Stefanie Schneider Figurative Photography
German, b. 1968
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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Artist: Stefanie Schneider
Red Shoes - Stage of Consciousness - starring Radha Mitchell - Artist Proof 2/2
By Stefanie Schneider
Located in Morongo Valley, CA
'Red Shoes' (Stage of Consciousness) - 2007,
20x24cm, sold out Edition of 10, Artist Proof 2/2,
digital C-Print, based on a Polaroid, Certificate and Signature label,
artist Inve...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Photographic Paper, C Print, Polaroid
The Mystic - Circle of Magic (29 Palms, CA)- Polaroid, Figurative, Woman
By Stefanie Schneider
Located in Morongo Valley, CA
The Mystic - Circle of Magic (29 Palms, CA), - 2009
Edition 3/5 , 37x47cm.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid,
Artist i...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Metal
$2,084 Sale Price
20% Off
Ryan Gosling - Stay
By Stefanie Schneider
Located in Morongo Valley, CA
'Ryan Gossling' (Stay) - 2006,
20x20cm, Edition of 2/10,
digital C-Print, based on a Polaroid
Certificate and Signature label
artist Inventory No. 2447.02
Not mounted.
Stefanie Schneider:
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.
Stay
Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
C Print, Color, Polaroid
Stefanie Schneider Minis - The Dancer (Stay)
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's Minis
'The Dancer" (Stay), 2006
signed and signature brand on verso
Lambda digital Color Photographs based on a Polaroid
from the movie 'Stay' by Marc Forster,...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Color, Plexiglass, Lambda, Polaroid
Crow Burial - Contemporary, Polaroid, Analogue, Photography
By Stefanie Schneider
Located in Morongo Valley, CA
Crow Burial III (Sidewinder) 20 x 20 cm, 2005,
Edition 4/10, digital C-Print based on a Polaroid.
Artist Inventory 3507.04,
not mounted
“It was Stefanie Schneider, who inspired me...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Caring (Chicks and Chicks and sometimes Cocks)
By Stefanie Schneider
Located in Morongo Valley, CA
Caring (Chicks and Chicks and sometimes Cocks)
Edition 1/10, 20x20cm, 2019.
Digital C-Print, based on a Polaroid.
Signature label and Certificate.
Not mounted.
The 'Chicks and Ch...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A sunny Morning II (The Girl behind the White Picket Fence_ - Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
A sunny Moring II (The Girl behind the White Picket Fence)
2013, 20x24cm, Edition 9/10,digital C-Print, based on an expired Polaroid.
Certificate and Signature label.
Artist Inventor...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Photographic Paper, C Print, Polaroid
Lila Running (Stay) - featuring Naomi Watts - Polaroid, 21st Century
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Meeting in front of Church (Sidewinder)
By Stefanie Schneider
Located in Morongo Valley, CA
Meeting in front of Church (Sidewinder) - 2007
Edition 2/5,
each 30x37cm, installed 30x160cm.
4 analog C-Prints, hand-printed by the artist, based on the 4 oirginal Polaroids.
Ce...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Lost (Suburbia) - Contemporary, Polaroid, Analog, Portrait
By Stefanie Schneider
Located in Morongo Valley, CA
Lost (Suburbia) - 2004
40x50cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on a Polaroid.
Signature label with Certificate.
Artist Inventory # 1670.
Not mounted...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Bourbon (Suburbia) featuring Louis Ferreira, analog, mounted
By Stefanie Schneider
Located in Morongo Valley, CA
Bourbon (Suburbia) - 2004
Edition of 2/5,
60x80cm.
Analog C-Print, hand-printed by the artist
based on the Polaroid,
mounted on Aluminum with matte UV-Protection.
Artist Inventor...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Metal
Renée's Dream - The Boys (Days of Heaven) - Landscape, Horse, Boys
By Stefanie Schneider
Located in Morongo Valley, CA
Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006,
20x20cm,
Edition of 10, plus 2 Artist Proofs,
archival C-Print,
based on the Polaroid.
Signat...
Category
21st Century and Contemporary Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Lipstick (Sidewinder) - 21st Century, Polaroid, Contemporary, Women, Portrait
By Stefanie Schneider
Located in Morongo Valley, CA
Lipstick (Sidewinder) - 2005
20 x 24 cm,
Edition of 10,
Archival C-Print based on the Polaroid,
signature label and certificate.
Artist Inventory 3045.
