Poggi Credenzas

Beautiful Italian 1950s sideboard, credenza, buffet with very elegant shapes and classic wood worked according its natural light graining. This great piece has 6 frontal drawers and ...

French 1960 rectangular teak sideboard, with 2 drawers and slightly rounded front.

A wonderful multifunctional Italian sideboard cabinet bar style of Paolo Buffa, 1950s.

Vintage 1960s McIntosh sideboard by Tom Robertson. It has three drawers, cupboard space, and a drinks section with a useful pullout shelf. Credenza is in very good original condition.

Large teak Chiswell sideboard produced in NSW Australia in May 1965. This sideboard features four doors, three drawers, bottle storage, glass storag...

LB7 bookcase composed of a single module with shelves and a storage unit with two doors, made in veneered solid teak wood, and black lacquered metal details. Designed by Franco Alb...

This attractive sideboard features a smooth oak build and bright copper accents. Monumental in size. The eye-catching coral and black decorative knobs...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Rare and highly collectable sideboard designed in Italy by Umberto Mascagni of Bologna. Cabinet sideboard with four doors and four drawers from the 1950s was realized with back-stain...

Four-door sideboard from the 1950s, made with green vinyl doors, inspired by the production of Umberto Mascagni. The main body structure is made of European wood. This piece features...

Midcentury teak sideboard from the 1960s. It is a shining example of the form and function synonymous with furniture of this era. Well-built, great design and lightness. Three drawer...

Extra large organic teak 1960 retro Minimalistic English sideboard Teak sideboard, it has beautiful metal pull handles and stands on a solid teak base. Measures: Height 77cm, ...