Werner Bell Figurative Drawings and Watercolors

Graphite and conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...

Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject sits on the ground with his body twisted away from the viewer. We see the defined musculature of his posterior. The artwork is framed in white wood with a black mat. Rick Sindt The Body is a History graphite on archival paper 12h x 9w in 30.48h x 22.86w cm RIS026 Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

Outstanding male portrait by 20th-century American artist, Vito Tomasello. Portrait of a young man, 1963 Pencil on paper, sheet measures 18 x 24 inches. Crease running diagonally....

"The Dance" by Ludovico Lipparini is a beautifully rendered work on paper in the classical tradition using graphite and gouache and created in the f...

Outstanding male portrait by 20th-century American artist, Vito Tomasello. Portrait of a young man, c.1950. Pencil on paper, sheet measures 14 x 17 inches. Excellent condition. S...

(Photographed behind the glass of the frame, so please pardon reflections.) As you can see from the receipt, this fine drawing was originally purchased for $3,500 on Julia Row in New Orleans. A New Orleans legend, Franklin Adams moved to the city in 1958 to teach painting and drawing at Newcomb College. Over the following years, he applied his wide-ranging talents to architecture, set design, logo design and other diverse projects. He was good friends with Mignon Faget...

This work is as much of a collectors item as it is a fine work of art. it is the original 1971 concept drawing with detailed notations for Jesus Christ Superstar...

Provenance: Ettore Calzone Collection, Rome, by 1912. Exhibited: “Raffaello: L’Accademia di San Luca e il mito dell’Urbinate,” Accademia Nazionale di San Luca, Rome, 21 October 2020...

For Rock and Roll art collectors this is one incredible work of art. It is the original 1971 drawing for Bill Graham's Fillmore East program cover art created by Rock and Roll and Broadway superstar artist David Byrd. framed size 22x17". I have included in this listing an image of an actual program cover for reference purposes, it is not part of the sale. David Byrd created some of the most memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. This is the first time that this rare original one of a kind drawing has been available for sale since it was first created over 40 years ago. This is the actual drawing that was presented for approval of the final artwork. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. These museum quality drawings are rarely made available for sale, they are not only wonderful rare works of art, but are truly historically important works in the field of Theatre and Rock and Roll collecting. It has been framed with archival double matting. David Byrd's poster art is in many museum collections, including : The Louvre, in Paris, Victoria & Albert in London, The Museum of Modern Art in New York and The Smithsonian in Washington, DC. We have included an image featuring some of the memorable art David Byrd has created for the Rock and Roll industry and classic Broadway shows. A large coffee table book is in the final edit and getting ready to go to press of the art of David Byrd titled "Poster Child...

Ink and pencil on paper Signed and dated in pencil, c.r. This artwork is offered by ClampArt, located in New York City.

Louis Charles Auguste Couder (1789-1873) The Widower and the Orphan Lead pencil on paper 29 x 20 cm In good condition: some superficial creases, diffuse foxings Framed (losses, ...

Signed and inscribed on a label on the verso: No. 1/ The Argument/ W. Cave Thomas/ 203 Camden Rd/ NW Provenance: Christie’s, London, 6 November 1995, lot 88. Private Collection, London. This powerful watercolor is a mature work by the little-known Victorian painter William Cave Thomas...