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painting depicting Allegory of Italy, Oil on canvas, 19th century
Located in Milan, IT
19thC
Allegory of Italy
Oil on canvas 64 x 40
Framed, 73 x 50 cm
During the 19th century, the fervent Italian cultural climate dominated by the aspiration for an Italy finally un...
Category
Antique 19th Century Paintings
Materials
Canvas
Quattro fregi con teste di putto e stemmi in Legno, XVII secolo
Located in Milan, IT
XVII secolo
Quattro fregi con teste di putto e stemmi
(4) Legno scolpito, alt. cm 32
L'oggetto è in buono stato di conservazione
Category
Antique 17th Century Figurative Sculptures
Materials
Wood
Scuola emiliana, XVII secolo, Rebecca al pozzo
Located in Milan, IT
Scuola emiliana, XVII secolo
Rebecca al pozzo
Olio su tela, cm 76 x 58
Giunta la morte della consorte Sara, Abramo decide di cercare moglie al figlio Isacco. Pertanto, manda il suo ...
Category
Antique 17th Century Paintings
Materials
Copper
Sculpture depicting Dante and Beatrice, Alabaster, 20th century
Located in Milan, IT
Dante and Beatrice
Alabaster, 33 x 20 x 36 cm
Early 20th century
The present alabaster relief, of which great technical skill is evident, imitates the pages of a book, On the two...
Category
20th Century Figurative Sculptures
Materials
Alabaster
Venetian school, Tobias and Sara in Nineveh, oil on canvas, 16th century
Located in Milan, IT
Venetian School, second half of the 16th century
Tobiah and Sarah led to Nineveh by the archangel Azariah
Oil on canvas, 48 x 56 cm - Framed, 58 x 72 cm
The present canvas, made w...
Category
Antique 16th Century Paintings
Materials
Canvas
piemontese mirror, Louis XVI, Gilded wood
Located in Milan, IT
Piedmont, Louis XVI
Mirror with selvage
Carved and gilded wood, 164 x 104 cm
Light, 90 x 70 cm
The Louis XVI mirror under consideration, clearly manufactured in Piedmont, was mad...
Category
Antique 18th Century Wall Mirrors
Materials
Giltwood
Pair of candle-bearing angels, Carved and gilded wood, 18th century
Located in Milan, IT
18th 18th Century
Pair of candle-bearing angels
Carved and gilded wood, 28 x 71 cm
The item is in good condition
Category
Antique 18th Century Figurative Sculptures
Materials
Giltwood
Oil on canvas Jesus child within garland of flowers 18th century
Located in Milan, IT
Lombard School, 17th century
Christ child with globe within garland of flowers
Oil on canvas, 72 x 61 cm
Framed 90, 5 x 80
The present painting, framed by a sumptuous antique fr...
Category
Antique 18th Century Paintings
Materials
Canvas
Oil painting on canvas depicting Still life Roman school of the 17th century
Located in Milan, IT
Roman School, 17th century
Still Life
Oil on canvas, 79 x 107 cm
Framed, 93 x 121 cm
The work under scrutiny, depicting a majestic still life of flowers, is ascribed to the 17th...
Category
Antique 17th Century Paintings
Materials
Canvas
17th century Oil on canvas depicting the Rape of Proserpine
Located in Milan, IT
Sienese school of the 17th century
The rat of Proserpina
Oil on canvas, 188 x 123 cm
Depicted at the climax of the action, at the height of drama, is the scene of the Rape of Pros...
Category
Antique 17th Century Paintings
Materials
Canvas
16th century Madonna and Child Oil on canvas with gold background
Located in Milan, IT
XVII Century
Madonna and Child
Oil on canvas, 116 x 83 cm
The canvas under consideration depicts the Icon of the Most Holy Virgin Consoled, or more correctly Consoler of the Affl...
Category
Antique 17th Century Decorative Art
Materials
Canvas
18th Century Portrait of Louis XV of France and Queen Consort Pastel on Paper
Located in Milan, IT
18th century, French School. Portrait of Louis XV of France and queen consort Maria Leszczynska
(2) Pastel on paper, 47 x 60 cm
With frame 5...
