Canvas Decorative Art

Rare double-sided painting by Jan Andre Perroud of a nude with two cats and yellow shawl on the front. The rear side has a charming sailboat scene. The pa...

Beautiful original plein air impressionistic and realistic style, oil on canvas painting, features a wooded landscape, with magnificent trees which dwarf a woman and child, who are w...

1970s Jaime Parlade designer hand painting "Walking Horse" oil on canvas horse.

Original oil on canvas laid on board, coastal scene with vibrant sunset. Signed and dated AW, 1918. Artist: Albert Wang (b. Horsens 1864, d. Hellerup 1930) Condition: May benefit from surface cleaning. Minor retouches. Please refer to professional photos to clearly understand finish, details, condition, etc. With over 37 years of experience selling European antiques, our brick-and-mortar storefront, Round Top Ranch...

Vividly colorful and classically composed, yet loosely painted, this original still life oil on canvas painting of flowers in a vase on a table is a fine example of the work of famous, listed, deceased American Impressionist painter, Louis Ritman...

Pierre Gaston Rigaud Oil on Canvas Painting "Arbres" Trees French School Antique . “Arbres” by Pierre Gaston Rigaud. French School Dated 1925. Oil on Canvas. Rigaud was a student of ...

18th century French Rococo Painting Circle of François Boucher This idyllic pastoral oil painting shows Boucher’s impact on this f...

A lovely antique oil on linen painting from Spanish Colonial period late 18th-early 19th century. In the style of Classic Cuzco School, the painting depic...

17th C Neapolitan School Painting Oil Canvas Old Master Mola Giovanni Battista . Circa 1600’s important Painting Oil on Canvas painting of a boy with a bird, in original Hand carved...

Scandinavian Swedish 1960s Wall Hanging Crewel Tapestry Picture Wall Art A very well executed hand produced Swedish crewel needlework, wood and silk th...

16th Century Spanish Colonial Oil on canvas painting of the Virgin of the Immaculate Conception. In this representation of the Virgin Mary being f...

19th C. Italian Capriccio Ruins of Church with a Cemetery & Gravediggers Apparently Unsigned Oil On Canvas: 13.5-inches high x 16- inches wide Framed : 18-inches high x 22 - inches w...

Heinz Pinggera (Italian, b 1900) "A Recital for the Cardinal" oil on canvas within a gilt-wood and gesso frame. The interior 18th century rococo scene depicting a seated Cardinal or ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original pair of John W Morris signed Victorian oil painting of Sheep...

A beautiful painting representing an exotic half-nude woman, dressed in a colourful (possibly straw) skirt, with a similar headpiece and choker. The canvas and the back side are full...

Good early 19th century Swedish folk painted wall panel depicting a flowering urn with perched bid, surrounded by several scroll-painted borders, all in pleasing blues, grays and ora...

Early copy of Dutch painting. Oil on canvas in antique style wooden frame. “Elisabeth Bas (1571, in Kampen – 2 August 1649 in Amsterdam) was a figure in the Dutch Republic. She was the wife of Jochem Hendrickszoon Swartenhont, an admiral in the navy of the Dutch Republic and military hero. The portrait is now in the Rijksmuseum Amsterdam, where it is known as Elisabeth Bas and attributed to Ferdinand Bol...

Lovely 18th century Italian framed painting on canvas of a group of musical instruments, including a French horn, lute, violin and pan flute, all hanging from a ribbon with a big bow...

Antonio Fuertes 1986, oil on canvas painting of Moroccan fishermen.

A black-yellow, dark green antique Austrian still life oil on canvas painting depicting a clear glass vase with many flowers painted by Franz Xaver Pieler in a hand carved, original gilded wood frame, in good condition. The colorful painting depicts a dining table in a DIM room, representing the 19th...

Impasto winter scene oil on canvas by American Artist David Crespi (1928-1992) Heavy impasto style of village in the snow fall. Palette knife technique.

