Unknown Sculptures

Maximilien Louis Fiot (French, 1886 - 1953) A very large bronze animalier sculpture of combatant eagles in flight above an outcropping or rocks. The Eagles are fighting for their li...

Handcrafted Vajrapani statue is made by lost wax process which is one of the ancient method of metal craft. It has a halo of fire flames behind the figure. The statue has a overlay o...

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Kubera is seated in easy pose with one hand holding a jewel and another a mongoose....

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Medicine History Buddha is seated in "Padmasana" or meditation pose holding a medic...

Maximilien-Louis Fiot (1886-1953) Art Nouveau-Art Deco sculpture of Ducks in Flight, patinated cast bronze sculpture mounted on thick Acid etched gl...

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Buddha is seated in "Padmasana" or lotus pose in "Bhumisparsa Mudra" or touching th...

Gustavo Obiols Delgado (1858-1910) – Spanish sculptor Signed in the cast ‘G. Obiols’ Spanish Dancer with Castanetas; Silvered bronze and finely carved bone No damage or repairs. H...

Unusual 14th Century Italian marble mortar with animals depicted on the sides

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Manjushree is seated on lotus with one hand holding a sword which is believed to cu...

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Manjushree is seated on lotus with one hand holding a sword which is a symbol to cu...

After WILLIAM ADOLPHE BOUGUEREAU French, (1825–1905) Cupid With Butterfly H 34 in. x W 16 in. x D 16 in.

Provenance: Collection of Emily Johnston De Forest and Robert Weeks De Forest, New York, by 1911-until 1942; thence by descent until 2018. Literature: ...

This statue is hand crafted by lost wax process which is one of the ancient method of metal work. It is made up of copper and has a halo of flames. The flames are of sterling silver....

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Aparmita is seated in "Padmasana" or lotus pose with two hands holding healing elix...

This Avalokeshwor statue is handcrafted by lost wax process which is one of the ancient process of making metal sculpture. Standing Avalokeshwor figure has se...

This handcrafted Aparmita statue is made by lost wax process which is one of the ancient process of making metal sculptures. It is fully 24 carat gold overlay on copper. Aparmita fig...

A Chinese, Sancai glazed pottery earth spirit. Tang Dynasty.

Jim’s of Lambertville is proud to offer this artwork: Spelter bronze

Pair of stylized sculptures crafted in iron and ambitiously portraying mother nature's sea fan construction. Presented on classical two tiered bases and signed by the noted artist Ro...

Whimsical glazed ceramic classical bust depicting a parrot with a humorous expression wearing a military uniform with aplomb. Marked Italy on the bottom.

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Manjushree is seated on lotus with one hand holding a sword which is a symbol to cu...

"Lingbi - One Hole Scholar's Rock"' is a sculpture, stone on wood base from the Late Qing Dynasty, China.

This 18th century carved and gilt wood statuette depicts the moment in the story of St George where he slays the dragon that has been terrorising the citizens of Silene. St George is...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

This limestone bust of the Buddha presents a picture of serenity and grace. A rare and striking image, it was sculpted in 6th-century Northern China during the Qi dynasty...

MADONNA Il DE FRANCE/PARIS Around 1270 Oak wood carved Height 79cm

Andromeda, white marble, female figure, waves, chain, nude, classical sculpture In Greek mythology, Andromeda is the daughter of Cepheus and Cassiopeia, king and queen of ancient Et...

Buddha Monk statue created by Buddha Monks in the 19th Century. The statue is made of wood and beautiful red and gold lacquer. This statue stansd 26 inche...