Category
Antique 18th Century French Louis XV Paintings
Materials
Paper
Lion Marble sculpture from the 17th century
Located in Milan, IT
XVII Century
Lion
Marble, 30 x 43 x 25
The object under consideration is configured as a marble sculpture referable to the 17th century, characterized by a strong, visceral langua...
Category
Antique 17th Century Italian Animal Sculptures
Materials
Marble
Three Louis XVI 18th Century gilded wood wall mirrors
Located in Milan, IT
18th century, Louis XVI
Wall cartoons
(3) Carved and gilded wood, 60 x 40 cm - 35 x 36 cm
Light, 30 x 26 cm - 14 x 13 cm
The three pieces of furniture in question represent splen...
Category
Antique 18th Century Louis XVI Pier Mirrors and Console Mirrors
Materials
Mirror, Wood
17th Century Rest on The Flight to Egypt Emilian school Painting Oil on Canvas
Located in Milan, IT
17th century, Emilian school
Rest on the flight to Egypt
Oil on canvas, 42 x 33 cm
Frame 65 x 55 cm
The present Holy Family, ...
Category
Antique 17th Century Italian Paintings
Materials
Canvas
River landscape of late 18th century - early 19th century
Located in Milan, IT
Late 18th - early 19th century
River Landscape
Oil on canvas, 64 x 96 cm - with frame 77 x 10 cm
The canvas in question is an example of Vedutist painting at the turn of the 18th an...
Category
Antique Late 18th Century Italian Paintings
Materials
Canvas
Pair of angels in gilded wood Rome 17th century
Located in Milan, IT
Rome, 17th century
Pair of angels
Gilded wood, cm h 92 - Base, cm 25 x 40
The pair of putti examined is a masterpiece of the Roman Baroque period, a period of pomp and opulence w...
Category
Antique 17th Century Italian Figurative Sculptures
Materials
Wood
$10,109 / set
Terracotta sculpture with bust of togatus Adolfo Laurenti
Located in Milan, IT
Adolfo Laurenti (Monte Porzio Catone, April 23, 1858 - Rome, 1944)
Bust of togatus
Terracotta, 21 x 18 x 12 cm
Adolfo Laurenti was born on April 23, 1858, in Monte Porzio (since 1...
Category
Antique 19th Century Italian Figurative Sculptures
Materials
Terracotta
18th Century Lying Female Figure Painting by Giovanni Domenico Molinari
Located in Milan, IT
Giovanni Domenico Molinari (Caresana, 1721 - Turin, 1793)
Lying Female figure
Oil on canvas, cm 46 x. 31 - With frame, cm 56 x 42
The present painting is connected by style and treated subject, in this case a young girl lying in an idyllic landscape, to the production of small pictures of pastoral subject of the Piedmontese painter Giovanni Domenico Molinari (Caresana, 1721 - Turin, 1793).
Molinare was born in Caresana (Vercelli) on 19 July 1721 but after losing both his parents he moved to Turin. Here he became, from 1736, a pupil of the Academy of Drawing founded by the painter Claudio Francesco Beaumont (Turin, 4 July 1694 - Turin, 21 June 1766) where he remained as a pensioner until December 1755. Molinari was immediately engaged in the translation of the master’s sketches on cardboard used for the Regia manufacture of tapestries. His early success on the Turin art scene is confirmed by the fact that he joined the Compagnia di San Luca in 1756.
In 1751 he married Margherita Peiroleri, whose brothers Pietro (engraver) and Nicolò (painter) also attended the school. Remained widower count two other marriages first with Lucrezia Elisabetta Burzio and then in 1770 with Domenica Maria Ferrero.
On the death of the master in 1766 Molinari, considered by his contemporaries to be the most faithful interpreter of the master and for his elegant and Arcadian style, which clearly interprets the aesthetic taste of the court, was called to finish the works that remained unfinished, such as the altarpiece for the church of Santa Maria della Scala in Moncalieri depicting the Assumption venerated by Blessed Bernard of Baden and Saint Anthony. Molinari was also well praised by critics and Abbot Lanzi highlighted the quality of the production of historical and mythological subject for the rigorous post-marattesco classicism.