Very Large Landscape Verdure Pastoral Oil on Canvas, Ch. Boulogne Cows Watering Verdure painting. Signed Artwork. The “Cows Watering by the River at Sunset” 4 feet height x 7 feet &...

Vintage still life oil painting of multicolored roses in a vase. Signed by artist in lower left corner.

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A dark-blue, black abstract interior with chairs and window surround, oil on wood in canvas on a blue frame by Daniel Clesse, painted in France, signed and dated circa in 1970. Dani...

Surreal hyper realistic trompe l'oeil oil painting by Latin American artist Victor Del Castillo. Peaches, grapes and cherries in rich brilliant colors and incredible detail. Measures...

Hand-sewed rice straw art by ARKO. Title: Composition Rinforzando This is one of the series named "Composition XX" Her works have the feelings of...

Antique early 19th century Spanish Andalusian oil on canvas portrait painting. Dimensions with frame: 94x81x4cm.

Rare River landscape with three fishermen on a bank and a ferry arriving at a fortified village beside a lake, oil on wooden panel, firmly attributed to be the work of Cornelis Gerri...

Unsigned. Ca. mid-19th c. portrait of a lovely seated lady wearing a black dress with a fine broad lace collar, a sign of her high status in socie...

Ardath Coldwell (American, B.1913) "Red Shoes" original oil painting, circa 1960s Original oil on canvas by listed American artist Ardath Coldwell. A beautiful young woman wearing a blue dress and red shoes. Canvas dimensions 10" wide x 14" high. The frame measures 15.25" wide x 19.25" high. Signed in the lower right corner. Very good condition. Born in Portland, OR on Sept. 16, 1913. After attending high school in Salem, Coldwell moved to San Francisco in 1933. Enrolling at the CSFA, she studied under Ralph Stackpole...

A large oil-on-canvas painting depicting an exotic bird on a colourful lake, entitled ‘Kingfisher’s Kotillion’ and dated 1980. The painting is sectioned in two: on the left is the lake backdrop, and on the right is where the bird is sitting atop a flowery composition. This painting is the epitome of 1980s American interiors, with its bold pastel shades. A true 1980s Miami Palm Beach artwork...

A large French 19th century oil on canvas laid on board painting in the manner of François Boucher (French, 1703-1770). The oval framed canvas depicting a version of Boucher's "Venus...

Canvas painted in linen representing an elegant Art Deco style, on a background in green tones. Contemporary French work. The production time indicated is approximate. Please conta...

A French blue, green abstract portrait of books, oil on wood in canvas by Daniel Clesse, painted in France, signed and dated in 1964. Measures: Without the frame: 18" H x 21.5" W x ...

Signed and dated 58 lower left. A textured oil on canvas illustrating a French street scene with market seller's umbrellas along a park. Shops are along the street with figures. Two ...

Guglielmo Napoli (Pavia, 1868 - Genoa, 1945) The betrothed Oil on panel, 46.6 x 68 cm Frame 73 x 81 cm Signed lower left "Gugl . mo Napoli Dipinse" The work in questi...

A Swedish still life floral oil on canvas painting from the late 18th century, painted in the manner of Dutch artist Paulus Theodorus van Brussel. This exquisite Swedish floral paint...

La Estrella, 2019 by Maria Jose Franco Maldonado From The Ventura Series. Embroidery thread on canvas Image size: 27 cm H x 17 cm W Frame size: 40 cm...

A 19th century French oil painting on canvas depicting classical figures in landscape, with a standing gentleman presenting bouquet of flowers to a sitting lady. Signed: Jules Garson...

Painted canvas representing animals on an exotic forest background. Work of contemporary French artists. Dimensions: H 220 x W 120 cm Reference: LS61281089I We have another canv...

A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...

Oil on canvas depicting a French canal scene in the winter with trees still bearing the last remnants their foliage while snow covers the ground. The cana...

We are proud to offer an exquisite early 20th century French hand lettering trade sign. This is truly a unique piece of trade sign retail art in our opi...