Not mounted.
sidewinder
...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Waking-up - Women, 21st Century, Polaroid, Figurative, Photograph
By Stefanie Schneider
Located in Morongo Valley, CA
'Waking up'
(The Girl Behind the White Picket Fence) - 2016
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Certificate and Signature label,...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Polaroid
Coney Island (Stay) - Contemporary, 21st Century, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Coney Island Aquarium (Stay) - 2006
20x20cm,
sold out Edition of 5, Artist Proof 1/2.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory ...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Washing made easy - The Girl behind the White Picket Fence
By Stefanie Schneider
Located in Morongo Valley, CA
Washing made easy (The Girl behind the White Picket Fence) - 2013
40x48cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventor...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Accident II (Stay) with Ewan McGregor and Ryan Gosling - Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Accident II (Stay) -2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Artist Inventory # 5444.
...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Boccia VI (Beachshoot ) with Radha Mitchell -Polaroid, Contemporary, Women
By Stefanie Schneider
Located in Morongo Valley, CA
Boccia VI (Beachshoot) - 2005
38x36cm, Edition of 10.
Digital C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 1467.
Not mounted.
featuring Cami...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Good Times (The Girl behind the White Picket Fence)
By Stefanie Schneider
Located in Morongo Valley, CA
Good Times (The Girl Behind the White Picket Fence) - 2014
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
When we were friends (Suburbia) - Contemporary, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
When we were friends (Suburbia) - 2004,
28x37cm,
Edition of 10,
digital C-Print based on the Polaroid.
Signature label with Certificate, unmounted.
The project "Suburbia" was sho...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hemispheres Away (The Girl behind the White Picket Fence) - Polaroid, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Hemispheres Away (The Girl behind the White Picket Fence) - 2013
75x93cm,
Edition 1/5,
analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Bates Motel VI (The Last Picture Show) - Contemporary, Figurative, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Bates Motel VI (The Last Picture Show) - 2005,
38x36cm,
Edition 2/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the origina...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Bates Motel III (The Last Picture Show) - Contemporary, Figurative, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Bates Motel III (The Last Picture Show) - 2005,
38x36cm,
Edition 2/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the origin...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Revelation (Stage of Consciousness) - 20x24cm, starring Radha Mitchell
By Stefanie Schneider
Located in Morongo Valley, CA
Revelation (Stage of Consciousness) - 2007,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Artist Inv...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Stefanie Schneider Minis - Untitled No 2 - Beachshoot - featuring Radha Mitchel
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's Minis
'Untitled #2' (Beachshoot) featuring Radha Mitchell, 2005
signed and signature brand on verso
Lambda digital Color Photographs based on the Polaroid
Polar...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Wonder Valley (29 Palms, CA) - including the book 'A Half Forgotten Dream'
By Stefanie Schneider
Located in Morongo Valley, CA
Wonder Valley (29 Palms, CA) - 2009
including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024.
20x20cm...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sunscreen II (Beachshoot) with Radha Mitchell - Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Sunscreen II (Beachshoot) - 2005
48x46cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 1394.
...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A sunny Morning - The Girl behind the White Picket Fence
By Stefanie Schneider
Located in Morongo Valley, CA
A Sunny Morning
(The Girl behind the White Picket Fence) - 2013
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature la...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wonder Valley (29 Palms, CA) - Polaroid, 21st Century, expired, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Wonder Valley (29 Palms, CA) - 2009
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature Label.
Artist inventor...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Renée's Dream - Jules and Jim X - 29 Palms, CA
By Stefanie Schneider
Located in Morongo Valley, CA
'Jules and Jim X' (Renée's Dream) from the 29 Palms, CA series - 2007
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signat...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hocus-Pocus (Beachshoot) - Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Hocus-Pocus (Beachshoot) - 2005
featuring Radha Mitchell
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
A...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hysteria (Beachshoot) - Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Hysteria (Beachshoot) - 2005
featuring Radha Mitchell
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Arti...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hysteria (Beachshoot) - Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Hysteria (Beachshoot) - 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #1380.
Not...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stefanie Schneider Minis - The Girl (The Girl behind the White Fence)
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider Minis - The Girl (The Girl behind the White Fence) - 2013
signed and signature brand on verso
Lambda digital Color Photographs based on the Polaroid
Polaroid siz...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Plexiglass, Archival Paper, Photographic Paper, Color, Lambda, Polaroid
White Picket Fence (The Last Picture Show)
By Stefanie Schneider
Located in Morongo Valley, CA
White Picket Fence (The Last Picture Show) - 2006,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature labe...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Out Of Order (The Last Picture Show)
By Stefanie Schneider
Located in Morongo Valley, CA
Out Of Order (The Last Picture Show) - 2000,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Ar...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
From Now On (The Last Picture Show)
By Stefanie Schneider
Located in Morongo Valley, CA
From Now On (The Last Picture Show) - 2005,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Art...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hereafter (The Last Picture Show)
By Stefanie Schneider
Located in Morongo Valley, CA
Hereafter (The Last Picture Show) - 2005,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Artis...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Bathtime II (29 Palms, CA)
By Stefanie Schneider
Located in Morongo Valley, CA
Bathtime II (29 Palms, CA) - 1999
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist inventory number...