In Turin he worked for Vittorio Amedeo III of Savoy as a portrait painter, executing for him eleven canvases (between 1774 and 1775), but, since 1745, he also supplied tapestry cartoons to the local Fabbrica, of which, in 1766, he became director.
The production of paintings of sacred subjects is also lively, especially used in the decoration of the churches of the capital as the Assumption for the Hotel of Virtue and San Pietro Regalado and San Benedetto il Moro for Santa Maria degli Angeli ( Torino) He also painted tempera and oil cartoons for the same church, on the occasion of the beatification of Pacifico da San Severino (1787) and, for that of San Francesco di Paola, when Gaspare de Bono...
Category
Antique 18th Century Italian Paintings
Materials
Canvas
19th Century Gentleman’s Portrait Painting by English School
Located in Milan, IT
19th century, English School
Gentleman’s portrait
Oil on canvas, cm 76,5 x 64
The painting in question portrays a gentleman of the second h...
Category
Antique 19th Century Italian Paintings
Materials
Canvas
19th Century Madonna and Child with Souls in Purgatory Papier-Mache Sculpture
Located in Milan, IT
First half of the 19th century
Madonna and Child with souls in Purgatory
Lacquered and gilded papier-mache with polychrome wooden base
cm 96.5 x 37.5 x 28
"At that time I asked the Lord Jesus: 'For whom do I still have to pray?'. Jesus answered me that the following night he would make me known for whom I had to pray. I saw the Custodian Angel, who ordered me to follow him. At a moment I found myself in a foggy place, invaded by fire and, in it, a huge crowd of suffering souls. These souls pray with great fervour, but without effectiveness for themselves: only we can help them. The flames that burned them, they did not touch me. My Guardian Angel did not abandon me for a moment. And I asked those souls what their greatest torment was. And they unanimously answered me that their greatest torment is the ardent desire of God. I read the Madonna who visited the souls of Purgatory. The souls call Mary 'Star of the Sea'. She brings them refreshment ".
(Diary of Sister Faustina Kowalska p. 11)
A Polish religious, Saint Faustina Kowalska (1905-1938) reinterpreted in the pages of her testimony the ancient role of the Virgin as savior and supporter of the souls of Purgatory. The Second Vatican Ecumenical Council established that, assumed into Heaven, the Mother of God should operate a continuous intercession in favor of those children waiting for Paradise who were in the place, quoted for the first time by Pope Gregory the Great...
Category
Antique Early 19th Century Italian Figurative Sculptures
Materials
Paper
17th Century Mystical Marriage of Saint Catherine Oli on Canvas Roman School
Located in Milan, IT
17th century, Roman School
Mystical marriage of Saint Catherine of Alexandria
Oil on canvas, 32 x 23 cm
Frame cm 45 x 36
The saint is depicted in front of the Virgin holding the Child portrayed with the wedding ring in his hand, enriched with a precious stone. According to the Golden Legend, Catherine of Alexandria was a very beautiful young woman, the only daughter of the king of Costa, who had refused to marry the emperor Maxentius because she was a Christian and devoted to Christ. Maxentius, unable to convince her to sacrifice to idols, had sent to call the wisest men and fifty philosophers and orators who presented themselves and tried to divert her from faith in Christ. Catherine, however, played so well that she was able to convert them, arousing the anger of the emperor who condemned them to the stake. Catherine, however, who had criticized Maxentius for the new persecutions against the Christians, was sentenced to prison without food. Abandoned for twelve days, she was fed by a dove sent by God. Maxentius then decided to execute her with the torture of the toothed wheel become her attribute iconographic; but by divine intervention this broke and the young was saved. Finally, she was beheaded and milk flowed from her neck. Catherine’s princely status is witnessed here by her sumptuous dress. The iconography of the mystical marriage was born in the fifteenth century, probably because the traditional iconographic attribute, the wheel, was sometimes so small as to look like a ring, and refers to a vision that will always remain present in the mind and heart of the saint. In Heaven she appeared to her, among the Angels and Saints, Christ the Child, in the arms of the Virgin. He took a precious ring that the Virgin Mary handed to her and put it in her finger, saying "I, your Creator and Saviour, take you in marriage; confident that you will keep you pure until you celebrate your eternal wedding with me, in Paradise" When Catherine was laughing, she found in her finger the same ring that she had seen and had in Heaven, and she considered herself forever the bride of Christ.
