Poggi Case Pieces and Storage Cabinets

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

The iconic Veliero bookcase re-invents the concept of balance, becoming the furniture poster child for the visionary work of Franco Albini. Given its ...

A wonderful multifunctional Italian sideboard cabinet bar style of Paolo Buffa, 1950s.

This is a vertical wooden storage cabinet made of Japanese cedar in the first half of the 20th century. Although it is unknown where it was used, its appearance oozes a beauty that transcends practical use. The rustic feel of the material and its quiet presence give it a nostalgic warmth not found in modern furniture. This piece is made entirely of solid Japanese cedar, and the simple and disciplined structure of the vertical cleats, especially on the doors, and the cedar planks passed horizontally and overlapping from the reverse side, bring a perfect balance and rhythm to the overall look of the piece. This kind of design reveals a uniquely Japanese sense of design. The deep candy-colored texture created by the aging process is a taste that only antique pieces can have. The subtle changes in color from suntanning and areas touched by the hand tell a quiet story of the passage of time. The doors are simple and close with small wooden stoppers, preserving the practicality and warmth of the past. The shelves are securely fastened and provide ample storage capacity. Books, clothes, daily necessities, and various other items can be beautifully organized. The backs and shelves are stained and worn from use, and there are also some holes repaired on the sides and small chips. In a modern living space, this shelf can be used as a shelf in a study, as an accent in a living room, or as a quiet corner of a room where one spends quiet time alone, bringing a sense of calmness and flavor to the entire space. These long, locker-like proportions of antique shelves...

The LB7 "Infinito" bookcase by Franco Albini for Poggi is an iconic creation of 1950s Italian design. This bookcase, designed in 1957, bears Albini's distinctive signature with its c...

Franco Albini (1905-1977) Infinito original book unit. Large modular bookcase made up of 6 vertical uprights, container elements with hinged doors and lo...

Four-door sideboard from the 1950s, made with green vinyl doors, inspired by the production of Umberto Mascagni. The main body structure is made of European wood. This piece features...

This exquisite Italian sideboard or chest of drawers crafted by Permanente Mobili of Cantù in the late 1950s is a stunning example of mid-century modern design. The beautiful woodwork on the front of the six drawers creates a striking contrast between light and dark tones, while the sides feature an elegant herringbone pattern that adds a touch of refinement. A hammered black lacquer band underneath the top adds a subtle but distinct touch of sophistication to the piece. The original and distinctive handles are crafted from the same wood as the drawers, adding to the seamless and cohesive design. The chest of drawers is topped with a sleek black glass plate...

Franco Albini for Poggi sideboards model MB 15, Italy, 1957. Well-designed sideboard by Franco Albini for Poggi, which features a simplistic design with sharp lines. This elegant sid...

Extraordinary Mid-Century wall shelf in curved rattan, bamboo and wicker. This marvellous object was made in Italy in the 1960s and is attributed to the mastery of Franco Albini. Th...

Splendid original 1950s sideboard, in full Ico Parisi style, consisting of an upper open compartment, two large compartments with compass doors and four lower drawers It measures...

Midcentury sideboard by Jiri Jiroutek for Interier Praha, dating from the 1960s, with four drawers and gray doors, from the forme...