Tatsumi Shimura Art

Artist: The Connor Brothers Title: Every Saint Has a Past Medium: Giclee print with silkscreen varnish Year: 2020 Edition: 50 Sheet Size: 47" x 29...

Here for your consideration is an original watercolor and gouache with traces of acrylic paint fashion illustration by the world renowned fashion artist, Kenneth Paul Block. Painted ...

A late 18th or early 19th century watercolour view of a group of figures in a village square. Though not apparently signed the work is very competent and of high quality. It is frame...

Artist: The Connor Brothers Title: There's Nothing So Seductive As A Dangerous Idea Medium: Giclee print with silkscreen varnish Year: 2020 Edition: 50 Framed Size: 21 1/2" x 16 1/2"...

WPA Post Office Mural Study American Scene Regionalism Social Realism Modern Art Louise Emerson Ronnebeck (1901 - 1980) Oil Riggers, Mural Study Image: 6 1/2 x 37 inches Watercolor ...

Artist: The Connor Brothers Title: We Are All In the Gutter Medium: Giclee print with silkscreen varnish Year: 2020 Edition: 50 Sheet Size: 29" x ...

Early 20th century orientalist watercolour on paper by Aiveill, signed bottom right. In art history, Orientalism is the imitation or depiction ...

Early 20th century orientalist watercolour on paper by Aiveill, signed bottom right. In art history, Orientalism is the imitation or depiction ...

A serene, wind‑still sunset scene in watercolor: a woman and a man in a small boat moored to a jetty, both with their backs to the viewer as they tend to their fishing nets. The glas...

PHILIPPE NOYER – UNTITLED ⚜ Watercolor on Paper ⚜ Hand Signed Upper Right ⚜ Conservation Frame PORTRAIT STUDY IN WATERCOLOR Created circa 1965, this delicate watercolor by Philippe ...

Mid-century lyrical surrealist abstract watercolour on paper by French artist Jean Clerté, signed and dated bottom right. Presented in mid-century frame. Jean Clerté , born in 1930 in Saint-Savin-sur-Gartempe in Vienne, is a French painter, engraver, draftsman, watercolourist and sculptor . This work is a great example of his more humorous and expressive work influenced by Alechinsky from the late 1960s onwards. There is a light playfulness and yet the watercolours are more vivid than his previous palette. Jean Clerté works in series. His sequential narrations testify both to a youthful spontaneity and to a perfect mastery in the distribution of forms and images on the painted surface. The narration is not only an accumulation of juxtaposed fragments and symbols, it forms a whole, it takes on and gives meaning. In general, we can say of Clerté that he practices an “eco-art” that feeds on primary hungers: the feeling of being united with nature, the vegetable, the mineral, the aquatic. In his colourful canvases, his inks, his boxes, his objects, like a shaman on the path of his dreams, the painter Clerté mounts an assault on beasts and demons, elves and gnomes. From the Poitevin marshes to the tropical forests emerges a fauna caught in the meanders of a design that marvels at the appearance of these grotesque idols. Jean Clerté began to draw and paint at a very young age, and at the age of 15 he enrolled at the École des Beaux-Arts in Poitiers. Then in 1949, curious about the capital, he moved to Paris. Having very few financial resources, he could not continue his studies at first, worked as a model to survive, and met other artists; he was then admitted to the studio of Ossip Zadkine and, from 1952, he was also able to study engraving at Atelier 17 of Stanley William Hayter, an English engraver and printer living in Paris associated in the 1930s with surrealism. At the end of the 1960s, he worked alongside Pierre Alechinsky, founding member of the Cobra movement, engraving Alechinsky's originals, benefiting from his advice, and discovering acrylic as a medium. From 1976, Jean Clerté became associate professor at Hayter. Clerté had taught previously, in 1971 at the Salzburg Summer University and in 1972 he gave courses at the Paris-Sorbonne University . In 1981, he was appointed professor at the School of Decorative Arts , where he had Maïlys Seydoux-Dumas as a student and, from 1983 to 1988, he was Alechinsky's assistant professor at the Paris School of Fine Arts. His first works are part of the current of lyrical abstraction, and are nourished by impressions of nature (landscape motifs, e.g. forest fires, waterscapes), then around 1968, encouraged by Alechinsky, he rejects abstraction, and his work becomes more figurative with expressive and humorous elements. From this period his colours are more subdued, often with pastel tones, he works on series. Jean Clerté has created a world in a space where drawing, painting, objects participate in a playful figuration. From his drawings were born sculptures and sometimes mobiles (Le Moulin à dessin). If it is the artist who makes astonishing, polychrome, whimsical “toys”, it is the painter who appeals to adults through his caustic and satirical humour. His first exhibitions in France took place at the Galerie Massol , then at the Galerie Pascal...

**FALL SUPER SALE TIL OCT. 13TH - TAKE ADVANTAGE OF IT** **IMPORTANT** This is a limited edition print on canvas. It will arrive rolled inside a tube** It took 40 years but it finally happened: the ABBA pop art homage by Oliveira right on time for the group reunion, new album and virtual show. The colorful stripes and dots symbolizes all the music and happiness they still bringing to the world. ABBA is Oliveira's favorite group of all times. Only 30 prints is available for two sizes only: 48X60 and 36X48. **NOTE** The piece on the room wall is 36X48. This is for 48X60 print which will be larger than that. If you wish the smaller size of 36X48 please request it. ***The Swedish Flag...