In this extraordinary episode we can see the heart of Catherine’s religious sense, and of all her spirituality. For her, Christ is like the bridegroom, with whom there is a relationship of intimacy, communion and fidelity; he is the beloved, whom she loves above all...
Category
Antique 17th Century Italian Decorative Art
Materials
Canvas
Early 20th Century Gallant Scene with Citadel White and Green Marble Sculpture
Located in Milan, IT
Early 20th century
Gallant scene with citadel
White marble and green marble from the Alps, cm 59 x 48 x 29
Signed on the back "G. Abell"
The refined marble group describes the...
Category
Early 20th Century Italian Figurative Sculptures
Materials
Marble
17th Century Angelica and Medoro Painted Oil on Canvas Roman School
Located in Milan, IT
Roman School, 17th century
Angelica and Medoro engrave their names on the bark of a tree
Oil on canvas, 65 x 48.5 cm
The canvas depicts one of the most famous episodes of O...
Category
Antique 17th Century Italian Paintings
Materials
Canvas
17th Century Saint Joseph Oil on Canvas Attributed to Antonio Cifrondi
Located in Milan, IT
Antonio Cifrondi (1665 - 1730), Attributed
Man with stick - Saint Joseph
Measures: Oil on canvas, Cm 115 x 79 - With frame, cm 139 x 103
This canvas is, for stylistic and c...
Category
Antique 17th Century Paintings
Materials
Canvas
16th-17th Century Gentleman’s Portrait Oil on Canvas by Francesco Zucco
Located in Milan, IT
Francesco Zucco (circa 1575-1627)
Gentleman’s portrait
Measures: Oil on canvas, cm 120 x 140
The painting analyzed here belongs to the pictorial production of Francesco Zucc...
Category
Antique Early 17th Century Paintings
Materials
Canvas
17th Century Live Nature Pair of Paintings Oil on Canvas Flemish School
Located in Milan, IT
Flemish School, 17th century
Live nature couple with animals
Measures: Oil on canvas, cm 25 x 35 - With frame cm 37 x 48
The pair of canvases in question depicts two excited...
Category
Antique 17th Century Paintings
Materials
Canvas
18th Century Personification of the Day Alabaster Sculpture
By Michelangelo Buonarroti
Located in Milan, IT
18th century
Personification of the Day
Alabaster, cm 11.5 x 17.5 x 5
With base cm 14.5 x 20,8 x 11.7
Il Giorno is a marble sculpture (160x150 cm) that Michelangelo mad...
Category
Antique 18th Century Figurative Sculptures
Materials
Alabaster
First Half of the 18th Century Putti Pair of Sculptures in Gilded Wood
Located in Milan, IT
First half of the 18th century, Lombardy
Putti
(2) gilded wood, H 88 cm
The work is distinguished by the high artistic quality and the remarkable executive care, as eviden...
Category
Antique Early 18th Century Italian Figurative Sculptures
Materials
Wood
17th Century Madonna with Child Painting Oil on Canvas Tuscan School
Located in Milan, IT
17th century, Tuscan school
Madonna and Child
Oil on canvas, 31 x 21 cm
With frame, cm 37,5 x 27,5
The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit.
The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...
Category
Antique 17th Century Italian Paintings
Materials
Canvas
16th Century Madonna of the Carnations Painting Oil on Canvas from Raffaello
By Raphael (Raffaello Sanzio da Urbino)
Located in Milan, IT
16th century, by Raffaello Sanzio (Urbino, 1483 - Rome, 1520)
Madonna of the Carnations
Measures: Oil on canvas 38 x 30 - with frame 59 x 52.5 cm
The Madonna dei Garofani made b...