Category
1990s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Woman in Malibu (Stranger than Paradise) - Polaroid, analog, 21st Century, Woman
By Stefanie Schneider
Located in Morongo Valley, CA
Woman in Malibu (Stranger than Paradise), triptych - 1999,
5/10,
58x56cm each, installed with gaps 58x180cm.
Analog C-Prints, hand-printed by the artist and based on the 3 origin...
Category
1990s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wonder Valley (29 Palms, CA)
By Stefanie Schneider
Located in Morongo Valley, CA
Wonder Valley (29 Palms, CA) - 2006
20x20cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature Label.
Artist inventory Number ...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Cave 01 - Planet of the Apes 10 - 21st Century, Polaroid, Abstract
By Stefanie Schneider
Located in Morongo Valley, CA
The Cave I - Planet of the Apes 10 - 1999
48x47cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Artist In...
Category
1990s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Something Today (The Girl behind the White Picket Fence)
By Stefanie Schneider
Located in Morongo Valley, CA
Something Today (The Girl Behind the White Picket Fence) -
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signatur...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Radio Hour (The Girl behind the White Picket Fence)
By Stefanie Schneider
Located in Morongo Valley, CA
Radio Hour (The Girl Behind the White Picket Fence) -
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature lab...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
On Air (The Girl behind the White Picket Fence)
By Stefanie Schneider
Located in Morongo Valley, CA
On Air (The Girl Behind the White Picket Fence) -
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label. ...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sleepwalking (The Girl behind the White Picket Fence) - Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Sleepwalking (The Girl Behind the White Picket Fence) - 2013
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signatu...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A Rainy Day (The Last Picture Show)
By Stefanie Schneider
Located in Morongo Valley, CA
A Rainy Day (The Last Picture Show) - 2006,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Art...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A Mirage (The Last Picture Show)
By Stefanie Schneider
Located in Morongo Valley, CA
A Mirage (The Last Picture Show) - 2006,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Artist...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Fall (The Last Picture Show)
By Stefanie Schneider
Located in Morongo Valley, CA
Fall (The Last Picture Show) - 2006,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Artist Inv...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Three Girls II (The Last Picture Show)
By Stefanie Schneider
Located in Morongo Valley, CA
Three Girls II (The Last Picture Show) - 2006,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Cherry Tree Blossoms (Till Death Do Us Part)
By Stefanie Schneider
Located in Morongo Valley, CA
Cherry Tree Blossoms (Till Death Do Us Part),
80x78cm,
Edition 1/5,
Analog C-Print, hand-printed by the artist based on the original Polaroid.
Certificate and Signature label. ...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, Color Pencil, C Print, Polaroid
Due Date II (Suburbia) - with Radha Mitchell - Contemporary, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Due Date II (Suburbia) - 2004,
28x37cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #1666.
Not mounted.
The project "Suburbia" was shot on the set of Marc Forster's first feature film 'Everything put Together' with Radha Mitchell, Michelle Hicks, Megan Mullally, Catherine Lloyd Burns, Matt Malloy and others.
Suburbs collectively, or the people who live in them
Suburb { a district, especially a residential one, on the edge of a city or large town }
synonyms [Outer edge , Fringes, Periphery, Limits, Outer reaches, Environs ]
Sunday in suburbia, a summer's day heavy with heat, hardly a soul to be seen. As a result, the motifs of Stefanie Schneider's “Suburbia” cycle – put together in California, in the very west of the USA – are virtually inconspicuous.Schneider's camera encircles an idyllic American setting, capturing a garden practically empty of people. Surrounded by a white picket fence, flowers and trees bloom profusely in the blazing sunlight. The day is empty and quiet like only a Sunday can be. The grass is perfectly cut, the garden well tended, the inhabitants oblivious to everything and lethargic. An instant is seized, revealing the tragedy of an average, unsuccessful, middle class life.
The scene is familiar from countless movies and American literature; the perfect façade of an American ideal, which seems to conceal the horror of daily life. In David Lynch's „Blue Velvet“ the film begins with the camera rolling over a similar setting: the view over the fence, the painstakingly neatly cut lawn, ending with a close-up: a cut-off ear covered with feasting ants.
Stefanie Schneider overdoes it, she exaggerates: this is confirmed by the irritating colourfulness as well as the vehemence of the motifs. Emptiness stands in stark contrast to the beauty of the blooming roses or the lush growth of the trees. The fenced, idyllic summer scene appears vacant; unused chairs surround a table, the grill untouched and clean, no object out of place. It is only the inhabitants who appear curiously lost. Schneider shows them in the middle of their saturated lives, in well-tended averageness, which can only be endured with a Martini on ice, on hand before lunch. In her opinion the scenes are banal, yet one becomes witness to great intimacy.
