Canvas Decorative Art

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

Mid-Century oil on canvas by painter Miguel Guzman entitled "Bouquet de Jonquilles," signed and dated 1968. Framed with original giltwood hand-carved frame. Brass plaque attached w...

A pink-white, antique French still life oil on canvas painting depicting a working table with a yellow teapot vase with flowers, painted by Eugène Henri ...

A beautiful, colorful, soft, still life painting of a bouquet of spider mum flowers, circa late-19th century to early 20th century. Painting artwork, hand-painted in oil paint, depic...

Framed print on canvas: " Exposición Internacional de Barcelona, Año 1929 " The 1929 International Exposition was one of the most important events to have shaped the urban landsca...

A blue-brown, antique Swedish oil on canvas painting of a sunny day at the Piazza Barberini, in Rome, Italy painted by Gustaf Wilhelm Palm in a hand carved original gilded wooden fra...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

A black-yellow, dark green antique Austrian still life oil on canvas painting depicting a clear glass vase with many flowers painted by Franz Xaver Pieler in a hand carved, original gilded wood frame, in good condition. The colorful painting depicts a dining table in a DIM room, representing the 19th...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

A very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...

Classical standing nude by American artist Jane White. Painted in the 1950s and once owned by the Estate of Eva Gabor. There is no provenance.

A fine and large French 19th century old master school oil on canvas titled "Leda and The Swan" within a giltwood frame. Leda and the swan is a motif from Greek mythology, in which Z...

19th century Italian School oil on canvas of Madonna and child. Gilt frame.

An exquisite example of this artist's traditional take on still-life realism, and a masterpiece in its own rite. This floral painting represents the artist's awe for botanical and floral scenes as well as his or her adept knowledge of tactile painting. With broad sweeping strokes and high texture, the artist paints a portrait of a small circular Ombre deep blue vase, filled with creamy white ranunculus or buttercups with berry color centers, green eucalyptus and small accents of white hydrangea. Oil on canvas. Framed roughly in a small wood frame, with gilt painted accent inside. How we would display: A botanical painting will forever bring a certain feeling of femininity and softness to a room. This piece would be wonderful displayed in a space with too many harsh lines. Alternatively, we suggest hanging this as part of a grouping of other floral portraits on a large wall to add interest. Another favorite of ours for art is to display pieces on their own in a bedroom. Such as a guestroom or child's room. Hung just above a nightstand (we currently love the idea of using a bombe chest), and just above a table lamp, (perhaps a lamp with a Caprani...

Unusual set of Venetian canal and landscape Scenes as capriccios in the style and manner of Guardi and as Grand Tour souvenirs . Colorful and highly decorative and of course present ...

A beautiful oil on canvas painting of a Parisian street scene. This painting perfectly depicts life in the "City of Lights" with its restaurants, busy streets, cafes and wonderful ar...

A vintage French oil on canvas painting of Napoleon Bonaparte as Emperor in a hand carved original gilded wooden frame, painted by S. Chapin in good condition. The wall décor art pie...

1976 oil painting in the naive style Oil on canvas representing and landscape, a shepherds and two sheep at the forefront, a house surrounded by trees in the middle plane and a villa...

A large French 19th century oil on canvas (laid down on a masonite) "Les progrès de l'amour dans le cœur d'une jeune fille" The Progress of Love: The Lover Crowned, after Jean-Honoré...

Buckingham Crest Etching on canvas by Liz Jardine, circa 1992. A large format art with an amazing frame. Features a heraldic crest or shield at the center ...

An outstanding and grand scale oil on canvas painting of a nude male. Entitled "La Vittoria Della Verita' Sull'Insidia" - "The Victory Of Truth Over The Trap"..... Expertly executed ...

Rendered with dramatic flair and architectural precision, this large-scale landscape painting by “Williams” captures the serene majesty of a tree grove at dusk. It unfolds in a richl...

Charming vintage coastal textile art featuring beautifully detailed hand-worked needlepoint seashell and coral motifs displayed against a soft linen background. This dimensional coastal composition includes a variety of shells and marine-inspired forms in warm sandy neutrals, coral reds, blush pinks, and soft ocean-inspired tones. Professionally framed beneath glass in a warm wood frame, the piece captures the relaxed charm of classic Florida coastal interiors and mid-century beach house style. The raised needlework and textural detailing give the artwork wonderful depth and character. A perfect accent for Coastal, Palm Beach Regency, Old Florida, British Colonial, or collected beach cottage interiors. Displays beautifully alone or incorporated into a gallery wall of vintage coastal art...

Handsome oil on board still life painting of birds in a decorative birdcage with beautiful gilded frame. Board 24” W x 20” H.

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

Debiève was a French artist who specialised in cubism and contemporary art work, often referred to as tapestries these pieces are actually screen prints on a variety of medium. ‘The Flight of the Flamingos’, or ‘Le vol de Flamants’ is screen printed on canvas mounted on board and brilliantly illustrates Debiève’s mastery of cubism. Producing only a few of these incredible, huge works of art, it is signed by the artist ‘R Debiève...

Handsome set of four Ndebele Mapoto beaded aprons from South Africa. They are canvas backed and in awesome condition. We have not detected any loose beads...

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...

A large French 19th century oil on canvas laid on board painting in the manner of François Boucher (French, 1703-1770). The oval framed canvas depicting a version of Boucher's "Venus...