Category
Antique 16th Century Italian Paintings
Materials
Canvas
19th Century Pair of Vases Porcelain Austrian Workshop
Located in Milan, IT
19th century, Bloch workshop
Pair of vases
(2) Porcelain, cm H. 36
The two porcelain vases, in the shape of an amphora, with handles, are to be associated with the Bloch wor...
Category
Antique 19th Century Austrian Vases
Materials
Porcelain
18th Century Immaculate Madonna Terracotta Sculpture
Located in Milan, IT
18th century
Immaculate Madonna
Terracotta, 53 x 22 x 20 cm
The work examined depicts the Virgin Mary treated according to the iconography of the Immaculate Virgin
The theme of the Immaculate Conception began to appear in artistic works ever since the debate began, which saw the Franciscans and the ramifications of the Benedictine Order lined up on one side, linked to the thought of Anselmo d'Aosta and Bonaventura da Bagnoregio, and on the other the Dominicans, linked to the discussion offered by Thomas Aquinas...
Category
Antique 18th Century European Figurative Sculptures
Materials
Terracotta
19th Century The Betrothed Painting in Oil on Panel by Guglielmo Napoli
Located in Milan, IT
Guglielmo Napoli (Pavia, 1868 - Genoa, 1945)
The betrothed
Oil on panel, 46.6 x 68 cm
Frame 73 x 81 cm
Signed lower left "Gugl . mo Napoli Dipinse"
The work in questi...
Category
Antique 19th Century Italian Paintings
Materials
Paint, Canvas
18th Century Portraits of Women Couple of Paintings in Oil on Canvas by Bertoli
Located in Milan, IT
Antonio Bertoli (active between 1829 - 1842) Portraits of women
(2) Oil on canvas, 41.5 x 31 cm
With frame 52 x 42.5 cm
Signed below A. Bertoli
The two portraits examined here are by the hand of the artist Antonio Bertoli, a painter active in Florence between 1829 - 1842. He trained at the Florentine Academy, where in 1832 he obtained the prize for the nude in drawing. At the academic exhibitions of the following years he exhibited mainly portraits, including a representation of Nicolò Macchiavelli executed in 1837. An eclectic artist, he experimented with different genres: for the Villa Puccini di Scornio in Pistoia, in 1838, he was commissioned to create a history picture, The death of Francesco Ferrucci (Pistoia, Civic Museum), inspired by an episode of the novel Siege of Florence by Francesco Domenico Guerrazzi. Instead, two religious paintings date back to the 1840s: Christ chasing the merchants from the Temple and a Virgin Mary,
In the portraits analyzed Bertoli depicts two half-length women taken from a foreshortening and a frontal in close pose, characterized by very similar Mediterranean features. In the first painting the woman, taken from the front, looks directly at the viewer. The wavy hair is decorated with a colorful violet and is partially covered by a white veil...
Category
Antique 19th Century Italian Paintings
Materials
Canvas
17th Century Casket Venetian School Laquered and Gilded Wood
Located in Milan, IT
17th century, Venetian School
Stipo - Casket
Lacquered and gilded wood, Measures: H. 46 cm; 50 x 31 cm
Elegant cabinet of imperious and noble presence. The leonine corbels highl...
Category
Antique 17th Century Italian Decorative Baskets
Materials
Wood
19th Century Pair of Desks with portraits of Petrarch and Leonardo Alabaster
Located in Milan, IT
19th century
Pair of desks with portraits of Petrarch and Leonardo
(2) Alabaster, 34 and 35 cm diam
The pair of alabaster discs features a central cameo with the effigy of Petrarch and Leonardo, probably part of a larger series that featured illustrious characters from Italian history. On the openwork frame of Petrarch there are portraits of some characters who face each other, combined for centuries, as can be seen from the shapes of the garments that span several centuries: from the thirteenth century, in which men wear long-tipped bonnets, to the fifteenth century and Sixteenth century, the two characters at the top, in the seventeenth century, with wide collars, up to the eighteenth century.