Schneider's „Suburbia“ cycle lives from the interplay of the motifs, and tells a story with the same flavour as American author Raymond Carver...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Due Date (Suburbia) - with Radha Mitchell - Contemporary, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Due Date (Suburbia) - 2004,
28x37cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 1662.
Not mounted.
The project "Suburbia" was shot on the set of Marc Forster's first feature film 'Everything put Together' with Radha Mitchell, Michelle Hicks, Megan Mullally, Catherine Lloyd Burns, Matt Malloy and others.
Suburbs collectively, or the people who live in them
Suburb { a district, especially a residential one, on the edge of a city or large town }
synonyms [Outer edge , Fringes, Periphery, Limits, Outer reaches, Environs ]
Sunday in suburbia, a summer's day heavy with heat, hardly a soul to be seen. As a result, the motifs of Stefanie Schneider's “Suburbia” cycle – put together in California, in the very west of the USA – are virtually inconspicuous.Schneider's camera encircles an idyllic American setting, capturing a garden practically empty of people. Surrounded by a white picket fence, flowers and trees bloom profusely in the blazing sunlight. The day is empty and quiet like only a Sunday can be. The grass is perfectly cut, the garden well tended, the inhabitants oblivious to everything and lethargic. An instant is seized, revealing the tragedy of an average, unsuccessful, middle class life.
The scene is familiar from countless movies and American literature; the perfect façade of an American ideal, which seems to conceal the horror of daily life. In David Lynch's „Blue Velvet“ the film begins with the camera rolling over a similar setting: the view over the fence, the painstakingly neatly cut lawn, ending with a close-up: a cut-off ear covered with feasting ants.
Stefanie Schneider overdoes it, she exaggerates: this is confirmed by the irritating colourfulness as well as the vehemence of the motifs. Emptiness stands in stark contrast to the beauty of the blooming roses or the lush growth of the trees. The fenced, idyllic summer scene appears vacant; unused chairs surround a table, the grill untouched and clean, no object out of place. It is only the inhabitants who appear curiously lost. Schneider shows them in the middle of their saturated lives, in well-tended averageness, which can only be endured with a Martini on ice, on hand before lunch. In her opinion the scenes are banal, yet one becomes witness to great intimacy.
Schneider's „Suburbia“ cycle lives from the interplay of the motifs, and tells a story with the same flavour as American author Raymond Carver...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Baywatch (Stranger than Paradise) - analog, vintage print
By Stefanie Schneider
Located in Morongo Valley, CA
Baywatch (Stranger than Paradise) - 1997
59x43.8cm,
Edition of 2/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original Polaroid.
Ce...
Category
1990s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Skywhale (Stay) - Polaroid, 21st Century, Contemporary, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Headless (Stay) featuring Ewan McGregor
By Stefanie Schneider
Located in Morongo Valley, CA
Headless (Stay) - 2006
featuring Ewan McGregor
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Artist Inventory #5084.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
C Print, Color, Polaroid, Archival Paper, Photographic Paper
On the Rocks - Contemporary, Figurative, Woman, Polaroid, Photograph, Landscape
By Stefanie Schneider
Located in Morongo Valley, CA
On the Rocks II (Long Way Home), 1999
58x56cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist,
based on the Polaroid,
Certificate and Signature la...
Category
1990s Pop Art Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Everything changes (Suburbia) - with Radha Mitchell - Contemporary, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Everything changes (Suburbia) - 2004
28x37cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label with Certificate,
Artist Inventory # 1709...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Happiness (Suburbia) - with Radha Mitchell - Contemporary, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Happiness (Suburbia) - 2004
28x37cm,
Edition of 10,
Archival C-Print based on the Polaroid.
Signature label with Certificate,
Not mounted.
Artist Inventory # 1706.
The works of S...
Category
Early 2000s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Feather's Touch (Chicks and Chicks and sometimes Cocks) - Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Feather's Touch (Chicks and Chicks)
Edition of 10,
50x50cm.
Lambda Print based on the Polaroid.
Artist inventory 21313B.
Signature label and Certificate.
Not mounted.
The works ...
Category
2010s Contemporary Stefanie Schneider Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stefanie Schneider figurative photography for sale on 1stDibs.
Find a wide variety of authentic Stefanie Schneider figurative photography available for sale on 1stDibs. If you’re browsing the collection of figurative photography to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of green, yellow, orange and other colors. You can also browse by medium to find art by Stefanie Schneider in polaroid, paper, c print and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Stefanie Schneider figurative photography, so small editions measuring 4 inches across are available. Customers who are interested in this artist might also find the work of Brian Finke, Erik Pawassar, and Trenity Thomas. Stefanie Schneider figurative photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $110 and tops out at $40,000, while the average work can sell for $702.
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