17th Century Rest on The Flight to Egypt Emilian school Painting Oil on Canvas

17th century, Emilian school, Pamigianino painter Rest on the flight to Egypt Oil on panel, 46 x 39 cm - with frame 55.5 x 48.5 cm The wor...

Emilian school, 17th century Putto with rose Oil on canvas, 43.5 x 32 cm - with frame 45 x 32.5 cm The figure of the putto, when equipped with specific attributes, lends it...

Venetian school, 17th century Transporting Christ to the tomb oil on canvas, 40 x 104.5 cm The exhaustion of the late Mannerist currents that had matured within the capital wor...

Roman School, 17th century Still Life Oil on canvas, 79 x 107 cm Framed, 93 x 121 cm The work under scrutiny, depicting a majestic still life of flowers, is ascribed to the 17th...

Florentine school, 17th century St. John Baptist Oil on canvas, diameter cm 20 - with frame diameter 30 In this small round-format canvas, St. J...

Roman school, late 16th-early 17th century Praying Madonna Oil on canvas, 81 x 69 cm Frame 83 x 95.5 cm A divine whiteness reverberates with vibrant luster on the maphorion of the present Virgin. The palpable iridescence that structures the thin rosaceous garment, woven with the same fresh light, produces a slight rustle when she takes her hands off. The Madonna in fact takes a prayerful pose, opening her palms to underline her fervent ecstatic intention; the white neck is rendered with perishable fullness of pigments, like the hands, perfectly alive, and the very shiny eyes. With fine shrewdness the artist of the present styles the Virgin's hair with thin white ribbons, exacerbating the purity. An evocative light falls gently on the bust, a materialized sign of divine glory. The present can be traced back to the late Mannerist climate that prevailed in the capital after the emanation of the Tridentine council (1545-1563). The late Mannerist licenses that can still be seen there, such as the intense lyricism in the stylistic code adopted by the artist, are innervated in the new basic catechetical intent, which at the end of the century produced a certain figurative rigorism. The present, however, still responds to that extraordinary Roman dynamism that raised the capital to a bulwark for the entire mannerist lesson, matched only by a second artistic center, the Florentine one. The engaging carriage of the Virgin reflects the contemporary examples of Giuseppe Valeriano (1542-1596), a Jesuit painter, returning in the Marriage of the Virgin of the Roman Church of Jesus, as well as in the Madonna of Sorrows in the Recanati Altarpiece, equal ardor. But it is in the Assumption of the Virgin painted in four hands with Scipione Pulzone...

Virgin Annunciate, Emilian school, 17th century. Oil painting on canvas depicting the Madonna, caught while, with her eyes half-closed and the right hand on his chest, receives th...

Announcement Italian School Oil on canvas, of the 17th century Dimension: 75 x 62 cm. Good conditions.

Italian School 17th Century Oil Painting The Musician Italian school 17th century oil painting the musician 17th century oil on canvas with a cos...

Oil on canvas depicting a country scene: a man watering his horse near a river where two cows and a sheep wade accompanied by a farmer. Work of northern France or Belgium of the 17t...

We present you this magnificent oil painting on canvas endearingly the Virgin Mary gently caressing the head of Christ Child asleep on His Mother's lap. This artwork has been expertly fit with new canvas and encased in an exquisite gilded wooden frame. It is representative of the Tuscan School...

Still life oil painting on canvas depicting pumpkins, rabbits and chickens. Tuscany XVII century. The painting needs very small restoration. It has been relined.