Francesco Petrarca (1304-1374) embodies the figure of the humanist intellectual par excellence, entirely dedicated to the study of Latin conceived as the only form of expression worthy of a man of letters, so as to serve any form of written communication, including letters and the reflection on himself witnessed in the Secretum. A personality made more complex by obsessive perfectionism, which led him to a continuous and infinite editing of the work which he also flaunted to consider as minor and which instead ensured him an undying fame among posterity, the Canzoniere. But the only aspect fixed in the collective imagination is that of the lover who idolizes the places where his ideal love blossomed...
Category
Antique 19th Century Italian Abstract Sculptures
Materials
Alabaster
17th Century Annunciation Painting Oil on Canvas Workshop of Nuvolone
Located in Milan, IT
17th century, Nuvolone workshop
Annunciation
Measures: Oil on canvas, 98.50 x 127.00 cm - with frame 144 x 115
Depicted is a canonical Annunciation which sees Mary on her knees ...
Category
Antique 17th Century Italian Paintings
Materials
Canvas
18th Century Immaculate Conception with Saints Sculpture Marble
Located in Milan, IT
18th century
Immaculate Conception and saints
Marble, 60 x 50 x 9 cm
In the center of the marble oval we find an Immaculate Conception accompanied by St. Vincent Ferrer (identifiable thanks to the presence of the wings and the Dominican dress), and by two saints of difficult identification, one of them with a monastic habit.
The theme of the Immaculate Conception began to appear in artistic works ever since the debate began, which saw the Franciscans and the ramifications of the Benedictine Order lined up on one side, linked to the thought of Anselmo d'Aosta and Bonaventura da Bagnoregio, and on the other the Dominicans, linked to the discussion offered by Thomas Aquinas...
Category
Antique 18th Century Italian Figurative Sculptures
Materials
Marble
18th Century Almsgiver Plate with Saint Brass
Located in Milan, IT
18th century
Almsgiver plate with saint
Brass, 46 cm diameter
The alms dish, properly called "alms dish", is a container usually decorated in the shape ...
Category
Antique 18th Century Italian Decorative Art
Materials
Brass
17th Century Rest on the flight to Egypt Emilian School Painting Oil on panel
By Parmigianino
Located in Milan, IT
17th century, Emilian school, Pamigianino painter
Rest on the flight to Egypt
Oil on panel, 46 x 39 cm - with frame 55.5 x 48.5 cm
The wor...
Category
Antique 17th Century Italian Paintings
Materials
Wood
17th Century Virgin of the Assumption Painting Oil on Canvas
Located in Milan, IT
17th century
Virgin of the Assumption
Oil on canvas, 93 x 81 cm
Frame, 110 x 97 cm
The present Assumption of the Virgin welcomes an innova...
Category
Antique 17th Century Italian Paintings
Materials
Canvas
18th Century Sant'antonio Abate Sculpture in Wood
Located in Milan, IT
18th Century
Sant’Antonio Abate
Wood, cm alt. 61
Base 25 x 17.5 cm
This wooden sculpture depicts Sant’Antoni Abate. Antonio was born in Come i...
Category
Antique 18th Century Italian Figurative Sculptures
Materials
Wood
17th-18th Century View of the Temple of Minerva Painting Oil on Canvas
Located in Milan, IT
Painter active in Rome in the 18th-19th century.
View of the temple of Minerva Medica
Oil on canvas, 65 x 78 cm - with frame 71.5 x 85 cm
The painting bears a traditional attribution to François Marius Granet (Aix-en-Provence, 1775 - 1849). The painter was a pupil of David but from 1802 to 1819 he lived in Rome, as evidenced by a series of paintings depicting views of the city and especially of the Roman countryside (Ponte San Rocco in Tivoli, 1810-20, MoMA, New York), and then return there between 1825 and 1830. In the Eternal City Granet devoted himself to landscape painting, inspired by the landscape painting of Gaspard Dughet and Van Lint...