Hand-sewed rice straw art by Arko. Title: Composition Accelerando #01 This work has the feelings of contemporary, tribal art, contemporary craft art, ...

A light-yellow, green antique German oil on canvas painting, portraying a sunny day in a breakfast room with red, white flowers in a vase, painted by Wilhelm Kricheldorff in good con...

1970s Jaime Parlade Designer hand painting "Tigers" oil on canvas.

A fine and large French 19th century old master school oil on canvas titled "Leda and The Swan" within a giltwood frame. Leda and the swan is a motif from Greek mythology, in which Z...

French three panel decorative painted canvas folding screen with dogs playing in landscape scenes, perched musical monkeys, and foliage motif. Early 19th century.

Wooden produce sign found in England, circa 1920s. Wood foundation is covered in strips of canvas which have been hand painted by unknown artist.

Friedrich Ortlieb (German, 1839-1909) A fine and large oil on canvas titled "New Year's Day at The grandfather's". The joyful indoor family scene depicting a Christmas and new year's celebration with an elder seated couple, the grandparents, the grandmother holding a toddler on her arms, the grandfather with his smoking pipe by his side, both enjoying a young boy's (grandson) poem recital, while other children await their turn with gifts as the mesmerized young parents Stand and watch in awe. A Christmas tree by the window, a cat sneaking by and a basket with wine and bread awaits being delivered as a gift to the elders. A young boy sits patiently on a chair, an apple and an umbrella by his side. Signed: Fried Ortlieb, München 1873 - (lower right). An engraved brass plaque reads "New Year's at the grandfathers - Friederich Ortlieb 1839-1909) Munich, circa 1873. Friedrich Ortlieb was an accomplished artist, born in Stuttgart in 1839 and died in Munich on the 4th October 1909. He received his formal art training at the L’Ecole des Beaux-Arts in Stuttgart and also at Steffeck, Berlin. He exhibited widely, though most notably in Dresden and Vienna from 1871. He is best remembered for his genre scenes with children as shown in this finely detailed example of his work. Epitomizing the very best in this genre, Ortlieb depicts the character and personality of the children in joyful situations with accuracy and great sensitivity to the subject matter, a frozen moment in time with so much detail and emotion expressed in the children’s and elder's faces. Related literature: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs by Gründ, Volume 8, Page 41 Provenance: Grogan & Company, Dedham, December 5, 1999 - Sale No. 81, Lot 13 Gallerie in Paris, 2000 Christie's New York 2003 Paris art gallery...

Pair of American oil on canvas portraits in the original floral gilt frames and stretchers. South Carolina, Late 18th century. Signed Dr. Anthony Hemingway on re-verso.

We are delighted to offer for sale this lovely original 19th century Dutch oil on canvas of an old man with very grey hair and an almost Irish looking hat which is part of a suite ...

Set deep in the heart of the Asian countryside, this scene is reminiscent of the long-standing Oriental villages that existed in synchronicity with nature. The brilliant shades of brown and green evoke feelings of being at one with the Earth. Place this entrancing Thai painting...

18th century Italian spolvero fresco pattern printed onto canvas and framed with an antique molding frame and citrine crystals. Spolvero is an artisti...

1970s Jaime Parlade designer hand painting "Walking Horse" oil on canvas Horse.

A fine Franco-German 19th century oil on canvas "Portrait of a Lady" depicting an 18th century young beauty posing with a profile gaze and cur...

Large original oil painting of Maine landscape by Henry Varnum Poor.

Large 19th century French oil/canvas titled ‘Byblis’, by Pierre Poujol. In Greek mythology Byblis or Bublis was the daughter of Miletus. Her mother was Eidothea, she was acknowledged...

Portrait of a Monkey, 'Ruby', Painted and Inscribed by John Sutton, December 1, 1955 A captivating portrait of a monkey named 'Ruby,' painted and inscribed by John Sutton on Decembe...