An Italian Rococo period framed still-life oil on canvas painting from the late 18th century, depicting a colorful bouquet. Created in Italy during the third quarter of the 18th cent...

Magnificent set of three French oil on canvas paintings made in the chinoiserie revival period of 19th century, Europe. The center painting feature...

Step into a vivid flashback to the 1980s, where neon beats and sharp geometry ruled the scene. This dramatic, large-scale canvas, signed boldly “Dana” in playful pink, is a pure embo...

Mid Century Modern Cubist Figure on Canvas by John Ross (1921-2017) Purchased in Paris housed in a 19th Century gilt frame. John Ross, painter, printmaker, author, and educator, wa...

This is a set of four embroidery panels. An English, framed quartet of limited edition needlepoint cookery ingredient pictures, dating to the late 20th century, circa 1993. A charmi...

Exceptional oil painting on canvas by Haitian artist depicts lush green jungle with bright and vivid colorful parrots overlooking beautiful lush jungle, acrylic paint on canvas, with...

Winter Landscape Snow Scene Country Road Painting Oil on Canvas Framed Argnegger . Late 19th-early 20th century winter landscape / snow scene, by...

Good early 19th century Swedish folk painted wall panel depicting a flowering urn with perched bid, surrounded by several scroll-painted borders, all in pleasing blues, grays and ora...

Oil on canvas, orientalist scene, signed Louis Saphier. This lovely painting was executed around 1920. Louis Saphier was active and lived in both New Yor...

18th century Spanish school still life flowers oil on canvas painting. Dimensions with frame: 44.5 x 54 x .2.5.

Exquisite and colorful original oil on canvas painting by 20th century French painter, Joan Mayor, from the 1940s, depicts a ravishing woman or pin-up girl ...

Original oil on canvas, tonal-style landscape painting by listed, deceased, famous artist, William Keith (1838-1911). Painting features a group of majestic trees near a pond of water...

Artist: Jean Carolus Painted: 1862 Medium: Oil on board Interior Scene Period: Romanticism Signed & Dated: Lower left J. Carolus 1862 Dimensions: H: 24 3/4 / 62.8 cm W: 18 3/4...

Large size Spanish "bodegon" still live oil on canvas painting with flowers, fruits and birds.

"FANTASY" by Thomas Hart Benton. Oil on canvas laid on wood with a gorgeous gold gilded frame. Price upon request.

vibrant beauty of Haiti with this stunning original acrylic painting titled "Parrots in the Jungle," signed by the talented artist P.T. Donald. This exquisite piece is a true testa...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

Leonard Thorpe "Nelson's Column" original oil painting, circa 1960 Nelson's Column is a monument in Trafalgar Square in the City of Westminster, Centra...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by the master Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

A beautifully executed kneeling nude by artist Gustav Rehberger, an Austrian-born American painter (1910-1995). Internationally acclaimed, Gustav Rehberger was properly called as a ...

An oil on canvas portrait of a young French courtier, circa 1690. This evocative antique French-school picture has been attributed to the portrait painter Jean-François de Troy (1679-1752). De Troy was famous as a portrait painter of fashionable society women. This is a very attractive late-17th century painting surviving in its original frame and stretcher. The canvas appears to be untouched. References: 'Jean François de Troy, The Alarm, or the Gouvernante Fidèle', at the Victoria and Albert Museum, London. 'Jean François de Troy, Paris 1679 - Rome 1752', at the Thyssen-Bornemisza Museum. Laurie G. Winters, Troy, de, Grove Art Online, Oxford Art Online, Oxford University Press, 6 May 2016. Everett Fahy & Jayne Wrightsman...

Moroccan Orientalist oil on canvas painting of a 19th century Moroccan market scene with an old men seating on a carpet selling old coins and a Moorish...

A large-scale original oil painting by R. DeLongprie, circa 1970s, depicting an exquisite arrangement of lush houseplants rendered in intricate, lifelike detail. Measuring approximat...

Oil on canvas depicting a French harbor scene with nearly barren trees in the foreground with branches criss-crossing across the structures, an aqueduct to the right, the reflective ...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

18th century Italian spolvero 'cherubs' pattern printed onto canvas and framed with an antique scroll frame and adorned with fossil agate coral. Spolvero is an artistic method of tr...

Delightful naive painting of possibly fish hawkers or market traders Possibly Italian. Venetian? Amazing colours. Coarse canvas. Artist unknown. Initial A.D to bottom left. Pre...

A later and large execution of ‘Spring ‘ of the Four Seasons series by Francois Boucher in the Rococo taste , the originals around 1755. (and for Madame Pompadour). A Shepherd conver...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

Jean Antoine Watteau (1684-1721) circle of. 18th century old master painting, France. With great pride we offer an extremely rare masterpiece from the 18th century, France. This painting is unsigned as most of his works. It has no provenance, but carries with it all the earmarks of the great Rococo style school of Watteau. It pictures one of his famous outdoor parties with a group of frolicking young people. In the background is a reference to a swing, a favored subject in his paintings. The composition of the painting, colors, brushstrokes (especially in the fabric) is clearly Watteau’s studio. This large 18th century canvas...

Pietro Gabrini (Italian, 1856-1926) a very fine and large oil on canvas "Three Singing Italian Beauties on The Road" depicting three cheerful Village young maidens walking through a ...