Category
Antique Late 17th Century Italian Paintings
Materials
Canvas
19th Century Head of St. Peter Painting Oil on Canvas by Follower of Piazzetta
By Giovanni Battista Piazzetta
Located in Milan, IT
Follower of Giambattista Valentino Piazzetta (Venice, 1682 - there, 1754)
Head of St. Peter
Oil on canvas applied on cardboard, 36.5 x 34.5 cm
With frame 42.5 x 41 cm
The claves Regni Coelorum, an essential Petrine attribute, shyly peek out in this painting, with the sole purpose of allowing the character to be recognized. The wholeness of attention is indeed conveyed to the Saint, from aching humanity and divine inspiration. Pietro is rendered with a liquid epidermis, illuminated by a pearly light that slips and drips to define the overbearing nose, cheekbones and browbone; while the vitreous humor of the eye turns bright to the sky, to investigate the highest wills of the divine mystery.
The portrait, rendered here in intense monochrome, denounces the direct dependence of the present artist on the suggestions of Giambattista (Valentino) Piazzetta, one of the greatest among the eighteenth-century Venetian masters. Following an immature apprenticeship in the field of wood carving with his father Jacopo, a sculptor from Pederobba, in the Treviso area, Piazzetta retired to the workshop of Antonio Molinari...
Category
Antique 19th Century Italian Paintings
Materials
Canvas, Paper
17th Century Christ in Chains Painting Oil on Canvas
Located in Milan, IT
17th century
Christ in chains
Oil on canvas, 95 x 71 cm
Frame 110 x 84 cm
The figurative tradition representing Christ with chained hands can be traced back to the early Middle Ages, when an iconography of His pains spread widely. The need to translate the Passion into images aimed to raise awareness of the forgiveness that has occurred for all men, consequent to the Crucifixion.
This painting depicts the moment before the audience before Pilate. Christ has not yet been cruelly mocked by the soldiers, despite the fact that he is already wearing the crown of thorns and the purple...
Category
Antique 17th Century Italian Paintings
Materials
Canvas
19th Century Portrait of a Gentleman Painting Oil on Canvas Lombard School
Located in Milan, IT
19th century, Lombard school
Portrait of a Gentleman
Oil on canvas, 92 x 71 cm
With frame 107 x 87 cm
The elegant portrait in question depicts a carefully dressed gentle...
Category
Antique 19th Century Italian Paintings
Materials
Canvas
17th Century Putto with Rose Painting Oil on Canvas Emilian School
Located in Milan, IT
Emilian school, 17th century
Putto with rose
Oil on canvas, 43.5 x 32 cm - with frame 45 x 32.5 cm
The figure of the putto, when equipped with specific attributes, lends it...
Category
Antique 17th Century Italian Paintings
Materials
Canvas
19th Century View from the Spiers of the Duomo Painting Watercolor on Paper
Located in Milan, IT
Nineteenth century
View from the spiers of the Milan Cathedral
Watercolor on paper, 43 x 30 cm
The watercolor in question depicts some ladies and gentlemen intent on enjoyi...
Category
Antique 19th Century Italian Paintings
Materials
Paper
19th Century Young Woman Portrait Plaster Sculpture
Located in Milan, IT
Nineteenth century
Young woman portrait
Measures: Plaster, 50 x 40 x H 40 cm
Dated 10 - 1 - MCMI
The emergence of a "disheveled manner" in sculpture is affirmed since the 1880s with Giuseppe Grandi, author of the Monument to the Five Days of Milan, Ernesto Bazzaro, Paolo Troubetzkoy...
Category
Antique 19th Century Italian Figurative Sculptures
Materials
Plaster
19th Century Still Life with Fruits Painting Oil on Canvas
Located in Milan, IT
Nineteenth century.
Still life with fruits.
Oil on canvas, 64 x 52 cm.
The still life analyzed presents a mixture of floral and fruit elements arranged in a circular order o...
Category
Antique 19th Century Italian Paintings
Materials
Canvas
17th Century St. John Baptist Florentine School Painting Oil on Canvas
Located in Milan, IT
Florentine school, 17th century
St. John Baptist
Oil on canvas, diameter cm 20 - with frame diameter 30
In this small round-format canvas, St. J...
