Oil on Canvas Paint Flemish School, 17th Century Belgium

Beautiful oil on canvas portrait of a woman in mourning dress from the late 19th century. Good quality of execution. Gilded wood frame.

"Saul with the Pythoness Evoking the Shadow of Samuel". Beautiful oil on Canva, work of the English school of the entourage of Benjamin West. This oil on canvas represents a bibl...

Charming oil on canvas representing a countryside landscape crossed by a stream, at the edge of which a tree has grown and is reflected in it. In the background, to the right of the ...

Beautiful Flemish drawing from the 17th century made with drypoint and red chalk representing a bull in profile. This naturalistic drawing takes up the favorite theme of the painter Paulus Potter...

This very beautiful oil on canvas is a reworking of the left part of the painting The Three Ages of Man" by the Italian Renaissance master of the Venetian school, Tiziano Vecellio...

Decorative abstract painting by N. Golain.

Flemish School, 17th century Live nature couple with animals Measures: Oil on canvas, cm 25 x 35 - With frame cm 37 x 48 The pair of canvases in question depicts two excited...

Roman School, 17th century Angelica and Medoro engrave their names on the bark of a tree Oil on canvas, 65 x 48.5 cm The canvas depicts one of the most famous episodes of O...

Flemish painter of the 17th century Battle scene Oil on canvas, cm 103 138 The painting in question describes a battle scene in which some classi...

Late 17th century, Venetian School Allegory Oil on canvas, measures:cm 107 x 148 This plastic group of three figures seems to offer a representation of the Allegory of Charity, the main among the theological Virtues. Both the subject and the composition with the young and prosperous female figure surrounded by children, one of whom with the head close to her breast (as if asleep after breastfeeding), suggest this identification, although enigmatic is the figure of the little child turned from his back. The iconographic solution corresponds to the most widespread type of charity in the seventeenth and eighteenth century painting...

Roman school, 17th century Landscape with Figures Oil on canvas, 95.5 x 133 cm Frame 111 x 148 cm The canvas, of large rectangular format, portrays a large glimpse of lush and bucolic landscape, probably of the Roman countryside or the Agro, crossed by a watercourse (plausibly Tiber, Aniene or Almone), which ideally divides the canvas. The work is to be referred to the hand of a painter trained on the examples of the great 17th-century Roman Baroque landscape, which sees its roots first in the paradigmatic passages of landscapes such as the Lunette Aldobrandini by Annibale Carracci, then in the works of Lorrain (Claude Gellée), Nicolas Poussin and Gaspar Dughet. If in the past, therefore, the landscape was considered the scenographic background on which to project the representation of divine or human characters, in the seventeenth century it became an autonomous and codified pictorial genre. With Carracci the so-called ideal landscape is born: a mental reconstruction of a peaceful and harmonious nature in which the dream of perfect communion with man is realized. In the wake of Hannibal, as mentioned, during the seventeenth century the “Classic” Roman landscape experienced a long and happy season thanks to artists such as Domenichino, and the French Claude...

Emilian school, 17th century Saint Jerome Measures: Oil on canvas, 47 x 35 cm With frame, cm 61.5 x 44.5. In this painting Saint Jerome (347-420) is presented in careful meditation, most likely intent in one of the works that made it proverbial, or the translation of the Bible into Latin. The iconographic attributes that historically characterize the saint are in fact multiple and well differentiated from each other: the trumpets of the Last Judgment...