room, screening room, or office. It also perfectly fits in a hospitality or corporate location like a boutique hotel lobby or luxury loft. When you choose for used mid...

Rare and important desk model Stadera designed by Franco Albini for the Poggi manufacture, in 1959. Model 840. Made of noble wood for its shelf, the desk is the perfect modernist ele...

Wooden dining table TL22 model by Franco Albini for Poggi 60s. Born in Milan in 1905, Franco Albini is an Italian architect, urban planner and furniture designer, active between the 1930s and 1960s. He studied at the Milan Polytechnic and completed his apprenticeship under the guidance of the architect and designer Gio Ponti, and played a key role in the formulation of the Italian Rationalist movement in the years before the Second World War. Albini works with several well-known mid-century manufacturers, among which Cassina, Arflex, Poggi, Arteluce, Brionvega, and Knoll stand out, and many of his designs are still in production today. He has received many honors for his work, including three Compasso d'Oro. The professional story of the furniture maker Roberto Poggi...

TL59; dining table; round; bronze; glass; Smoked glass; Afra & Tobia Scarpa; Poggi; 1975; Italy; Italian Design; Post-Modern; This remarkable round dining table is designed by A...

Round table model TL30 with black lacquered metal base and a wooden top. Designed by Franco Albini for Poggi, Pavia in 1950s.   After spending his childhood and part of his youth in Robbiate in Brianza, where he was born in 1905, Franco Albini moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He starts his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborates for three years. He probably had his first international contacts here In those three years, the works carried out are admittedly of a twentieth-century imprint. It was the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the rapprochement with the group of editors of “Casabella”. The new phase that that meeting provoked starts with the opening of the first professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca neighborhood in San Siro in 1932 and then creating the Ifacp neighborhoods: Fabio Filzi (1936/38), Gabriele D’Annunzio and Ettore Ponti (1939). Also in those years Albini worked on his first villa Pestarini. But it is above all in the context of the exhibitions that the Milanese master experiments his compromise between that “rigor and poetic fantasy” coining the elements that will be a recurring theme in all the declinations of his work – architecture, interiors, design pieces . The opening in 1933 of the new headquarters of the Triennale in Milan, in the Palazzo dell’Arte, becomes an important opportunity to express the strong innovative character of rationalist thought, a gym in which to freely experiment with new materials and new solutions, but above all a “method”. Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano sets up the steel structure house, for which he also designs the ‘furniture. At the subsequent Triennale of 1936, marked by the untimely death of Persico, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini takes care of the preparation of the exhibition of the house, in which the furniture of three types of accommodation. The staging of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach that is part of Albini, as a man and as a designer: the theme addressed is that of the existenzminimum and the reference of the project is to the fascist myth of the athletic and sporty man, but it is also a way to reflect on low-cost housing, the reduction of surfaces to a minimum and respect for the way of living. In that same year Albini and Romano designed the Ancient Italian Goldsmith’s Exhibition: vertical uprights, simple linear rods, design the space. A theme, that of the “flagpole”, which seems to be the center of the evolution of his production and creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian planning: in the setting up of the Scipio Exhibition and of contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases are hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take on the V shape; in the Olivetti store in Paris (1956) the uprights in polished mahogany support the shelves for displaying typewriters and calculators. The reflection on this theme arises from the desire to interpret the architectural space, to read it through the use of a grid, to introduce the third dimension, the vertical one, while maintaining a sense of lightness and transparency. The flagpole is found, however, also in areas other than the exhibition ones. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing spaces. The Veliero bookcase...

A rare mahogany version of the Cavaletto or TL2 table designed by the great neo-rationalist designer, Franco Albini. Designed in 1950 for manufacturers Poggi...

Iconic table designed by the great Italian maestro Franco Albini in the 50s. The model is TL2 better known as "Cavalletto" (in english "Trestle") since it reminds of lightness and wi...

Cavalletto or TL2 dining or working table designed in 1950 by italian architect Franco Albini, old Poggi edition. Wood construction with beveled edges tabletop and crossed legs with ...

Vintage dresser model CS49 by Vico Magistretti for Poggi Productions, Italy 1970s dresser model CS49 is an original design dresser created by Vico Magistretti (Milan, 1920-Milan, 200...

Cicognino coffee table entirely made in teak wood designed by Franco Albini in 1952 and firstly produced by the Italian company, Poggi Pavia from the 1950s. The Cicognino coffee t...