Category
Antique 17th Century Italian Paintings
Materials
Canvas
20th Century Spanish Party Painting Oil on Canvas by Riccardo Pellegrini
By Pellegrini
Located in Milan, IT
Riccardo Pellegrini (Milan 1863 - Crescenzago 1934)
Spanish party before the bullfight
Oil on canvas, 29 x 39 - with frame, 45 x 55 cm
The painting, given the signature, is the ...
Category
20th Century Italian Paintings
Materials
Canvas
18th Century Pair of Inlays Various Types of Wood
Located in Milan, IT
Central-northern Italy, 18th century.
Pair of inlays.
(2) Various types of wood, briar, 25 x 38.5 cm.
Frame, 25 x 38 cm.
Very rare and meticu...
Category
Antique 18th Century Italian Decorative Art
Materials
Wood
19th Century View of the Naviglio with the Duomo Painting Tempera on Canvas
Located in Milan, IT
Giuseppe Riva (Ivrea, 1834 - 1916).
View of the Naviglio with the Duomo.
Tempera on canvas, 49.5 x 69.5 cm.
Signed lower left "Riva G."
This cit...
Category
Antique 19th Century Italian Paintings
Materials
Canvas
17th Century Mystical Marriage of Saint Catherine Painting Oil on Canvas
Located in Milan, IT
17th century
Mystical marriage of Saint Catherine
Measures: Oil on canvas, 98 x 81 cm - with frame 119 x 102 cm
The scene represents the mystical marriage between Catherine of A...
Category
Antique 17th Century Italian Paintings
Materials
Canvas
20th Century Child with Hat Sculpture Bronze by Tommaso Campajola
By Thomas Campajola
Located in Milan, IT
Tommaso Campajola (Active in Naples between the 19th and 20th centuries)
Child with hat
Bronze, height 23 cm
Signed and dated 1932 on the back.
Category
20th Century Figurative Sculptures
Materials
Bronze
19th Century Cesare Beccaria Bronze Sculpture
Located in Milan, IT
19th Century.
Cesare Beccaria
Bronze, 49 x 13 x 15 cm
The bronze statue examined faithfully reproduces the famous Milanese monument by Giuseppe Grandi (1843-1894) dedicated to Cesare Beccaria. The work, from the top of a high base in white Montorfano granite, dominates the homonymous Milanese square, a sad stage for executions at the time of Austrian rule, in a bronze copy of 1914 to replace the original stone statue which already at the beginning of the new century showed serious signs of deterioration. The marble became part of the collections of the Gallery of Modern Art and is now located inside the Palazzo di Giustizia in Milan. The initiative regarding the erection of a monument dedicated to Cesare Beccaria originates in 1865, in support of the proposed abolition of the death penalty...
Category
Antique 19th Century Italian Figurative Sculptures
Materials
Bronze
20th Century Venice Painting Tempera on Canvas by Armando Santi
Located in Milan, IT
Armando Santi (1925 - 2015)
Venice
Tempera on canvas, 87 x 77 cm
Frame 105.5 x 95.5 cm
Signed lower left: A. Santi
"A pulsating, incisive, dynamic painting, sometime...
Category
Late 20th Century Italian Paintings
Materials
Canvas
17th Century Penitent Magdalene Painting Tempera on Parchment by Genovese
By Giovanni Battista Castello
Located in Milan, IT
Giovanni Battista Castello, known as "Il Genovese" (1547-1637)
Penitent Magdalene
Tempera on parchment, 21 x 17 cm
Frame 26 x 22 cm
The precious tempera painting on parchment is to be referred to the hand of the painter Giovanni Battista Castello (1547-1637), called “il Genovese” to distinguish him from the homonymous contemporary, architect and painter, called “il Bergamasco”. Older brother of Bernardo, a famous painter of late Ligurian Mannerism, he began his activity in the field of religious goldsmithing, to which he soon joined the art of miniature, an art to which he ended up dedicating himself completely and with greater satisfaction, bringing it back to a success and to a disclosure that he had not known since the Middle Ages and which now found incentive and justification in the spiritual and cultural climate of the Counter-Reformation.
In the sources he is cited as self-taught; However, his assiduous frequentation of Luca Cambiaso...
Category
Antique 17th Century Italian Paintings
Materials
Parchment Paper
